La Bataille d'Angleterre

Being a WWII buff for 25 years, I found this movie to be easily one of the best ever filmed. From the very start of the film, Guy Hamilton's direction and the great musical score left me spellbound even when I knew how the story ended. The casting was flawless. Olivier looked like Dowding. Trevor Howard could pass for Keith Park's twin brother and I swear Goering himself had a small part in the film too. I've always wondered if Robert Shaw's role of the squadron leader "Skipper" wasn't patterned after famed RAF pilot A.G. "Salior" Malan. If it was, Shaw looks alot like Malan. "War in the Air" is one of my favorite pieces of music and it flows beatufully through the film. Great acting by Christopher Plummer, Michael Caine, and one of my favorites, Edward Fox makes this movie a must see for any WWII buff.

This has some of the best aerial fight scenes ever - 'Top Gun' nothwithstanding. If it has faults it is that it can sometimes be a bit dull as it is very historically accurate, as it was a very well documented battle and presumably because when it was made many of the participants were still alive (and some still are).

It might have been better if like the 'Dam Busters' it had adopted a rather more documentary style, rather than having ground based ficticious sub-plots.

There are no particular stars (save the aircraft) but many cameos and it is even handed to the Germans as well, who lost many brave men.

The bits I liked were, as one other has commented, British diplomat Ralph Richardson telling German Curt Jurgens (over tea of course) that we wouldn't be dictated to and the scene in the RAF command bunker as one of the biggest daily air battles develops, where Churchill (suggested only by a puffing cigar but very much a hands on war leader), on surveying the plotting board showing hundreds of attacking German aircraft, orders more reserves into the battle only to be told there are none left, everything we had was in the air or on the ground being refuelled.

If the technology looks dated now, we must not forget that at the time radar was ultra secret and definitely cutting edge - this was the start of electronic warfare.

I believe I am correct in saying the film opened on 15th September 1969, celebrated in the UK as Battle of Britain day and the actual anniversary of the Churchill incident above.

This was truly the finest hour of those young pilots and we did it all without American help or even a Yank guest star..........

PS Christopher Plummer is Canadian!

This dramatized biography to my mind represents one of the most difficult sorts of film to make. I believe the makers of "The Battle of Britain" succeeded in making it a stirring war film, and one that deserves to be watched and remembered often. Many people find the battle scenes in the air in this film among the best ever staged. Cliff Richardson deserves praise for his special effects; and Guy Hamilton, director in charge, has frankly done marvelous work of a very difficult-to-achieve sort. He has interiors, intimate scenes, outdoor lectures, strafings, bombings, aerial battles, airplane landings, group shots and conferences to handle.Wilfred Greatorex and James Kennaway. In addition, Ron Goodwin and William Walton supplied memorable music, veteran Freddie Young the lucid cinematography and Maurice Carter wonderful art direction. The story-line chronologically follows the "Battle of Britain", No aspect is overlooked. The success of Luftwaffe air attacks on forward bases is noted; and so is the lucky decision by Hitler to start bombing Londoners instead that caused a shift it tactics and saved Britain's radar towers, key to targeting incoming attackers for interdiction by British aircraft. We hear a lecture by an Air Marshal, see firefighting squads and female drivers in action; we see both sides talking in their own languages--the Germans being subtitled; and we see action in the British War Room and at the highest levels of military planning. A couple is followed to illustrate what pilots and their wives, she being part of the war effort also, had to undergo and the pressures they faced. The pilots are also seen waiting between sorties at their bases; and finally when none come, the first phase of WWII, the expedition and subsequent Battle of Britain is over. In the huge cast are most of the leading male actors in England, including Laurence Olivier as Hugh Dowding, chief of the air effort, Trevor Howard as Keith Park, Patrick Wymark as Mallory, their chief opponent within the air corps,, plus Christopher Plummer and Susannahh York as the troubled couple, Harry Andrews, Michael Caine, Ian McShane, Kenneth More, Curd Jurgens, Nigel Patrick, Michael Redgrave, Robert Shaw, Robert Flemyng, Michael Bates, Ralph Richardson, Isla Blair and Edward Fox. This is a splendid, well-paced and beautiful recreation. The music is superb; the combat footage unexcelled and the acting far-above-average. I rate this film on many counts above anything else ever done concerning the defense of Britain by its air forces during the late war.

Perhaps not many new viewers of this gigantic recreation are aware of the fact that this movie was filmed almost 30 years after the actual events took place.

The efforts to put History on screen were huge. Everything in this account of the facts, comes directly from those who were actually involved in it: from the British and German fighter aces to private Londoners, they all contributed to make this not just another "war movie", but rather a dramatized documentary with accurate precision.

This by no means signifies that it is just that. The sky battles were very carefully choreographed, in accordance to rules of combat, which were followed in the 1940s. Some planes were flown by the same veterans, so that when you see a Messerschmitt Bf-109 followed by Spitfire Mk 1, you know it's for real.

The technical efforts were immense and although the Messerschmitts have reworked engines and even the Heinkel He.111s have different aerials and engine specs, because they were updated by the Spanish Air Force for later use after World War Two, the difference is barely noticeable when one watches one of those spectacular aerial battles.

On the whole, this is a history lesson about how a people, isolated from the rest of the world, and in a minority position, withstood the overwhelming crushing machine of the Axis: the Luftwaffe.

More than a movie, this is a celebration to those brave people, both civilian and military, who did commit themselves against all odds, to resist and fight back a very aggressive and dangerous enemy.

This, together with "The Longest Day", "Sink the Bismarck!", "Tora! Tora! Tora!" and "A Bridge Too Far" is one of those rare examples to make history come to life again and should be considered as didactic material for schools.

An excellent multi-national cast and a skillful direction, make this a masterpiece of its genre.

A movie commonly praised while in the air but damned once the scenes move to the ground. I found it all watchable and quite inspiring. Not every actor rises above cameo level, but Michael Caine is good, and I would follow Robert Shaw into the thick of any battle fought in human history. The battle scenes are still the best aerial combat sequences on celluloid.

It's odd that Maltin gives this movie fewer stars than the Europroduction "Blue Max", with its staged-looking combat sequences and campily awful dialogue.