Mumsy, Nanny, Sonny & Girly

Understated British psychodrama with no effects to speak of, just lots of creepy dialogue, tension and madness - not even any nudity and only implied sex, very little at that. Twisted little tale of a mad little "family" that will engross, humour, disgust and terrify you. Mmmm .... yummy.

Fans of British horror and black comedy should definitely track down this Freddie Francis film, which was not imaginatively marketed at the time of its release and was never able to connect with its proper audience. I saw this at the base theatre during my Air Force days. Most films on base only ran for one day (three shows) and this was one of a handful that drew capacity crowds to the second and third shows due to "word of mouth" praise by those who attended the first screening. If you liked Jack Hill's "Spider Baby" (1968) you will love this film as it appears to have served as Francis' inspiration.

Originally titled "Mumsy, Nanny, Sonny and Girly", the title was shortened to just "Girly", appropriate since Girly is the main character. It is definitely a product of its times. Imagine mixing "The Beguiled" with the television shows "The Avengers" and "The Prisoner". Francis was primarily a television director.

Like those shows, much of the humor comes from presenting extreme characters and situations as if there they are nothing exceptional. In this case a nutty family of four (insert original title here) which includes a brother and sister far to old for their school uniforms.

Vanessa Howard plays the title character with a lot of sizzle and will remind viewers of Tisha Sterling, especially Sterling's portrayal of Ma Parker's daughter Legs on the Batman television show. She has a lot of fun with this role alternating instantly between playful child, coquettish flirt, and violent psychopath. Howard is a genuinely fine actress, although in "Girly" her short skirts and provocative scripting make it hard to concentrate on her acting skills.

This happy family lives on a large estate just outside London and amuse themselves by luring men there to serve as the children's playmates in various games supervised by Mumsy (Ursula Howells) and Nanny (Pat Heywood). When these new friends outlive their usefulness they are dispatched in novel ways and "sent to the angels". The last new friend believes himself a murderer and in time actually wants to become part the family, or anything else involving Girly. This sets things up for a cute twist at the end as Francis examines the fragility of sanity.

The best scene is a slick little seduction sequence around the pool table. As the new friend looks on Howard places a doll in each pocket and calmly circles the table, driving a ball into each doll's face. At the same time she keeps up a monologue about the punishment her playmate will receive if he should try to leave. Very cool.

Then again, what do I know? I'm only a child.

Wow, what can I say. This film was made from an old English play and, to say the least, what kind of sick mind could write something like this? I LOVE IT!!! A twisted family without a father figure lives secluded in an extremely large lot with a mansion to live in. It never tells how they make money or buy groceries, but those are insignificant. There's Mumsy, Nanny, Sonny and Girly who all live a happy (crazy) life. Luring homeless men to the mansion to be playmates for the children and if they step-out-of-line, WHACK, they are sent on a "train to the angels." The funniest thing about this movie, I think, is the Siamese Anthem.

Girly (Vanessa Howard), a fetching but evil-minded schoolgirl, shares a dark hobby with her oddball household: she lures unsuspecting men to their mansion on the outskirts of London, then engages them in "games" that inevitably end in their deaths. The horrific family project runs smoothly until Girly brings home a new friend (Michael Bryant) who's operating under his own set of rules. Soon, he turns the entire household upside-down.

Allegedly, "the film is a dark and playful allegory of the breakdown of the nuclear family of the 1950s as a result of the free love movement of the 1960s." How exactly this critique came about is unknown to me. I guess I didn't see any such thing in the story, but I did not personally ask the writer what his motivation was.

The film was admirably handled, lead by director Freddie Francis, known for his work with Amicus and Hammer. If you're going to make a memorable British horror film, these are the studios you want and the man you want to do it.

What I found interesting was the unusual use of sexual seduction: is the woman an adult or a child? Clearly, she is in her early twenties. But her mindset is that of a child. Are her seductions of a woman or a child? This ambiguity makes what could be simple a risqué sexual liaison into a potential taboo.

Absolutely under-appreciated and unknown film that deserves a Renaissance. Please, please, please do yourself a favor and rent this from Netflix.

"Mumsy,Nanny,Sonny and Girly" is a dark 1969 British horror-comedy which is based on a stage play by Maisie Mosco entitled "Happy Family".The main characters of the film are the members of a wealthy British family whose names are synonymous with their roles within the family:the mother called Mumsy,the maid called Nanny,the son called Sonny and the daughter called Girly.Despite being in their twenties Sonny and Girly act like prepubescent children,dressing in British school uniforms and sleeping in giant cribs in a room full of toys.Sonny and Girly regularly seek out male loners,hobos and hippies to lure back to their house,where they are then forced to play "The Game".When the "new friends" refuse to participate they are murdered or "sent to the angels".Freddie Francis's "Girly" is a fantastic film which faded into obscurity too quickly.During a 2004 Freddie Francis film festival in England, the organizers struggled to find a VHS copy of the film to screen, but couldn't come up with one and it was briefly thought to be lost to the public,until copies began to surface on the internet in 2004.The acting is solid and there is enough creepy moments to satisfy any self-respecting horror fan.8 out of 10.