La résidence

An authentic bold and disturbing thriller for its time, during General Franco reign in Spain. And, we can see here many elements that we can find now in today's cinema, especially the Spanish gnre, involving teenagers.. Some lines may remind the Italian Giallo, but don't expect to see here a kind of SUSPIRIA; I recommand this awesome atmosphere, not very usual for this decade that will stick you to your seat.

I saw this on a double-bill with Murders in the Rue Morgue back in the early 70s. According to IMDb, it was released in America in 1971, but I think I saw it later. Anyway, that year saw the release (in the US, at any rate) of two of the absolutely BEST horror movies of the decade: Daughters of Darkness and The House That Screamed. The comments are right about House being about sexual repression: whew! If you've only seen this on TV, YOU HAVEN'T SEEN IT!!!! Not that there's anything especially graphic in the film, but you just won't be able to "get" it. I keep hoping it'll come out on DVD: it is, in Spain, but I don't understand Spanish, and it doesn't have subtitles! VSOM sells it on tape, but it's p&s and just too dark. Why don't we start a write-in campaign to Blue Underground??? I just wanted to add my two cents: RUNDBAUCHDODO's comments are right-on. I will say this about the greenhouse murder: it's pretty creepy when the girl enters, but it's a real shocker when the murderer STANDS UP RIGHT IN FRONT OF THE CAMERA!!!! Maybe it was done before, and it's probably been done since, but it's the first time I saw it and I've never forgotten it. In fact, it surprises me how much of this whole movie I remember -- and remember correctly!

THE HOUSE THAT SCREAMED (La Residencia)

Aspect ratio: 2.35:1 (Franscope)

Sound format: Mono

(35mm and 70mm release prints)

A young girl (Cristina Galbó) arrives at an isolated boarding school in the south of France where several students are believed to have run away, but were actually the victims of a psychotic killer...

Odd mixture of giallo mystery and Hammer-style Gothic, set in a labyrinthine girl's school where principal Lilli Palmer struggles to contain the passions of her youthful charges, all of whom she considers 'marked' by their sublimated sexual desires. However, Palmer is quickly revealed as a hypocrite with an incestuous crush on her handsome teenage son (played as a child-like simpleton by John Moulder Brown), and the students are forced to endure a regime which fosters cruelty, rebellion and murder. Palmer dominates the film with effortless grace, and there's solid support from Mary Maude as the ice-cold beauty who makes life miserable for heroine Galbó. Memorable set-pieces include a slow-motion murder in the school's greenhouse, Galbó's doomed attempt to flee the building at midnight, and - believe it or not - an erotically-charged sewing circle! But the film reaches an apex of horror in its closing moments, when the killer is unmasked during a showdown in the attic, staged with stunning conviction by debut director Narciso Ibáñez-Serrador (¿QUIÉN PUEDE MATAR A UN NIÑO?).

But the *real* star of the show is cinematographer Manuel Berenguer (55 DAYS AT PEKING, KING OF KINGS, etc.), whose prowling camera-work makes a virtue of Victor María Cortezo's Gothic set designs, and the widescreen compositions are judged with startling clarity (indeed, Dario Argento's SUSPIRIA owes an obvious debt to the style and tone of Ibáñez-Serrador's movie). For all its virtues, however, THE HOUSE THAT SCREAMED is a little too leisurely in places, and the film's sumptuous visual aesthetic disguises a fairly routine plot line, spiced with 'subversive' trimmings. Flawed, but beautiful.

(English version)

Generally speaking, the reviews on this film are in it's favor. After watching the movie I have to agree that this is a worthwhile older horror-thriller - it's good.

It's fairly easy to know whodunit and why but it's still interesting to watch how the film plays out. Knowing whodunit and why does not spoil the film.

Sexual repression, incest, murder, a sadistic boarding school owner/teacher, lesbianism, torture and mystery - this movie has all of that. It is reminiscent of the 60s/70s Hammer Horror films. If you like all that then you might enjoy this film. It's sorta a hidden gem.

8/10

The story deals with a respected house (managed by Lilli Palmer and Candida Losada) of rebel girls (Mary Maude , Maribel Martin , Teresa Hurtado , among others) where arrives a new boarder (Cristina Galbo). There happens several astonishing murders with bloody and gruesome executions . Lilli Palmer has a teen son (John Moulder Brown) who looks for a girl just like his mother . Various suspects (Victor Israel) implicate about anybody girls are running away and dieing one by one. Meantime , the girls are escaping and someone originates a frightening massacre of the remaining wayward girls .

Chicho Ibañez Serrador's first great success is compelling directed with startling visual content . This frightening movie is plenty of thrills , chills , high body-count and glimmer color in lurid images with phenomenal results . This is a classic slasher where the intrigue , tension , suspense appear threatening and lurking in every room , corridors and luxurious interior and exterior . Agreeable performance from Cristina Gabo who played various Giallo and Horror movies such as ¨Sleeping corpses lie¨ , ¨What have you done to Solange¨ and ¨The killer must strike again¨ . This genuinely mysterious story is well photographed by Manuel Berenguer in location of Palace of Sobrellano (Comillas , Cantabria, Spain) with shades of ochre , translucently pale turquoises and deep red . Creepie and eerie musical score by Waldo De Los Rios.

This splendid movie belongs to Giallo genre . These Giallo movies are characterized by overblown use of color with shining red blood , usual zooms , and utilization of images-shock . The motion picture is well directed by Chicho Ibañez Serrador . Chicho directed another classic as ¨Who can kill a child ? ¨ and for TV , ¨Historias para no Dormir¨, being his last film an episode titled ¨Blame¨(2006) . Rating : Good, this is one of the more imaginative slasher pictures in which the camera stalks in sinister style . Well worth watching .