Les Géants de l'Ouest

"The Undefeated" is one of the finest of John Wayne's later westerns, "True Grit" excepted and taking into consideration that "Big Jake" is nothing to slouch at.

"The Undefeated" is the Duke's biggest large-scale epic since "The Alamo" a decade earlier. The battle scenes and the shots of the horse drive are stirring and impressive.

Another thing that separates this film from other post-1965 Wayne westerns (except for "The Cowboys") is the dialog. It's sharp, crisp, witty and often fun.

Here's a good example of that sharp, witty & pointed dialogue: Duke and co-star Rock Hudson had just returned to their camp after being forced to kill a Mexican bandit leader, who, with his gang wanted Rock & Duke's valuables, their horses and their women. When one of the women asks the Duke why he had to kill him, he replied matter of factly, "The conversation sorta dried up." Classic stuff!

And Hugo Montenegro's memorable score is terrific - the best work I personally have heard from him. It helps perpetuate the whole notion that this is indeed an epic western.

I'm amused at some of the wanna-be Rex Reed's here, the "I am a critic so I can't really, actually, truthfully admit that I loved something like this" with their "ho hum, it's passable, I guess"; and their "it's an okay time killer if you've got nothing better to do." How too, too cool. Give me a break, you elitist wanna-be's!

"The Undefeated" is long on length and even longer on entertainment. This is a grand western.

Set in the period just after the Civil War, "The Undefeated" pits ex-Union officer John Wayne against ex-Confederate officer Rock Hudson in an amiable, if uneven, big-budget western. Hudson, as Colonel James Langdon, leaves his ancestral home after the defeat of the Confederacy and leads his family and friends southwards on a trek to find a new home in Emperor Maximilian's Mexico. Meanwhile, Colonel John Henry Thomas, played by Wayne, gathers his ex-army buddies and endeavors to round up and sell horses to the U.S. Army. The two men and their followers meet up in Northern Mexico and find themselves embroiled in the struggle between French-backed supporters of Maximilian and Mexican nationalists who back Benito Juarez. The resulting film, directed by Andrew V. McLaglen, is a predictable western with enough action and friendly verbal sparring between the former battlefield enemies to entertain for the two-hour running time.

Besides Wayne and Hudson, the cast benefits from such veteran western stalwarts as Bruce Cabot, Ben Johnson, Paul Fix, Harry Carey Jr., John Agar, and Dub Taylor. However, the film's most outstanding assets are a fine musical score by Hugo Montenegro and exceptional cinematography by William H. Clothier; Clothier captures sweeping vistas of northern Mexico, a herd of galloping horses, mounted cavalry advancing across battlefields, and horse-drawn wagons fording a river that enhance the visual spectacle of "The Undefeated."

Unfortunately, the film falters during a silly mass fist fight between the Northerners and Southerners, and the anachronistic romance between a Native American scout and Langdon's daughter creates a time warp; the pairing of a Southern white woman with a Native American in the days after the fall of the Confederacy is pure fantasy. Well coiffed and made-up ladies in formal French gowns dining on make-shift tables outside their covered wagons is also a stretch of credibility; no dust or grime intrudes on their frontier life. The friendly bonding between the former adversaries Langdon and Thomas and their followers is equally unlikely, and, although Wayne and Hudson make strange bedfellows, they work well together. While not among the landmark westerns of Wayne's career, "The Undefeated," elevated by Clothier's outstanding cinematography, Montenegro's score, and a supporting cast of familiar western faces, is solid entertainment and well worth discovering or re-discovering.

The Civil War is over but certain Confederate units refuse to call it quits. Colonel John Henry Thomas (played by The Duke)and his gang encounters one such band of rebels at the start of this film. Then there is the unit led by Colonel James Langdon played by Rock Hudson. They accept the fact the war is over but decide rather than live under the stars and stripes head out lock stock and barrel for Mexico women and children included. Wayne and his men bid farewell to the Army and set out to make a buck or two rounding up and selling wild horses. Wayne and his men cross paths along the way with Hudson and his refugees which make up the bulk of the story.

It's a little easy to understand Thomas and his men but not so easy to understand the Langdon group. When they encounter trouble it's almost hard as a viewer to have any pity for them.

Wayne gets support from a number of actors who co-starred with him in several of his films. Veteran character actor Dub Taylor is along as a nasty Chuck Wagon driver. Former Los Angeles Rams Quarterback Roman Gabriel is cast as a native American who served for Wayne during the war and is now his main man when it comes to tracking, scouting etc. Gabriels Ram teammate Merlin Olsen is also featured as a Confederate soldier who hates to fist fight but is called upon to do so. Decent western John Wayne film all in all. The Confederates may have lost the war but in this film they certainly ate better than the Yankees do.

The Undefeated is directed by Andrew V. McLaglen and adapted for the screen by James Lee Barrett from a story by Stanley L. Hough. It stars John Wayne & Rock Hudson, features a musical score by Hugo Montenegro and William H. Clothier provides the South Western cinematography.

Much yee-hawing and lots of patriotic fervour, The Undefeated is a fun and undemanding way for the Western fan to spend a couple of hours. Plot basically revolves around some post Civil War rivalries between Union and Confederate leaders played by Wayne and Hudson respectively. Both men and the groups they have under their control, get mixed up in the Maximillian/Juarez revolution in Mexico. Cue moral quandaries, big decisions and life affirming human interests; as McLaglen (aided by Wayne apparently) directs unfussy without pushing the envelope of Western directing. True enough at times the tone is uneven, it's hard to tell if it's meant to be light hearted or serious during some passages (kind of why John Ford was a genre master since he could achieve it comfortably), and some casting decisions are rather baffling (hello Roman Gabriel); but it's all very spirited, especially Hudson, to round it out as a solid genre offering from the late 1960s. 6.5/10

Saw this film around 30 years ago. At that time I thought it just a fairly formulaic star vehicle, bringing together the grizzled, typical Wayne cowboy character with someone who was a newer and - at the time -a really big name in Rock Hudson. Seeing it anew in 2007, I realise my earlier estimate was too dismissive by far. It has a good plot with many original aspects, well described already on the web-site by earlier reviewers, especially the linkage of US civil war with events happening at the same time in Mexico. Not being a huge fan, ordinarily, of either of the main stars, it has to be said they both turn in good performances and are fully believable as leaders whom other men would naturally follow, and who inspire fierce loyalties. The dialogue has a few unexpectedly good lines and is generally above average standard. The stars play it light-heartedly, and this gives the film warmth, colour and humour. Some aspects of the film, admittedly, conform to the hackneyed Wayne cowboy film recipe, such as the free-for-all fist fight, but in general the film stands up well nearly 40 years after it was made, and it has held on to a much more modern feel than other Wayne westerns. The musical score just about carries enough grandeur to match the action and the occasionally majestic cinematography, especially the scenes involving the drive across country of a few thousand horses. Any film-lover who enjoys the more upmarket western should give this film a try. The nearly two hours pass quickly, and it's a film to make you think (about the nature of war against your fellow countrymen, about loyalty, friendship and heroism) and escapist enough to make you smile.