The Body Stealers

This is a fairly typical low-budget British sci-fi from the late 60's, and has as its 'stars' George Sanders and Patrick Allen, themselves quite common in such films. Things kick off to a fairly intriguing start, when parachutists start disappearing mid-jump. It's serious enough to make even the Army put down their cups of tea and investigate - or rather to call in top-whack investigator and philanderer Bob Megan (Allen) to see if he can get to the bottom of it. He sets about his task by doing a good deal of leering at various secretaries and pretty young scientists before waving a Geiger counter around and meeting a mysterious lady on the beach at midnight. She's no raving beauty but Bob has a go anyway, before wandering back to his digs and looking like he might manage a quick one with his over-the-hill landlady. But no, he's got a busy day ahead. Quite what happens next is spoiler territory, and I can't remember anyway. Worth a go if you like wondering how much the actors got paid and why.

The Body Stealers (a.k.a Thin Air) is truly one of the most dreadful movies you'll ever have the misfortune to see. Simply because there are some notable names on the cast list, you mustn't think that it is remotely good. Everyone in this movie must have needed some fast cash to clear their debts. How else can you explain such a strong cast being lured into such an obvious bomb? OK, that's a bit cynical - nobody actually sets out to make a bad film - but whatever the original intentions were, the resulting film is an utter loss.

It's a science fiction story in which the military investigates several cases of parachutists vanishing in mid-air. For the first ten minutes, the peculiar mystery promises to build up to an intriguing resolution, but the promise rapidly evaporates as it becomes apparent that the answers are going to be childish rather than ingenious.

This is hilariously bad, to such an extent that it makes even the worst episode of Doctor Who look like it had high production values! You'd have to be a disturbed eight year old to figure out what the hell is going on as the solution draws close. Still, why worry about it when clearly the actors involved don't look interested either? One interesting thing about the film is the inclusion of Neil Connery (Sean's brother) in a significant role... believe me when I say this guy is no actor!

Not a great movie low budget somewhat dated however have seen a lot worse e.g. The Avengers movie. Patrick Allen is business like in the lead. Passable if not particularly memorable film.

This film is worth seeing just for the opening sequence alone. A surprise from the outset leading into a thunderous Sixties-style score, before the rot sets in. There is curiosity value for a performance from Patrick Allen (The Jaw, in what nearly amounts to a leading role) and a very rare appearance of Sean Connery's brother Neil in one of only two film roles that he made that I am aware off. Mid-way the love interest on a moonlit beach really sags and does not help the film much, while the ending is a let down and even stranger to see a prop stolen from the Doctor Who film Daleks: Invasion Earth. I almost expected Peter Cushing to materialise out of.....THIN AIR!!! Still, overall I found it...quite enjoyable!!

The tale of paratroopers who disappear, literally, into thin air, this film is an odd watch forty years later. It's primary interest lies more in what it says about the time, than the film itself.

Released in 1969 three influences loom large.The year that Man first landed on the moon it reflects a fascination with, and fear of, what might lie in outer space. Militarily we were also in the midst of the Cold War when anything unexplained, and potentially evil, automatically raised the question of Communist involvement. And finally James Bond was the dominant screen character, and his shadow falls long here in more senses than one.

Veteran, square jawed character Patrck Allen, bulldozes his way through the role of an expert,Bob Megan, called in to solve the awkward problem of disappearing parachutists. One extraordinary scene speaks volumes for the Bond "character" and perceptions of women at the time. Megan chances upon a scantily clad beauty enjoying enjoying a solitary moment taking in the evening and then makes advances on her which vacillate between sexual assault and rape. No sooner is he introduced to a shapely scientist in a pencil skirt than she too is subjected to his clumsy male machismo which in the 21st century looks appalling.Of course both women come back for more. When he IS offered sex on a plate by the blousey, but ageing, hotel owner he rebuffs her to reinforce yet another sexual stereotype, the ageing temptress who can't get it because she has had it.

The Bond theme is further explored by the presence of Sean Connery's brother Neil, as Megans sidekick John Radford, in one of only two screen performances. Bearing a strong resemblance to Sean, his acting talents are strait jacketed by a preposterous script.

A dreadful ending combines the worst of "Dr Who" and "The Champions", suggesting that a 30 minute running time, rather than three times that, would have suited all concerned somewhat better. A hopeless film, but a fascinating sixties curiosity.