Ajouter une intrigue dans votre langueA librarian undergoes a failed experiment, gaining vapor abilities. He robs banks to fund his dancer girlfriend's career, killing those who interfere. Now Tokyo's most wanted criminal, can a... Tout lireA librarian undergoes a failed experiment, gaining vapor abilities. He robs banks to fund his dancer girlfriend's career, killing those who interfere. Now Tokyo's most wanted criminal, can authorities stop him before his next murder?A librarian undergoes a failed experiment, gaining vapor abilities. He robs banks to fund his dancer girlfriend's career, killing those who interfere. Now Tokyo's most wanted criminal, can authorities stop him before his next murder?
- Réalisation
- Scénario
- Casting principal
Avis à la une
Somber screenplay writer Takeshi Kimura at his best. Probably the most sad and dramatic of all Toho sci-fi epics. Here, we have the title character, who is a librarian in his real life, willing to make sacrifices to pamper his lover, the Kabuki dancer, even if it resorts to chaos and havoc. Caught in the mix is a policeman and a reporter, out to catch the rampaging "Vapor Man" before he causes any more harm. I usually prefer more light-heated pieces, like the works of writer Shinichi Sekizawa. Though this is a really dark film, which could use more lighter themes, it is a movie with a very compelling story with an astounding climax. A good thriller even by today's standards.
Grade B
Grade B
The Human Vapour shows that there was a lot more to 60s Japanese science fiction movies than Godzilla and Mothra. While the version I watched was badly dubbed and transferred to video, it still stood out as superior b-grade sci-fi. The FX may be quite primitive but the concept was handled well, the acting more than adequate, and the central relationship between the Vapour and the Kabuki dancer was suprisingly touching. Try and track this one down if you're looking for something different.
The Human is a surprisingly worthwhile change from the standard Japanese horror film. It is a cross between The Invisible Man and Phantom of the Opera with just a dash of Hangover Square. The kabuki sequence was well staged. It has tremendous production values and some good, sincere acting. It is marred only but over abundant comic relief, and choppy editing. All in all though, it is worth watching....really.
The title may suggest a bad sci-fi movie, but this film is actually quite dramatic and well produced. Part mystery and part science fiction, it is well acted and the special effects of the man turning into the vapor is expertly done. The segments of the Vapor traveling about the city and telling of his experiences are a high point of the movie, and explain what it would feel like to actually be a cloud of gas. The central story, of the attraction between the Vapor and the dancer, is well written and effectively developed on screen. This is an example of a Japanese science fiction film that often gets overshadowed by the likes of Godzilla and Rodan, but is quite good on its own merits. Watch it if you get the chance!
I saw this film only once, in Sydney around 1977, and was called "Vapour Man". I have looked for it sporadically since due to the soundtrack. The theme is as haunting as Bernard Herrman or Elmer Bernstein and was implanted into my mind until a couple of years ago when I was unable to recall it. Japanese cinema and TV series like "The Samurai" and "Phantom Agents" were almost as influential on Australian kids of the time as American and British products and luck we were indeed. Really heartbreaking theme.
Le saviez-vous
- AnecdotesIncluded in Kinema Junpo Critic's Top 200 best Japanese films of all time.
- GaffesWhen Okamoto goes to Fujichiyo's house, it is never explained why he has to walk all that way.
- Versions alternativesAlthough conceived as a literary and character driven story, the Japanese version, which contains footage not in the U.S. version, is told for almost the first third as a mystery. The re-edited version from Brenco has these parts of the story told from Mizuno's point of view, which Yoshio Tsuchiya prefers.
- ConnexionsFeatured in Movie Macabre: The Human Vapor (1983)
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Détails
- Durée1 heure 32 minutes
- Mixage
- Rapport de forme
- 2.35 : 1
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