NOTE IMDb
6,1/10
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MA NOTE
Ajouter une intrigue dans votre langueA mysterious stranger appears to take terrifying revenge on former Confederate officers who during the Civil War betrayed and were responsible for the massacre of their unit.A mysterious stranger appears to take terrifying revenge on former Confederate officers who during the Civil War betrayed and were responsible for the massacre of their unit.A mysterious stranger appears to take terrifying revenge on former Confederate officers who during the Civil War betrayed and were responsible for the massacre of their unit.
- Réalisation
- Scénario
- Casting principal
Luciano Rossi
- Hugh Murdok
- (as Lu Kamante)
Thomas Rudy
- Rowland
- (as Tomas Rudi)
Artemio Antonini
- Hawkins Henchman
- (non crédité)
Ettore Arena
- Murdok Henchman
- (non crédité)
Fortunato Arena
- Murdok Henchman
- (non crédité)
Bruno Ariè
- Hawkens Henchman
- (non crédité)
Ennio Balbo
- Storekeeper
- (non crédité)
Ugo Ballester
- Town Businessman
- (non crédité)
Omero Capanna
- Shotgun
- (non crédité)
Avis à la une
Django (Anthony Steffen) scares his enemies by presenting them with crosses bearing their name - and the day of their death. Western movie with horror effects, similar to `E Dio Disse A Caino' by Antonio Margheriti. Christopher Frayling suggested in his book `Spaghetti Westerns' that this `is a revenge film, with the central character avenging HIS OWN death', and that hits it pretty much. Django appears and disappears like a ghost, an idea Clint Eastwood picked up for `High Plains Drifter' two years later.
It is interesting to compare Steffen's expressionless interpretation of the Django character to the one he did in `Pochi dollari per Django', an earlier movie where he portraits Django as a sheriff without all the supernatural attitude, more human and passionate.
It is interesting to compare Steffen's expressionless interpretation of the Django character to the one he did in `Pochi dollari per Django', an earlier movie where he portraits Django as a sheriff without all the supernatural attitude, more human and passionate.
Sort of a conglomeration of ideas stolen from other stolen ideas, with a result that is decidedly unconvincing. Anthony Steffen and his poncho drift about in what has been described as a ghostly manner, seeking revenge on three Confederate Officers who deserted Steffen's unit resulting in a massacre. This set up is fine, but what follows is tedious and repetitious. Character development is totally absent for both the laconic hero and worse for the villains. Steffen may be Italy's answer to Clint Eastwood, but unfortunately there is more to "spaghetti success" than simply wearing a poncho and gunning down endless bad guys. - MERK
This unusual horror film is one of the best examples of the spaghetti western genre. The plot is the standard "lone stranger seeking revenge," but in this instance, it's not clear if the stranger is a man or just a ghost. This aspect of the story, which is heightened by spooky music and scenes in fog-filled cemeteries, really sets this film apart.
The soundtrack is also excellent, with lots of distorted guitars and sci-fi organ music.
The soundtrack is also excellent, with lots of distorted guitars and sci-fi organ music.
"Wait a minute stranger, please...tell me who you are anyway"... a baddie asks Django, who replies, "A devil from hell"!! So yes...this movie certainly plays like a typical Italian horrorfilm.You know, one that takes place in an old remote castle where various people are destined to die horroble deaths. Technically this Sergio Garrone film is a much more skillful production than some of his "women in kz-lager" efforts of which he is so "famous"!!! The first 30-45 mins are visually very stimulating and this bears the film through. But after an hour or so, with lots'a style, thrills, atmosphere,moods etc, it just becomes too much(for me at least!!). Django appears everywhere never showing any facial expressions shooting down tons of baddies.Quite frankly, it borders on the tediously boring!!
The ghostly happenings does set the film apart from most other entries in this fine genre and for this I praise and recommend it.
The ghostly happenings does set the film apart from most other entries in this fine genre and for this I praise and recommend it.
Django il bastardo directed by Sergio Garrone is a good intersting take on the mutitude of Django movies I have seen. The best are still the original with Franco Nero & the one Terence Hill did. I really feel that the biggest weakness of Django il bastardo was Antonio De Teffè (AKA Anthony Steffen) as Django. He had a great coldness about him but it almost goes a bit too stiff at times. A rather traditional revenge plot that is always ok by me & with a bit of a supernatural tone to it.. Which is both creepy & makes for a good weird western. There are some great scenes in this movie.. The flashback scenes were well done in the sense that you as the viewer are not treated with the "in case you didn't get the hints we dropped.. This is what happened" that I see in other westerns from this era. I would have liked a less rigid Django but Antonio De Teffè did create a different character for Django that I did enjoy. Is he a ghost? Is he real? The crosses bearing the names of the victims, the soon-to-be victims faces reading the crosses with their names on them.. Great stuff. There are some really great scenes, good acting, and a twist on a character I have always enjoyed. I love the soundtrack, again with the usual chants of Django which never get old to me. Worth checking out for sure.
Le saviez-vous
- GaffesDuring the first shootout Django shoots eight times from his six gun without reloading.
- Versions alternativesTHe original Italian version of this film has a precredits explanatory scene: the betrayal of the confederates, and their subsequent massacre. For the English dubbed export version, this flashback was moved later in the film, and this is the version of the film available on DVD in America (from VCI) and on VHS in the UK (from Aktiv). The Italian DVD release contains the original Italian version of the film, with the flashback positioned before the credits as the filmmakers intended.
- ConnexionsReferenced in Django: The One and Only (2003)
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- How long is Django the Bastard?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Django the Bastard
- Lieux de tournage
- Villa Mussolini, Rome, Lazio, Italie(The residence of Major Rod Murdok)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 38 minutes
- Mixage
- Rapport de forme
- 2.35 : 1
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