Sur ordres du Führer

If you know anything about WWII history this will have you either laughing at the ridiculousness of it all or raging at the inaccuracies (Warning - this film contains a PIAT-zooka). But beneath it all is a reasonable plot, with some classic characters, the hard as nails sarge, the clueless youngster., etc which make it still kinda fun.

From the director of the original 'Inglorious Bastards', this war film contrives rather cheekily to transpose the English-speaking Germans behind enemy lines from the Ardennes Offensive to the aftermath of Dunkirk; while there's plenty of dramatic spectacle on what was doubtless a fraction of the sort of budget Tarantino later had to play with.

Using the chaos of the Dunkirk evacuation as a cover, several German agents take on the identities of English soldiers in order to gain access to England and take out the radar installations. One Captain aware of the ruse has to track the men down and stop them before the Germans can bomb England into surrendering.

Good, if a bit long, spy story set in London. there are several action set pieces that are quite good, though they suffer a great deal in pan and scan because of the use of multiple images. (Oh how this film cries out for a good letterbox edition.) This is the sort of film that grabs you from the first couple of moments and then drags you along at its conclusion. I really liked this and probably should have rated it higher than 6 but I think the viewing experience was really hindered by a lack of widescreen.

Worth searching out, especially if you can find a wide screen copy.

This is the most innacurate depiction of the RAF and the Battle of Britain that anyone could envisage. Look no further than the aircraft in use on the movie. They have Messerschmitt 109s dressed up as spitfires and Spitfires dressed up as Messerschmitts. How stupid could you get.

The idea of Van Johnson as an air Commodore hysterically controlling an air battle above wartime London from the cockpit of a Fighter of indeterminate breed is also to ludicrous to contemplate.

Possibly one of the worst war films ever made

This is a surprisingly elaborate war film which tackles the same events as the big-budgeted BATTLE OF Britain (1969), but from an entirely different perspective - the infiltration of German spies into London prior to the Luftwaffe's aerial attack in order to destroy the RAF's infallible radar system, and British Captain Frederick Stafford's efforts to root them out in time.

While the generally slick presentation belies the modest funds that were obviously available, the overall achievement is still hurt by too much concession to elements particular to lowbrow film-making and especially some grating comic relief (culminating in a brawl between British and French soldiers) provided by Renzo Palmer - but there's also a baffling over-emphasis on the heroics of a French air ace (who's not even a major character!), as well as obviously choreographed stuntwork...not to mention the fact that every revelation in unmasking the Nazi plot is left to the ingenuity of one man, which makes one wonder just what would have become of Great Britain if Stafford hadn't been there!! Besides, even if I was watching the film in Italian, the fact that none of the cast is British or German is inescapable - which certainly doesn't award it any marks for authenticity!

Castellari's often flashy direction doesn't work either: shooting from odd angles (through a bullet hole in a helmet, through a pair of clasped hands or through a loudspeaker!) and utilizing distracting editorial techniques, such as his playful use of the split-screen - which is partially lost anyway, given that the aspect ratio on the print I watched has been changed from the original 2.35:1 to 1.85:1! The action-packed film (with a couple of romances thrown in for good measure) is enjoyable in itself but, even if flawed, BATTLE OF Britain is clearly superior (the familiar Euro-Cult faces here are no match for the roster of Britsh stars which populate that film!) - though they did engage the services of Bunuel regular Francisco Rabal (as a conscientious German) and American Van Johnson(!) as the British RAF officer in charge of the country's defense (who, in the final decisive action, takes to the skies himself to repel the invading Nazi forces).