Magie noire

I just heard Michael J Weldon of Psychotronic Video talk about this on a podcast interview. It reminded me of the first time I saw this on television ( sometime in the 1960's I guess) on the late night Friday Chiller show. The woman burning herself, her hair catching fire, etc. was really terrifying. The film is kind of a B-Movie horror-noir with the oily continental Jacques Begerac performing that Hypnotic Eye thing and causing all manner of mayhem and mutilation. Then there was the wonderful Allison Hayes just 2 years past The Attack of the 5o Foot Woman giving another great performance and of course, my favorite, Merry Andrews from TV's How to Marry a Millionaire. They just don't make them like this anymore. A campy horror classic!

I wish someone would re-release this, or TCM or somebody would show it. It was just another really bizarre offering from the late fifties/early sixties. It used to be a regular on the lat Saturday night TV horror show in my hometown (in Houston the show was called Weird) and this one fit the bill--really weird.

Cinematic excellence? Surely not. But it was offbeat enough to keep your attention. Even had a debunker who explained away a lot of the "magic" for the police (and the viewers).

The plot does have an interesting twist with the hypnotist's girlfriend. Sure it didn't win any academy awards but few movies do.

I give it a seven because it falls within the genre of movies that are so bad they are actually good.

What could be driving various beautiful young women to mutilate themselves? What do they all have in common? Could it be the devilish hypnotist Desmond (Jacques Bergerac) and his mysterious assistant Justine (the 50 foot woman, Allison Hayes)? A skeptical detective (Joe Patridge) becomes personally involved when a friend (Merry Anders) becomes the latest victim, and his own girlfriend (Marcia Henderson) falls under the spell of the hypnotist.

As with other movies from the era, this originally came complete with a gimmick designed to lure people away from their TV sets and into the theatres. In this case, that would be "Hypno-Magic". Overall, the movie is pretty amusing, with the suave, handsome Bergerac doing a fine job of taking centre stage. The makeup effects are fairly good for the time this was made, and some of the methods of self mutilation are a hoot, even if we don't see all of them: flammable shampoo, lye cocktail, face pressed into fan blades, etc. One has to wonder if Herschell Gordon Lewis was somewhat inspired by this one when he made "The Wizard of Gore" 10 years later.

The cast keeps it watchable, particularly the striking Ms. Hayes, who does have a (not terribly surprising) twist in store for us right near the end. The filmmakers also get some credit for not over explaining things; for example, not giving us a back story for Desmond and Justine. The movie takes a brief detour into beatnik culture at the start of the second half, showcasing poet Lawrence Lipton and bongo drummer Eric Nord. Jimmy Lydon plays an emergency doctor, and in another doctor role the real life "Great Impostor" Fred Demara is cast.

"The Hypnotic Eye" is agreeable goof ball entertainment for people looking for a vintage "shocker".

Six out of 10.

"The Hypnotic Eye" is a fairly effective B movie about a spate of self-mutilations by beautiful women who appear to be in a trance when they do the deed. A detective tries to unravel the link between the victims and a stage show that features a hypnotist that they have all attended.

A lot of what appears in the movie is fun, although "The Hypnotic Eye" is barely 70 minutes long, and a lot of this is padding, featuring several needlessly long looks at the "hypnosis" act, as well as a very tiresome sequence set in a beatnik bar where we have to watch the whole show of beatnik music and poetry. It's a shame, because these really slow down the action. Surely it would not have been to difficult to make the actual storyline events take up some more time.

The acting is ok, although a little hammy. The story actually has a really brutal side to it, as the methods the ladies use to self-harm are all pretty twisted. We don't witness many of them happening, but seeing somebody screaming with their hair fully ablaze is quite something for 1960 (even if it's not very realistic). Some of the "after" make up of the others victims is also pretty good.

If all the padding was stripped out, this would rattle along and be a lot more fun, but it would be over in less than an hour! The plot really is tiny and there is barely any quality time given to the climax, in fact events dash to the closing credits with far too much haste...a little time spent on a proper ending and explanation would have been nice. Still, it's pretty entertaining while it lasts.

Involving story starts out with separate reports of young and beautiful women intentionally disfiguring themselves. Investigators come to think they may be linked to a suave hypnotist (Jacques Bergerac) and his sexy female assistant (Allison Hayes in one of her best roles), so one of the detectives decides to use his own girlfriend as bait. This is a consistently interesting film, even if you have to suspend a good deal of disbelief in accepting how easily the culprit can get away with his schemes. The whole concept feels ahead of its time for the period and there are some surprises, especially in a reveal at the end. Good movie. *** out of ****