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7,7/10
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Dans les années 1600, un clergé trop zélé traîne des femmes innocentes devant les tribunaux, les oblige à avouer des actes de sorcellerie imaginaires et se livre à des tortures et à des pers... Tout lireDans les années 1600, un clergé trop zélé traîne des femmes innocentes devant les tribunaux, les oblige à avouer des actes de sorcellerie imaginaires et se livre à des tortures et à des persécutions brutales à l'encontre de ses sujets.Dans les années 1600, un clergé trop zélé traîne des femmes innocentes devant les tribunaux, les oblige à avouer des actes de sorcellerie imaginaires et se livre à des tortures et à des persécutions brutales à l'encontre de ses sujets.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 victoires et 1 nomination au total
Avis à la une
This Czech take on witch trials is a really well-made drama, though it feels a bit older than it's 1969/70 date. While the topic is reasonably well trodden, even by this time, this version effectively highlights the perversions of the accusers, laying out clearly the financial and sexual motivations of them. Witch trials is a topic that is always a hard watch where, as a viewer, you can feel how trapped all parties seem to be, and the inevitability of an end. It doesn't feel like it's a clearly trying to build modern parallels as Arthur Miller's play, but not knowing a lot about Czech life at the time, it's possible I'm missing it.
There are generally good performances all round, although perhaps a couple of the women could been given a more time. I felt I got enough of Boblig and it would have been better to round a couple of the other characters. In the end, it is a relatively straight forward drama, the 'torture' scenes are pretty mild and the opening scenes with plenty of nudity do not reflect the rest of the film. In retrospect, they feel like a bit of an 'add-on'. Well worth a watch.
There are generally good performances all round, although perhaps a couple of the women could been given a more time. I felt I got enough of Boblig and it would have been better to round a couple of the other characters. In the end, it is a relatively straight forward drama, the 'torture' scenes are pretty mild and the opening scenes with plenty of nudity do not reflect the rest of the film. In retrospect, they feel like a bit of an 'add-on'. Well worth a watch.
I have just seen the movie and I liked it more than any other movie about catholic persecution of witches. The last one I saw (and I think last one made) was The Crucible - that one wasn't bad, but I could not feel as much despair, corruption and that fear to speak up your mind as in this one. Kladivo na Carodejnice - with all the brutality, torture and all that injustice is real and very hard to forget. It is very well played and made. "Kladivo na Carodejnice" is a movie, that definitely catches your attention even when it's nearly 40 years old (not as if it was a bad thing)...that pathetic way in which some movies were made in 60's (I think it is about the lightning in these black&white movies) makes it look so threatening, so dark and sad....and so beautiful.
Whether we are talking about the real "witch trials" of the past, or alluding to more recent government (or other) uses of torture to advance or "prove" their causes, we quickly drift into very murky territory, IMHO. Even when used by a "good guy" such as Jack Bauer (in "24") to expedite things there's an inherent concern that, if people will say anything to escape the pain, then what's the point, and what is "proved"?
As this film well illustrates - whether it's about Communism or Witches - the wider issues of power, greed and societal control can provide ample cause for those willing to go down that path. Personally, I found it a tough (and somewhat depressing) watch, even though there is sparing use of graphic violence - but enough to get the point and add to the escalating mood of oppression.
Not for children, but otherwise recommended.
As this film well illustrates - whether it's about Communism or Witches - the wider issues of power, greed and societal control can provide ample cause for those willing to go down that path. Personally, I found it a tough (and somewhat depressing) watch, even though there is sparing use of graphic violence - but enough to get the point and add to the escalating mood of oppression.
Not for children, but otherwise recommended.
I've seen many movies about the persecution of witches in medieval times, but this one rightly stands on top of that pile, surpassing even peer masterpieces "Mark of the Devil" and "Witchfinder General". The cinematography is gorgeous, the writing is smart and sophisticated, the performances are excellent, and the story itself is gut-wrenching and brutal. Rarely do horror films haunt my mind like this Czech production did. With its roots based in historical fact, the true evils of mankind certainly are much more diabolical than any conjured up monster or serial killer. It is quite an experience to watch a movie that is simultaneously, strikingly, so beautiful and yet so harrowing.
While the setting and the historical source of the movie is that of the late 17th century, don't be fooled, this is a movie about communism. More accurately, about the wretched logic the communist justice system has used to imprison and kill hundreds of people in the Czechoslovakian 50s. The forced confessions, self-accusal, torture and naming of innocent accomplices were all part of communist processes in which such as Milada Horáková perished.
There are plenty of analogies in the movie which I don't intend to spoil. The atmosphere is crafted masterfully, giving the film a bleak and dark look and amplifying the effects of its story. The performances are very good, however I don't know how well does the original czech translate into the subtitles. What keeps this from being a 10 out of 10 is the pacing. In a certain point of the movie, the end becomes obvious and the rest is just a hammer that drives the nail of absolute despair into your brain.
There are plenty of analogies in the movie which I don't intend to spoil. The atmosphere is crafted masterfully, giving the film a bleak and dark look and amplifying the effects of its story. The performances are very good, however I don't know how well does the original czech translate into the subtitles. What keeps this from being a 10 out of 10 is the pacing. In a certain point of the movie, the end becomes obvious and the rest is just a hammer that drives the nail of absolute despair into your brain.
Le saviez-vous
- AnecdotesDue to its resemblance to the atmosphere of fear and compulsory confessions that characterized the Stalinist-era Central European Communist countries' methods of the 1950s, the film was removed from release and appeared on television in the former 'Eastern Bloc' only after 1989.
- GaffesThe violin (string instruments) scene of the oligarchs when the maid watches is off timing so much it creates humorous empathy where a romantic emphasis is the focus. Considering the serious nature of the film this was not intended and a lapse in production quality.
- ConnexionsFeatured in MonsterQuest: American Werewolf (2008)
- Bandes originalesViolin Concerto No. 6 in A minor RV 356 'L'estro armonico' III. Presto
Written by Antonio Vivaldi
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Un marteau pour les sorcières
- Lieux de tournage
- Velké Losiny, République tchèque(Exterior)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 47 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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By what name was Le marteau des sorcières (1970) officially released in India in English?
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