Stereo

While this rare student film of Cronenberg's was certainly a pleasure to come across, it sure as shoot didn't offer much for pleasure or entertainment period once actually viewed. Designed as a "faked" B & W, voiceover-only documentary on the extra-sensory/psychic abilities of a group of young subjects in an enclosed secluded laboratory, with the big problem being that "faked" documentaries on any subject generally manage to make themselves entertaining by being either funny (as was the case with "Spinal Tap," "Waiting For Guffman," "Fear Of A Black Hat," etc.), or disturbing/disgusting/scary/whatever (i.e. "Blair Witch," "The Last Broadcast," "Snuff," etc.) Unfortunately this film didn't seem to try to take any sort of emotional approach to the material--it didn't even have any of the nauseating gore & makeup effects characteristic of his later films like "The Brood" and "The Fly"--and thus simply managed to be tedious and unrewarding.

While it is enjoyable to see some of Cronenberg's early stock actors at work here (some of whom would later have smaller roles in his later films), and the subject matter for the film is an obvious precursor to his later "Scanners," ultimately the darn thing will probably do little more than offer the completists out there some rather unenthusiastic bragging rights. Whatta snooze!

Although he is better known for his 'body horror' work and scenes of squirm-inducing gore, the most prominent theme that runs throughout the career of David Cronenberg is the idea of finding an extra stream of consciousness through sexual release. From his serial-raping zombies in Shivers (1975), to his portrayal of Carl Jung, Sigmund Freud and Sabrina Spielrein in A Dangerous Method (2011), he has adopted a psychoanalytical aesthetic between scenes of exploding heads and killer tots. His début, Stereo, is his student film that is an early reflection of his fascination with psychology, made on an obviously shoe-stringed budget, shot in one location.

The film begins with the arrival at what looks like a research facility of a man wearing a black coat. As the narration begins to explain, the man is a telepath, a product of a social experiment to observe behavioural patterns between three telepaths in a closed environment. Having had their ability to speak removed, they must communicate only via telepathy, and through this telepathic bonding, begin sexual experimentation. The experiment is being carried out by the unseen Dr. Luther Stringfellow, who hopes that the powerful relationships which are forged through the telepaths - that evolve to deem such things as sex or physical attraction irrelevant - will come to replace and stabilise the traditional family unit.

If you could label Stereo as anything, it would have to be ambitious. Although the subject is purely psychoanalytical, the approach is very sci-fi. The film is black-and-white, featuring no sound at all apart from the near-constant narration, which is spoken in the same dreary tone as you would expect from a student vocalising an essay. It's quite clear than Cronenberg was held back by budget constraints and equipment, and although you could forgive the film's narrative flaws, the lack of visual appeal combined with the monotonous, jargon-heavy, quasi- intellectual narration, make the film a struggle to get through, even at only 62 minutes. It would be harsh to say Stereo is for Cronenberg die- hard's only as it is often intriguing, but the film ultimately feels like struggling to stay awake during a University lecture.

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Sometime in the future, the Canadian Academy for Erotic Inquiry is investigating the theories of parapsychologist Luther Stringfellow. Seven young adults volunteer to submit to a form of brain surgery that removes their power of speech but increases their power for telepathic communication.

If you are looking for a film to show at a party, this is not that film. It is black and white, slow-paced and almost entirely silent. Your party people will fall asleep and call you a loser.

If you are someone who loves David Cronenberg or enjoys the study of film and camera techniques, I think you might find an interesting film here. While set up as a faux documentary about the study of "telepathists" at the "Center for Erotic Inquiry", there is very little plot and mostly just interesting scenes and visuals.

Watch the lighting, angles. Pretend you are a guest in the room, a voyeur but not a participant. Notice the dark and creepy feel, despite the fact the story itself is not creepy and no music is added. The angles and lighting alone can give the feeling of darkness and depression.

A beautiful film, and one that really laid the foundation for the next thirty years of Cronenberg greatness. His themes of medical oddities, unusual science and body horror are evident here. The exploration (voluntary or otherwise) of new states of consciousness via sexual experimentation is a major theme in "Shivers", "Videodrome", "Dead Ringers", "Naked Lunch", "M. Butterfly" and "Crash". To understand Cronenberg, one must understand this film.

This strange gem fits suitably in the creche of Cronenberg bit it's not for everyone that loves Cronenberg....Just the ones that are insanely in need of everything he has ever created. Its not because it's a bad film, on the contrary it is very intriguing. Its just incredibly slow and the sparse environment lack of color and mostly silent audio makes for a surreal but not very compelling film. There is no soundtrack...At all. There is no real dialog just moments of narration, which of course paints the picture moreso than the acting and mise en scene. Set in the Future, we are treated to a pseudo-documentary based on the scientific workings of a parapsychologist named Luther Stringfellow a famed member of the fictitious Canadian Academy for Erotic Inquiry. His thesis; It is hoped that telepathic groups, bonded in polymorphous sexual relationships, will form a socially stabilizing replacement for the "obsolescent family unit". The subjects will be seven young volunteers who will submit to experimental brain surgery to endow them with telepathic abilities and quench their ability to speak and be recorded daily. The film serves as a record of said experiment. This is where the film kinda falls down. The film gives us some interesting characters to watch, but their silence doesn't allow us to really know sympathize with them. Its like watching an acting class exercise in "emoting" or "mugging". A pantomime this complex needs some form of interpretive audio. While it is interesting to watch the actors go about their "telepathic" play, the drama comes off as stilted due to the highly scientific nature of the narration. Some long sequences that involve little or no narration do not pass quickly and create a kind of dream logic between film and audience. Are we getting what he is showing us? I dunno, as some of the action is so interpretive that we could be on a completely different plane of reasoning than what Cronenberg could be trying to describe. Heady, perhaps, but I think that Cronenberg was not trying to be pretentious, I think he was doing what a lot of first time film students do. Get in over their heads with grand ideas. I can forgive as I have done that myself, which is why I gave it 7 stars. Its not bad its just not for everybody.

Stereo (1969) is a bizarre film about human behavior. Cronenberg shot this movie as if was a documentary. A lot of his trademark direction and style is beginning to take shape. He would perfect this technique in his latter films. But whilst watching this movie you can see that he was going to be an excellent filmmaker. It also showcases his style as an documentist.

Not for everyone but it's always interesting to see a well known and accomplished director's earlier work. Stereo has all of

his trademarks, it's cold, clinical and very dark. Only Cronenberg can take something like sex and make it seem like a scientific experiment.

Recommended for Cronenberg fans, others need not apply.

B+

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