Commando de guerre

I was damn near ready to turn this movie off when I saw that "B" company, the Black Brigade, was a bunch of back alley fools shooting dice, drinking wine, and acting foolish. Did I mention that this was at an outpost in Europe during WWII? Oh, I forgot to mention that? Now you know. They were so uncouth and ignorant they couldn't behave like soldiers during the war. They looked like F Troop except dumber and lazier. Pretty much every negative stereotype that you'd have about a black soldier: too old, too fat, too scared, too dumb, too shiftless, too lazy, and overall incompetent.

A company of clowns. But, the blame wasn't entirely on them. They were ill-prepared from the start. They never went through basic training, never given duties other than manual labor, they were never even properly screened (one soldier was deaf and another was well over 270 pounds)! So, even though they were a company of clowns it was almost as if they were set up to be so.

Finally, they were given a captain and a mission. Their new captain was a white Georgian named Captain Carter (Hence the movie title Carter's Army). Their mission: take a dam and hold it for reinforcements.

Their captain was a racist to be sure, but he definitely had some valid complaints. He wasn't given soldiers he was given a circus. Nevertheless, he was responsible for taking this band of unprepared personnel on a suicide mission.

This movie wasn't a total waste though. It needed to be longer with more character development, but this is what we got. With actors like Richard Pryor, Billy Dee (sans mustache, lye, and relaxer), Glynn Turman, and Robert Hooks I was expecting something better. They were given so little to work with though. There was a slight redemption for the movie at the end, yet nothing enough to completely rescue this film. The movie plot was a noble one and I can only assume that intentions were good. Still, I think Glory did a lot better with the same concept.

At first glance this gives the impression that it is going to be a laughable blaxploitation flick, and it does contain moments where it veers in that direction. However, the basic story idea is much stronger than might be expected, and is a respectable effort at portraying racial issues in the World War II era Army. The recognizable cast is hit and miss, with Glynn Turman, Richard Pryor and the underused Billy Dee Williams faring best. Stephen Boyd, however, stops just short of twirling his bushy mustache in an overindulgent star turn.

The obviously low budget leads to inconsistency in the production values. The locations are great, the effects and action are weak. Imagine if "Saving Private Ryan" had consisted of half the platoon getting killed exactly the same way Vin Diesel's Caparzo had (except we do get to see the shot because they effects can't handle it), then Hanks, Damon and Burns drove around in a jeep and shot five Germans for the climax. Yet, the denouement, with the heroic soldiers receiving no respect for their accomplishment because they are black, and Boyd's racist Captain being effected by this, is compelling, as are the sequences of of Turman's character writing in a journal of his imagined exploits if the soldiers were allowed to fight instead of digging latrines.

In short, "Black Brigade/Carter's Army" doesn't quite succeed. But it's a respectable failure, not a bad joke. It could be remade as a very good film, and, as it stands, is an interesting effort.

I thought I knew it all when it came to Blaxploitation films and for that matter tv shows such as White Shadow and What's Happening. I came across this film in a chain video store and had to make a command decision. It was necessary to determine whether to buy and risk losing the few dollars or more arguably having an eyesore of an item that second hand stores would not even give money for. That would mean throwing it away if it were truly dreadful. I decided to pass at first b-lining home to read online reviews to see the scoop. Fortunately, the critics were kind enough, prompting me to return to the store with renewed vigor and confidence that I was not buying a total turkey. I played the first half of the tape on several occasions only halfway paying attention to ensure that it worked at least functionally. Well finally I had an audience and played it from beginning to end, and was not just impressed but very impressed. I grade on a curve considering the time period and budget put into the project. I really liked the character development in which the subtle differences of personalities remains consistent. The best friend twosome of Pryor and Grier is formable and yet handled in a subtle manner. The other allstars of Moses Gunn, Glynn Thurman, and Billy Dee Williams make this a film that a film expert of black cinema should not miss.

The writers probably had no experience in the army, and probably never glanced at a history book, but I still give this cheaply produced war film some credit for taking a long-needed look at the role of black soldiers in the second world war.

The action is confused and unbelievable--any episode of Combat! has better production values, but the cast is interesting. Seeing New York Giant Rosie Greer was worth the buck I paid for this. The art direction is fifth rate--the men wear Korean War uniforms, and it was pretty lousy weather by the time the U.S. Army reached Germany in 1944, not sunny as they show here, and I don't think the terrain resembled Northern California. The script never does make clear why the black support troops are used as combat soldiers. There is a nice touch that shows some of the men carrying Springfield rifles instead of M-1s, which second rate troops probably would have been issued with.

This basic story idea(racist southern officer commanding black troops) should have been expanded into a big budget production back then, and its not too late to try it now. You have to take this for what it is, and I admire the creators of this film for making the effort.

I remember seeing this a while ago and thinking it was set in Italy, which would have made more sense because there were black combat troops operating there in 1944.

I recently watched Carter's Army (1970) on Prime. The storyline revolves around a racist officer tasked with leading an all-black brigade to capture a bridge from the Germans. Can the troops and the officer overcome their differences to achieve this challenging mission?

Directed by George McCowan (Frogs), the film features Richard Pryor (Harlem Nights), Glynn Turman (Super 8), Billy Dee Williams (Return of the Jedi), Paul Mooney (Bamboozled), and Stephen Boyd (Ben-Hur).

Despite a stellar cast, this wartime picture is a bit of a mixed bag. The cinematography falls short, and many lines come off as cliché. However, Billy Dee Williams and Richard Pryor deliver solid performances, and witnessing a young Glynn Turman is enjoyable. The depicted animosity feels authentic, and Pryor's action scenes add a touch of humor. While the mission execution and final sequence lack impact due to a low budget, the characters' charm makes it worth a watch.

In conclusion, Carter's Army isn't a great film, but the characters' charm is worthwhile. I would score this a 4.5-5/10 and recommend giving it a watch at least once.