Le bras de la vengeance

Fang Gang and XiaoMan are living peacefully as farmers. Brothers Black and White Swordsman deliver him an invitation to a gathering by the Eight Warlords. Each warlord with their own minions fight using specific weapons and techniques. The Black and White brothers kill anybody unwilling to attend. Fang Gang refuses and rebukes the brother. The various masters who submit are slaughtered with some imprisoned. The Eight Warlords order the students of these sword clans to cut off their right arm before retrieving the bodies of their masters. In desperation, some of the students come to Fang Gang for help.

This sequel has far more swordplay and action than the original. There are more stunts, bigger stunts and even rudimentary wire work. The various fighting styles are fun. The story does have a few minor problems. The story isn't quite as compelling. It's relatively straight forward. It's still plenty of fun to battle each one of the Warlords.

Fang Gang says that he suspected Hua Niangzi (the Thousand Hands King) all along but he allow her to walk around killing so many men. He could have just searched her for her swords. Even worst, he allowed her to kill his badly injured man telling him to finish her off. The guy needed immediate medical attention. There are also a lot of coincidences and too convenient moments. I'm willing overlook all of those flaws for some some pretty awesome fun fights.

I guess The One-Armed Swordsman (1967) must have done pretty well, because just two years later it got a sequel. One thing I've noticed about Shaw Brothers movies is that sequels are shockingly rare. The genre/action movies made in Japan in the 1960s and 1970s often got tons of sequels greenlit straight away (the Stray Cat Rock series had all five movies released in a window of less than 18 months, from memory), but Shaw Brothers in the Hong Kong scene seemed to have a different practice. They produced movies with similar premises often featuring a rotating cast of actors, but direct sequels themselves weren't too commonplace (maybe that's a natural consequence of having like half the movies end with the main character dying in an epic blaze of glory).

So as for this sequel to The One-Armed Swordsman? It's just okay. It benefits from being able to hit the ground running, but none of the beats it ends up hitting are all that amazing. It's just a serviceable martial arts movie, and in typical (and unfortunate) sequel fashion, it more or less does what the first movie does, but just in ways that are slightly less exciting. It's consistent in that regard... just consistently less exciting and entertaining, and I say that as someone who liked but didn't love the first movie.

But then again, an average Shaw Brothers martial arts movie is still better than an average anything else movie, because their standard of quality was generally so high throughout the late 1960s and into the 1980s. That makes Return of the One-Armed Swordsman a worthwhile watch for martial arts movie fanatics, but I don't think I'd recommend it to more casual action movie fans, in all honesty.

RETURN OF THE ONE-ARMED SWORDSMAN (1968) is a direct sequel to ONE-ARMED SWORDSMAN (1967), a seminal Hong Kong martial arts film that, unlike earlier swordplay films with Wang Yu (e.g. TWIN SWORDS, MAGNIFICENT TRIO), placed the emphasis on technique and training in order to defeat a superior enemy.

Also directed by Chang Cheh and starring Jimmy Wang Yu, RETURN dispenses with the whole training routine and focuses on a turn of events designed to get the title character out of voluntary retirement and back into action for a series of swordplay battles. A martial arts tournament is set up by Unknown Nemesis (Tien Feng) as a pretext to lure rival martial artists into a trap. Word of this treachery reaches Wang Yu and he reluctantly leaves his farm and wife (Chiao Chiao, returning from the first film) to free the imprisoned swordsmen and wreak vengeance on Unknown Nemesis. After the first half-hour the film is virtually nonstop bloodshed and swordplay, all beautifully photographed on lavish Shaw Bros. studio sets.

Future kung fu star Ti Lung appears as an ill-fated fighter in an early scene with crafty villainess Essie Lin Chia. The fight choreography is by Tang Chia and Liu Chia Liang (Lau Kar Leung), who would both have a great impact on the kung fu films of the 1970s. While Wang Yu went on to star in ONE-ARMED BOXER, he never again played a one-armed fighter in a Shaw Bros. film. When Wang Yu left Shaw Bros., Chang Cheh made THE NEW ONE-ARMED SWORDSMAN (aka TRIPLE IRONS, 1971) with David Chiang in the title role and Ti Lung in support.

A great sequel to the original film 1967 with the two main characters husband and wife reprise their role but went straight to the plot a against the eight dagger clan more action less drama more blood shedding and fight scene... it's already built up all the storyline in the first one... the second one is just smooth sailing onwards

Smooth transition from the original to the sequel... great antagonist and protagonist.

"The One-Armed Swordsman" is a classic and one of the best martial arts films of all time. So, it's not surprised that the movie had sequels. While not nearly as good, Yu Wang is back as the title character and it's interesting enough to merit watching if you like these sorts of pictures. If you don't, this one is unlikely to convert you.

When the film begins, a group of baddies named the 8 Kings attack the leaders and best students of the 40 martial arts schools. They then send an ultimatum to all the surviving students back home...."Cut off one of your arms or we'll kill your masters". Not surprisingly, they decide instead to seek out the One-Armed Swordsman and enlist his help. Will he come out of retirement to help? Well, considering the title of the film, it's pretty much a foregone conclusion.

Along the way, they encounter a lot of treachery and baddies. My favorite was the evil woman who smiles so convincingly...as she murders folks right and left. She is an amazingly good villain and it's a shame she's only in a small portion of the film. In addition to her, you'll see LOTS of blood and gore and tons of ridiculous fight scenes using 'wire fu'. This is the most serious problem of the movie. In the first film, there is some wire fu but mostly it's just really, really great swordsmanship and martial arts. Here, however, the quality of the fighting is much, much lower with blood substituting for quality fighting. Not a terrible fighting film but certainly not near the quality of the first one despite having the same leading man and director. Diverting but far from a must-see. After all, you DON'T expect total realism from a one-armed film...but you do expect better than this.

By the way, if you want to make this film a drinking game, I suggest everyone take a shot every time a character is mortally wounded yet miraculously, for a few seconds, begins fighting again despite losing gallons of blood or having HUGE swords thrust through them! I especially love the scene with the guy impaled with a sword and he manages to kill a dozen more guys for about the next five minutes before he ultimately expires!