L'or se barre

So who can NOT like The Italian Job? Well, I can't speak for those who are not Anglophiles, but I suspect everybody who has ever called themselves British will love it. Sure, it has holes the size of Matron's stockings in it's plot and there are any number of errors apparant in the script and screenplay (Well, we all know that Mini's don't have a rear differential) and the true fanatics (such as myself) are all too aware of the continuity on-screen (that was a heavily disguised Lancia Flaminia that went off the cliff- Well, did you really think it was a REAL Aston DB4? See "Hammer House" for where that turned up). I could go on, as I usually do, about inconsitencies and so forth, but, by God, I have seen the Italian Job in just about every format it was ever shown and I love it all the same. There are no slow parts, every bit is important to the plot, the soundtrack is legendary (only available now after many, many years on CD. Got it before it was on CD and cost a lot; typical!) and is so quotable ("You're only supposed to blow the bloody doors off!") as to haunt Michael Caine forever more. You'll love it, wherever you come from!

I enjoyed The Italian Job in general, I don't revere it as a classic but it is entertaining with a great cast, fabulous locations and a brilliant soundtrack. The secondary characters could have been developed much more though, and the direction was a little too flashy. That said, a vast majority of the dialogue is above decent, there are occasions where it could have been better, but it is good enough. It is well paced though, and the cinematography, scenery, set pieces and costumes are fabulous, Turin looks glamorous and the interiors from Twickenham Studios are stunning. Quincy Jones's soundtrack is brilliant, and the cast is first rate, with Michael Caine suave and charismatic, Noel Coward marvellous and Benny Hill great value. Overall, not a classic by all means but very good. 8/10 Bethany Cox

This thing starts moving and doesn't let go of you until the end, at which point you wish you were still on the ride going. We were surprised that we'd never herd of this before, especially since so many scenes are in video games these days (and times past).

This isn't one of those movies you spend your time thinking about, just sit down, watch, and let the movie unfold before you. If you're looking for good entertainment, this is it. If you are looking for meaning and some sort of significance, look elsewhere.

Good fast fun! 8/10

The Italian Job is one of the best-loved British classics ever made. Most people in my home country of Britain have seen the film many times (most of those times spent drinking tea and speaking like the queen, of course), but there's more than enough for audiences from other countries to like about this delightful thriller as well. As you almost certainly already know, The Italian Job stars Michael Caine as the criminal at the centre of the job, dubbed 'The Italian Job' (would you believe). Caine is iconic in this film; his voice and mannerisms are often imitated, and it is this film that is probably most responsible for that. The plot follows Charlie Croker (Caine), a freshly released crook that, with a tip off from a deceased friend, decides to steal £4 million from Italy. However, it's not an easy job and there are many risks involved, so the job must be astutely planned and flawlessly executed for it to work right - and it is there that the film really takes off.

The Italian Job is well remembered for two things, the first of which is the Mini's. This is the film that made Mini's cool, so as you might expect, there is a fair amount of stunt work involving the Mini, a lot of which is truly spectacular - these little cars can be seen driving up stairs, onto and across roofs, through shopping centres, flying over various chasms etc and it's all very exciting. The second thing that it is remembered for is, of course, the line - "you were only supposed to blow the bloody doors off!", which is one of the most quoted of all time. The film's impact on popular culture has been immense, and that line's impact in particular is legendary; people that don't know the film know that line, and I dare say that a lot of them quote it even. It's up there with 'I'll be back' or 'that' line from Dirty Harry. The film also highlights a lot of British culture, most notably the reaction to something going right. English patriotism is a little different to the American version - while in America, the whole country may be united under the stars and stripes, very apple pie-like; England is much more content to chant a little inside of a prison. I know which version I prefer.

I could waffle on all day about this film, but we've both got better things to do, I'm sure so I'll finish by commenting on the ending; which is, simply, sublime and a perfect way to end the film; funny, well executed and absolutely genius. Well played.

A year after I saw the remake, I finally got to see the original for the first time. This movie was released during my freshman year in college, but I certainly don't remember it ever being in any local theaters. From a 35-year hindsight perspective, it has an "Austin Powers" feel to it, primarily because of the sound track and the period-attire worn by the players. The 2003 re-make has a more imaginative yet believable plot, while this original has a sly, tongue-in-cheek undertone of humor to it. Benny Hill as the computer-geek obsessed with "large-boned women" is a real hoot! I think that sub-plot could have been played out further in the form of it creating more complications for master planner Michael Caine. Although I like "Marky" Mark Wahlberg and most of his movies, Michael Caine imbued the Charlie Croker role with more personality. The mini-Coopers are still the centerpiece of both movies, though: good chase scenes! This movie has merits that the re-make does not, and vice versa. It's hard not to compare the two, but try watching both again, as individual movies.