Gangster Story

To Walter Matthau fans- of which I am one- 'Gangster Story' has the look and feel of a very early (possibly first) film acting appearance which was kept in it's rusty can upon completion, only to be released years later to cash in on his popularity once the actor gained more esteem. That's why I find it hard to believe this effort came after his riveting Oscar-worthy turn in 'A Face In The Crowd' (1957).

The effect is almost like watching Gene Hackman peddling frying pans at a swap meet. Mr. Matthau must have been in very dire straits to agree to sign on to this project. That being said, he is still the best element of this mercilessly low-budget film. His trademark dry humor peers through in some scenes, and his newlywed wife Carol Grace gives a performance that get better as her character is allowed to develop.

To say "Gangster Story' is a curiosity is a vast understatement. If one takes it for what it is, it will hold your interest, despite the rampant clumsiness of dialog and action throughout. Worth a peek.

Gangster Story has the distinction of being the first film Walter Matthau ever starred in and the only film he ever directed. And for him personally he wedded his leading lady Carol Grace aka Carol Marcus. She became the second Mrs. Matthau.

It has a lot of similarities to one of Matthau's better serious roles Charley Varrick which was directed by Don Siegel after Matthau became a star. Unfortunately this one was shot on a dental floss budget and Matthau the actor did not get any great performances out of his cast.

Matthau plays a bank robber who has just escaped police custody and goes right to work and pulls off a nice bank robbery which comes to the attention of a local crime boss. He gets Matthau in his organization and they pull a big score, but the getaway was a bloody mess.

Matthau also has taken up with a local librarian who is intrigued by him even before she learns he's a professional criminal. The chance to leave her humdrum life as a librarian to become possibly Bonnie Parker is also intriguing, but up to a point.

As for the ending, no surprises but it doesn't end like Charley Varrick. Think of the film Heat from Robert DeNiro's point of view.

The only other person in the cast of note is Garry Walberg who plays one Matthau's henchmen from the big score who proves to be a loyal friend.

The whole affair in noir black and white looks like it was shot with a Kodak home movie camera. Matthau makes it interesting, but Ed Wood had bigger budgets.

Gangster Story (1958)

* (out of 4)

Walter Matthau directed this film, his only stint in the director's chair. Matthau plays a hardened bank robber/cop killer who tries to hide in a small town but mafia dudes come chasing him. The plot of this film really makes no sense and the performances are all rather bad. This is an ultra low budget film that seems to have been filmed without sound and then later dubbed in. I'd recommend everyone watch this film at least once to see the dumbest bank heist in the history of film.

Thankfully Walter went back to acting.

Gangster Story may have been more interesting with a higher budget and by ditching the California countryside locations. This story seemed to be in a smaller city (one scene has Matthau driving with cows in a field in the background) so I can't see why there would be such a mob presence here.

The bank robbery was actually quite funny. Matthau used all the wit and charm we saw in later films during this scene. He had a few other humorous lines in this film.

Some of the other dialouge was really stiff though, especially with the supporting cast. Looks like they just took people off the street and gave them lines to memorize. There was some really awful acting here. Matthau himself comes across stiffly in his tender scenes with his real wife. The kissing scene was embarrassing to watch.

Someone in another review made a comparison to the old "Highway Patrol" TV show and I agree. That show also was filmed in the California countryside and desert areas. The old black and white police cars in Gangster Story (minus any identification on them) looked and sounded just like THP cars.

I enjoy watching old, low budget films, though. Especially when it contains a major star in an early role. Kind of a cheap thrill, however, I wouldn't put this on anyone's "Don't Miss" list.

I do like low budget movies, they often have an intimacy that is hard to maintain in larger productions with more people involved. Mistakes and goofs can be accepted as additional content or message, they can even lend the movie its own personal charm. This is certainly the case in Gangster Story – definitely a low budget affair. I have the impression that for Walter Matthau this was a very personal affair. The basic theme is the relationship between him and the female lead who happens to be his wife in real life. Matthau plays a funnyman with a dark streak and a tendency for self destruction, Carol Grace a demure librarian with a will who starts a love affair with the gangster Matthau plays. The great achievement of the movie lies in the fact that it successfully shows that two people from entirely different backgrounds who meet by chance are attracted to each other. From the beginning there is a palpable erotic tension between the two. Difficult to say how this is communicated to the audience, there is not much kissing going on or any nudity. But then one has to remember that despite of the grainy black and white, the clipped dialog and the not very inspired direction that one is watching two top performers in a character driven movie. The story is not very original but tight and minimalistic. Thanks to the good acting performances it works quite well nonetheless.

I like to think that Matthau and Grace tried to analyse their own characters and their relationship in real life by means of making Gangster Story, I also like to think that Matthau at that time dabbled in directing the way John Cassavetes did. It might be just as well that he didn't pursue this part of movie making. The only thing I do regret is that Carol Grace cannot be seen in more movies. Her only other part was, according to IMDb, in Mikey an Nicky, where she played alongside John Cassavetes and Peter Falk in a performance that was equally memorable.