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A Touch of Love

  • 1969
  • M
  • 1h 47min
NOTE IMDb
6,3/10
551
MA NOTE
A Touch of Love (1969)
Drame

Une jeune femme londonienne, étudiant pour son doctorat au British Museum, passe ses nuits à essayer d'éviter l'admiration sexuelle des hommes dans sa vie.Une jeune femme londonienne, étudiant pour son doctorat au British Museum, passe ses nuits à essayer d'éviter l'admiration sexuelle des hommes dans sa vie.Une jeune femme londonienne, étudiant pour son doctorat au British Museum, passe ses nuits à essayer d'éviter l'admiration sexuelle des hommes dans sa vie.

  • Réalisation
    • Waris Hussein
  • Scénario
    • Margaret Drabble
  • Casting principal
    • Sandy Dennis
    • Ian McKellen
    • Michael Coles
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,3/10
    551
    MA NOTE
    • Réalisation
      • Waris Hussein
    • Scénario
      • Margaret Drabble
    • Casting principal
      • Sandy Dennis
      • Ian McKellen
      • Michael Coles
    • 14avis d'utilisateurs
    • 6avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 nomination au total

    Photos8

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    Rôles principaux29

    Modifier
    Sandy Dennis
    Sandy Dennis
    • Rosamund
    Ian McKellen
    Ian McKellen
    • George
    Michael Coles
    Michael Coles
    • Joe
    John Standing
    John Standing
    • Roger
    Peggy Thorpe-Bates
    • Mrs. Stacey
    Kenneth Benda
    Kenneth Benda
    • Mr. Stacey
    Deborah Stanford
    • Beatrice
    Roger Hammond
    Roger Hammond
    • Mike
    Eleanor Bron
    Eleanor Bron
    • Lydia
    Margaret Tyzack
    Margaret Tyzack
    • Sister Bennett
    Maurice Denham
    Maurice Denham
    • Dr. Prothero
    Rachel Kempson
    Rachel Kempson
    • Sister Harvey
    Raymond Adamson
    Raymond Adamson
      Lewis Alexander
      • Man in Canteen
      • (non crédité)
      Jim Brady
      Jim Brady
      • Man Boarding Bus
      • (non crédité)
      Fay Bura
      • Bus Passenger
      • (non crédité)
      Shelagh Fraser
      Shelagh Fraser
      • Miss Gurnsey
      • (non crédité)
      Penelope Keith
      Penelope Keith
      • Nurse
      • (non crédité)
      • Réalisation
        • Waris Hussein
      • Scénario
        • Margaret Drabble
      • Toute la distribution et toute l’équipe technique
      • Production, box office et plus encore chez IMDbPro

      Avis des utilisateurs14

      6,3551
      1
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      10

      Avis à la une

      3moonspinner55

      Depressing drama

      British-made feature involving a pregnant and unmarried woman making life choices. The combined talents of director Waris Hussein, usually a very fine, quirky filmmaker, and Sandy Dennis in the lead should have resulted in something more touching than this. The lead character is in such a passive fog that she becomes vacuous. Dennis uses a subtle local accent but spends most of her time on screen fiddling with her lifeless hair. She was obviously trying to stretch her abilities passed her kooky screen persona, but a somnambulant Sandy doesn't do her--or us--any favors. The film isn't incompetent, but it's washed-out, dishwasher-dull. Also known as "Thank You All Very Much". *1/2 from ****
      7twokeets

      Early Look at Some Cool Actors

      I enjoyed this film. It was a slice of its time-late 60's London. I especially enjoyed seeing early performances by some very cool actors-Sandy Dennis, Eleanor Bron and Ian McKellan. Ian played a sort of lothario which was fun to see. My only doubt is about Sandy Dennis as the lead. I wonder if she was miscast. I love her, she is a favorite of mine, but I'm not sure if I accept her as a British girl. But it's a treat to see her at this young age. She plays a character that is strong willed and apparently doesn't care what society expects of her. This movie has an arty, literary quality to it which I always like. Eleanor Bron is fabulous as always. Not a film for most people, probably, but that's what makes it interesting.
      9gerald.dorman

      Watch it for Sandy Dennis McKellen, etc, and M.Drabble's Novel

      After seeing Sandy Dennis in all her somewhat-quirky roles ( I even saw her hit '60,s play "Any Wednesday", before she got into films), it was almost a revelation: how beautiful and fine her performance. Also, interesting as time warp: 60's situation and attitude, also all the other fine performers when they were young( Bron, Standing, McKellen )
      5jefadlm-1

      Ditchwater dull......

      I saw the first 7 or so mins. And realising i was due to miss Ian Mckellen who never fails to fill his excellent acting with every sinew of his mind and body.

      As Ms. Dennis is the supposed major role here, she reminded me of what i I regard as the ghastly mundane side of 1960s and 70s Brit . Attempts That s to portray characteristic Englishness ! That said Waris Husein is usually an excellent reason to view anything he directed . Unfortunately , not this time !

      An indication of good, bad or indifferent films often seems to be indicated by the tiny, or medium sized, or huge.numbers of reviewers ? This one I think has 10 reviews, my opine being the eleventh ! And sure enough it seems those small numbers are in agreement , or rather i am in agreement with them ! I changed channel to Dunkirk with Kenneth Branagh made in 2017 ! That film modestly has I believe over 200 reviews, albeit some viewers were far from satisfied , which is clearly irrelevant for this review? So, "A touch of love" is not an absolute flop, it simply does not reach the heights in 2022 that it may have been enjoyable for its viewers in 1968 or was it 69 ? That said, with all due respects to Mr Hussein, this film has no bite compared to a number of others from those years, "The L. Shaped Room" springs to mind and many others from those earlier years which definitely stands the (sometimes) brutal test of time ! The occasional similarities betwixt and between those 2 films produced within the same time frame is fascinating to observe ? Both love stories, both far apart from each other in my final assessment there are as i have said, many others,, one in particular that was produced in 1947 , which i have already reviewed not only favourably, also as one of the very best conclusions of any film i can recall, apart from most , almost all of Kubricks genius ?
      9alofsky

      Excellent Moody Melodrama Captures the Period

      I wish this were on DVD. I know it is an esoteric film but it is a little gem starring Sandy Dennis when she was at her peak popularity.

      Despite the commentary on the miserable part of living in England, London is beautifully photographed and is almost its own character in the film.

      Also a great history lesson for young women on how oppressive sexual mores(more-ays) once were before Blondie, Britney and Madonna.

      Young Ian McKellen is in this for all fans of the awful Lord of the Rings Trilogy. For those who want a juxtaposition of what films once were, just watch these two McKellen films that bookend his career.

      This is a great film to watch on a rainy afternoon.

      Centres d’intérêt connexes

      Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
      Drame

      Histoire

      Modifier

      Le saviez-vous

      Modifier
      • Anecdotes
        Margaret Drabble's original novel was titled "The Millstone", an ironic reference to the baby the unmarried heroine finds she's expecting, while trying to complete her doctorate. This was the working title for this movie, but it was deemed unsuitable and not commercial. In the U.S., this movie was released as "Thank You All Very Much", the sarcastic remark the heroine makes to a group of student doctors after they have studied her case at length, without ever speaking to her, nor making any acknowledgment of her as a person.
      • Gaffes
        At 6:41 minutes, Rosamund takes off her blue blouse. She then walks to the bath and she has her blouse on again.
      • Citations

        Lydia Reynolds: But you ought to tell somebody, Ros. Somebody ought to help you out. What about your sister?

        Rosamund Stacey: My sister's got three of her own.

        Lydia Reynolds: Then get your mother home.

        Rosamund Stacey: Lord, Lydi', the last thing on Earth I want is my mother home.

        Lydia Reynolds: It's none of my business but what about this man, whoever he is?

        Rosamund Stacey: Look, Lydia, you don't know him, he doesn't know it's happened and I'm not going to tell him so let's forget about him shall we?

        Lydia Reynolds: Sorry. Do you love him, whoever he is?

        Rosamund Stacey: Love him? I hardly know him.

        Lydia Reynolds: [finding what she was looking for] I don't know, this place is so chaotic.

        Lydia Reynolds: You know, I was pregnant once. Of course, I was determined not to have it. So I got this man to give me the name of one of those really expensive chaps who do it legally on psychological grounds. You know, private nursing home and all that lark. So I made an appointment. And off I went to convince this man that if I had this baby I was going to be a complete mental and physical wreck. He seemed quite moved actually; very sympathetic. I thought I was well away. And then, he said he was awfully sorry but he couldn't possible recommend termination of pregnancy in my case. And do you know why? Because I was too nutty.

        Lydia Reynolds: He said I was far too sensitive and neurotic and if I had an abortion I'd just have a breakdown with guilt feeling. I tried to explain that I hadn't the least intention of having a breakdown. So he said why was I there then? He'd got me either way, you see.

        Lydia Reynolds: This is the funny bit: I was in such a panic that I rushed straight across the road without looking and got knocked down by a bus. And that did the trick. The shock, I suppose. So I got carted off to hospital, all innocently bleeding, and all for free.

        Rosamund Stacey: What a stroke of luck you had then.

        Lydia Reynolds: Quite one of life's little ironies.

      • Connexions
        Referenced in Monty Python's Flying Circus ; Absurde, n'est-il pas?: Full Frontal Nudity (1969)

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      FAQ16

      • How long is A Touch of Love?Alimenté par Alexa

      Détails

      Modifier
      • Date de sortie
        • septembre 1969 (Royaume-Uni)
      • Pays d’origine
        • Royaume-Uni
        • États-Unis
      • Langue
        • Anglais
      • Aussi connu sous le nom de
        • Thank You All Very Much
      • Lieux de tournage
        • Marylebone, Westminster, Greater London, Angleterre, Royaume-Uni(on location)
      • Sociétés de production
        • Amicus Productions
        • Palomar Pictures International
      • Voir plus de crédits d'entreprise sur IMDbPro

      Spécifications techniques

      Modifier
      • Durée
        • 1h 47min(107 min)
      • Couleur
        • Color
      • Rapport de forme
        • 1.66 : 1

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