The Royal Hunt of the Sun

The first time I saw this flick, I was disappointed; disappointed because I'd expected an adventure tale of King Soloman proportions, an Aladdin's cave full of gold, and bloody Inca battles in a Peruvian jungle setting. In hindsight, I should've read the reviews, because my frame of mind would've been in the right place to enjoy this intense character study. Suffice to say on second viewing, I was able to appreciate the quality of the stage-born dialogue, and the precision with which its delivered by both Shaw and Plummer in their unique portrayals of demi-gods by any other name.

Narratively, it's a detailed snapshot of Pizarro's ill-fated conquest of the Incas, not for the glory of gold, but for the almost sanctimonious obsession with divinity and unparalleled colonialism. In essence, he signed his ticket before he departed Spain, promising the world he could never deliver, pursuing a pathological indulgence to satisfy his superior ego. There's an element of pity in Shaw's depiction of Pizarro, that of a mercenary without a war, unable to adjust to a civilian life. Shaw is magnificent as the deeply righteous conquistador whose eloquence in arguing secular sovereignty, fails to dominate the simple native lexicon of King Atahualpa (Plummer), communicating in a basically nonsensical series of clicks and chirps. If Atahualpa can prove he is a God, Pizarro will recognise his sovereignty, but if not, both his life and his land of rich antiquities will belong to the kingdom of Spain.

With Michael Craig, Leonard Whiting and Nigel Davenport in the wings, it's an ensemble British cast of true quality, and the performances are first rate. Set design, costumes, score and script deliver, and while momentum is at times a distinct challenge, if you're not fully engaged in the dialogue, the result is likely to be languid in pace and voluble in speak. My initial viewing was such; fortunately, I watched it a second time.

Producer Phillip Yordan had some pretty tough days in the early 1970s. Yordan was charged with tax evasion, I believe as part of his relationship with Samuel Bronston and Pierre DuPont. Bronston had allegedly comingled Dupont's money on several of his productions (most notably EL CID and FALL OF THE ROMAN EMPIRE). Bronston was finished by the late 1960s and Yordan would fall later, which may explain the erratic production values of BAD MAN'S RIVER and ROYAL HUNT OF THE SUN.

SUN remains, a tattered quasi-masterpiece, despite Christopher Plummer's rather eccentric performance. One wonders what might have been. No matter, what is on display is good enough for the cheap price of the the DVD. Nevertheless, the quality of the DVD leaves much to be desired. The DVD uses a distracting "baby or royal blue" rather than black for its letterboxing. The interlacing is so bad in some sequences, the film is hardly viewable. The sound is uniformly underrecorded. Surely the masters weren't in THIS bad a shape.

Worth a look for students of history AND of good drama.

Good and dramatic film about a great Spanish conqueror , Francisco Pizarro , who led a risked adventure to conquer the Incan Empire . He captured Incan Emperor Athahualpa and claimed the Peru lands for king Charles I of Spain. Here retracing Pizarro' career , his steps through Spain and Portugal , besides , it explores the particular relationship between captor Pizarro and captive Atahualpa.

Based on a play by Peter Shaffer , it has a dramatic style with a lot of interior scenarios , but also displays some battle scenes and sword-play . Main cast gives nice acting such as Robert Shaw as the brave Pizarro and Christopher Plummer provides overacting as a strange Atahualpa who puts faces, grimaces and says rare words and sounds ; Plummer played Pizarro in 1965 Off-Broadway . Support cast is frankly good such as Andrew Keir, Michael Craig , James Donald , Percy Herbert , Leonard Whiting as Martin and special mention for Nigel Davenport as Hernando de Soto . The motion picture finely written by Philip Yordan was well directed by Irving Lerner who made some acceptable films as Cry battle, Murder by contract , City of fear , Edge of fury . This was Lerner's fourth collaboration with writer/producer Philip Yordan in less than 10 years. Others three were Studs Lonigan , Captain Apache and A town called Bastard.

The picture is based on historical events : Pizarro commands an expedition into the heart of the Inca Empire governed by Emperor Atahualpa , as he proceeded with his conquest accompanied by 200 men on 24 Sept 1532 . Following the defeat of his brother Huascar , Atahualpa arrived in Cajamarca on 15 november , there Pizarro had a force of just 110 foot soldiers 67 cavalry 3 arquebuses and 2 falconets . He sent Hernando Pizarro and De Soto to meet him in his camp . Athaulpa agreed to meet in his plaza fortress the next day . Fray Vicente Valverde and a native interpreter approached to him and Atahualpa said : "I will be no man's tributary" . There is a battle and the Spanish were successful . Francisco captures the Incan emperor , the god chief Atahualpa and promises to free him upon the delivery of a hoard of gold . Later on , Pizarro executed his 12-man honor guard and taking the Inca captive at the so-called Ransom Room . Despite fullfilling his promise of filling one room with gold and two with silver , Atahualpa was convicted of 12 charges including killing his brother and plotting against Pizarro and his troops . He was executed by garrote on 29 August 1533. Francisco and De Soto were opposed to execution but Pizarro consented to the trial due to the great agitation among soldiers particularly by Almagro . After that , Pizarro advanced with his army of 500 Spaniards toward Cuzco that was conquered.Pizarro founded Lima in 1535 which he considered to be one of the most important things he had created in his life . A dispute ocurred between Pizarro and Almagro respecting the limits of Cuzco jurisdiction . This led to confrontations and Almagro was eventually defeated during the battle of Salinas . In Lima 1541 a group of 20 heavily armed of Diego Almagro the younger stormed Pizarro's palace assassinating him, he painted a cross in his own blood and cried for Jesus Christ . Diego Almagro Jr was caught and executed the following year after losing the battle of Chupas .

In the tradition of Becket comes The Royal Hunt Of The Sun, a piece of important history reduced to a personal struggle between two men. Only these two, Conquistador Francisco Pizarro and Emperor Atahualpa of the Incas have far more in common than they think.

The Royal Hunt Of The Sun was a successful play on Broadway running for 261 performances, written by Peter Shaffer. It won a Tony Award for young David Carradine playing Atahualpa. But in the film version Robert Shaw plays Pizarro and Christopher Plummer who was Pizarro on stage plays Atahualpa. I'm guessing that Plummer's Pizarro was a bit less rough around the edges than Shaw is in the film.

He's certainly a fascinating Atahualpa who like the early emperors of the Roman Empire took divinity unto himself. The problem is that when you're supposed to be a god, you have to occasionally do something really spectacular to prove your claim. That's what kind of undoes Plummer in the end.

As for Pizarro, he never claimed he was anything, not even a gentleman. He was a soldier by profession, an illegitimate kid who raised pigs as a young man and left to join the Spanish army of Emperor Charles V. Atahualpa was also born on the wrong side of the blanket and defeated his brother in a civil war for the Inca Empire. That's a most human act and Pizarro is quick to notice.

He also is a shrewd judge of the Inca psychology. When in that famous event he tricks Atahualpa into captivity, Pizarro realizes the empire built on a godhead emperor can't function without him. The Incas are paralyzed with the fact they're whole belief system is being put to the test and failing badly. Of course in theological discussions with Father Andrew Keir of the expedition, Atahualpa's not doing too bad himself. But these are only academic exercises.

This is not a faithful adaption. The whole scene at Charles V's court with James Donald as the Emperor is written for the screen. A whole lot of peripheral characters have been changed as well. Still the spirit of what author Shaffer was trying to say is realized.

The Royal Hunt Of The Sun is both entertaining and intellectually stimulating.

I saw "Royal Hunt of the Sun" soon after it came out, probably early 1970, in a theater in Cuzco, Peru. The audience was full of speakers of Quechua, and when Christopher Plummer said his first lines in, supposedly, Quechua -- twisting his face, going up and down rapidly from normal voice to falsetto, making little hawking and guttural noises in his throat in a weird impression of the glottal stops of the language -- people started chuckling, and then started actually falling out of their seats in rolling waves of laughter. Atahualpa, king of the American equivalent of the Roman Empire, inheritor of 2000 years of sophisticated cultural history, looked and sounded like a chimpanzee trying to speak German. Lack of respect? Failure to take the trouble to find a proper tutor for the few lines Plummer had to speak of Quechua? Who knows. But it was hard for the audience -- or me -- to take the movie seriously after that scene. I saw the movie again 10 or 15 years later, and couldn't help laughing all over again... and explaining to my family why it was so hilarious.