Goodbye, Mr. Chips

Great, very moving story. Not perfect - the musical interludes were unnecessary (then again, I generally dislike musicals). Struggles to get going, but once it does it is fantastic. Final quarter is incredibly emotional.

Great performances by Peter O'Toole and Petula Clark.

Arthur Chipping is a 40 something Latin master in an English public school circa 1924. He's respected, but not particularly liked. He's seen as dull, hence his nickname: Ditchy, as in ditch water, dull as. The one person who seems to see beyond Chipping's exterior is his friend Max Staefel, the German master. One of his ex pupils takes him to a musical show which features the singer Katherine Bridges, and he meets this young lady again on holiday in Pompeii. Against all odds, they achieve a rapport, and thanks to Max, who memorises the address for him, they meet up in London and fall in love. They marry and the effect on Chipping is remarkable - his buried humanity is unlocked and the boys begin to love as well as respect the man they now affectionately call Chips.

Chips and Kathy have a blissful 20 years together until tragedy strikes in the form of World War II.

Often dismissed as inferior to the classic 1939 version with Robert Donat, this musical from 1969 with Peter O'Toole as Chips and Petula Clarke as Kathy, will always be THE version for me. I first saw it at the cinema on original release and although at the age of 8 I was vaguely aware that it was a film for adults, and some of it was above my ability to comprehend, I fell in love with it. I haven't fallen out of love since. As a matter of fact, when I saw the Donat version on TV shortly after seeing this, it struck me as a pale shadow of the O'Toole movie. I've learnt to respect and admire the original film, but it has never been able to engage my emotions as the O'Toole version does.

Peter O'Toole is brilliant as Chips, his awkwardness, embarrassment and growing self confidence and his all consuming love for Kathy and his care for the boys he teaches is enchantingly portrayed. The scene in which he reacts to the tragedy that World War II brings is incredibly powerful and moving. He really does look like a man whose whole life has crumbled around him.

True, it does make a number of radical changes to the original novel, but this doesn't matter - it works on it's own merits. Never mind the trendy critics of the day, treat yourself to a wonderful two and a half hours of pure magic.

This re-make is worth seeing for the amazing performance by Peter O'Toole in the title role. He is the equal of Robert Donat who won an Oscar for the original version (beating out Clark Gable's Rhett Butler, no less). Unfortunately, in order to see this performance, you're going to have to sit through some of the worst songs ever written for the screen (yes, it's a musical re-make -- bad decision, but musicals were big in the post-"Sound of Music" 60's). The songs sabotage this touching story of a quiet English schoolmaster through the years. But O'Toole is amazing; it may be his best performance on film. He does an especially good job of "aging" his character, and with a minimum of makeup. Petula Clark is surprisingly good as the extroverted wife who brings Chips out of his shell, and Sian Phillips is unforgettable as Ursula Mossbank, an eccentric friend, even if the character seems to belong in a different movie. This is an ideal movie to watch on videotape. Savor the performances and fast forward through those wretched songs!

Caught this 1969 film on cable TCM one night. I remember when I first saw the film in Hong Kong, I really enjoyed the songs and performances by Peter O'Toole and Petula Clark. I love Clark best in Francis Ford Coppola's "Finian's Rainbow" (1968) opposite Fred Astaire, Don Francks and Tommy Steele. Simply ecstatic to learn that finally, this delightful Irish-flavored pot of gold musical is released on DVD! Ah, "it's that old devil moon (in your eyes)."

Peter O'Toole as Mr. Chips - yes, he did sing - quite a deliverance. He may not be a veteran at musical like Rex Harrison, but he inhabited the role marvelously. The scene of him running across the lawn in his cape a-flying reminds me of the PBS series, "To Serve Them All My Days" - a lovable schoolmaster and loving man, he is, 'Mr. Chipey.' Clark and O'Toole somehow gave us just the right mix of spunk and circumstance. The songs and lyrics by Leslie Bricusse are catchy as usual. The tunes of "You and I" and "Walk Through the World (with Me)" stayed with me the most all these years. And there's "What a Lot of Flowers," "And the Sky Smiled," "Fill the World with Love" - not syrupy at all. Sometimes I think if the world is immersed in Bricusse's songs and words, we would overcome all strife on earth and 'lovely' will be all our days! Yes, "Talk to the Animals," too. ("Doctor Doolittle" 1967)

Musicals are a blessing to the world of moviegoers, they are somehow larger than life. Like the music and lyrics by the Sherman Brothers (Richard M. and Robert B.) who gave us "Chitty Chitty Bang Bang" (1968) and "Mary Poppins" (1964) - who wouldn't feel absolutely delighted simply uttering "supercalifragilisticexpialidocious"? I was tickled by even just one featured song & dance number in the Spanish film "Km.0 - Kilometer Zero" (2000). My all time favorite is French filmmaker Jacques Demy's "Young Girls of Rochefort" (1967) with colorful cast of Catherine Deneuve and (late sister) Francoise Dorléac, Jacques Perrin, Michel Piccoli, Danielle Darrieux, Gene Kelly and George Chakiris singing, dancing to Michel Legrand's music. Long live musicals.

Terrence Rattigan, who authored this screenplay at a time when he was out of fashion (and he still is), did a wonderful job renovating and updating James Hilton's sentimental novel, and his screenplay, and the playing of Peter O'Toole and Petula Clark, save the movie. Rattigan emphasizes the love story and carefully shows how Chipping, seemingly stiff and unemotional, has great reservoirs of tenderness and gallantry. It's a love story of two very different people who not only complement one another but bring out unforeseen qualities in each other: She teaches him to care, and he teaches her to function outside her shallow theatrical surroundings. O'Toole is as touching as Robert Donat in the original, and Clark, with less to play, is lovely and sympathetic and in superb voice. Of course, most of Leslie Bricusse's songs are dreadful, and O'Toole's no singer, and the internal-dialog nature of most of them (they don't advance plot, they don't define character, they just tell you what the protagonists are thinking) slows the action down. But with Rattigan's excellent touches, a splendidly showy supporting performance by Sian Phillips (then Mrs. O'Toole), and some eye-filling Oswald Morris photography, it's a love story you can weep copiously through--I know I did--and have a wonderful time doing so.