Horror Hotel

This movie has everything you would want in an oldie B&W horror movie. Start with Christopher Lee in a typically suave ambiguous role. Add old stories of witchcraft and the dead rising from their graves, naive young girls, creepy men standing randomly on the side of the road, an old priest keeping jealous watch over his ruined church, mist rising from the road, a suspicious hotel landlady (she looks a little like Judith Anderson in Rebecca). This one checks all the boxes and is well acted by all the major characters. Time well worth wasting.

The City of the Dead is a British made horror starring industry legend Christopher Lee.

It tells the story of a student studying witchcraft who decides to go to a sleepy town drenched in rich occult history. There she finds more than she could have ever expected.

The movie is years ahead of it's time, it looks great, it plays out perfectly and I walked away considerably more satisified than I expected.

It almost felt like a Hammer Horror except without any of the goofiness, in fact the film is really quite merciless by comparison and would have heavily stood out back in 1960.

A very enjoyable effort for all horror fans.

The Good:

Looks great

Very dark for its day

Perfectly paced

The Bad:

Ending is weaker than the rest

Things I Learnt From This Movie:

It's best to invite someone into your home after they're already in

Witches though bulletproof are vunerable to guns actually being thrown at them

A more than good b/w horror movie, based on witchcraft and satanism, with a very good cast and definitely a correct atmosphere. A young collegial goes to a small Massachussets town and find a coven of three hundred years old Satan worshippers. Maybe a little dated, but still more than watchable.

A true masterpiece and a perfect example of how imagination and desire can overcome a small budget in film making! "Horror Hotel", aka, "City Of The Dead" is one of my all-time favorite horror classics. Beautiful black and white photography, a stock pile of atmosphere, a literate script, terrific acting and chills galore! I have seen this gem many times, first when I was very young and caught it on the Late Show. It has had an effect on me everytime I see it. The plot seems familiar I am sure, a witches cult is operating in a small New England town but there is much more then that! From Christopher Lee to the chilling witch hunt and stake burning of the opening to the climatic battle with the coven in the graveyard. Outstanding! Mist and fog drown this small town and what strikes me most is that this entire production was studio bound!!! no location shooting, all done in a studio and it comes off without a hitch! I happen to have a copy of this film on video that I cherish. It's not a newly remastered, pristine copy. It's a copy that seems to have been copied from a television broadcast and I love it! It looks grainy, old, had pieces of hair and dirt on it and I wouldn't trade it for the world. It brings back great memories of films shown when I was young in the 60's and 70's and adds an extra dose of charm and atmosphere to the film. A true classic and one I highly recommend!

This film remains under-rated and under the radar for it's atmosphere, cinematography, and editing (especially one great match-cut).

The film opens on the New England village of Whitewood in 1692. The Puritans are getting ready to burn a witch. What makes this different? For one, nobody was ever burned at the stake for witchcraft in what is now the USA - they hanged them. But burning is much more creepy and cinematic. Also, they happen to be burning an actual witch - Elizabeth Selwyn. At first she begs for help from Jethro, a puritan in the crowd. Jethro is asked if he knows this witch. He says no. As she is burning, Selwyn sends up a prayer to Lucifer that she will serve him for eternity if he curses Whitewood for her sake. Jethro sends up affirmations to Lucifer too. Note to Jethro - after this burning is over you might want to leave town because praying to Lucifer with a condemned witch is just not good form in a paranoid conformist society such as 17th century New England.

Cut to present day (1962) and a professor (Christopher Lee) is lecturing students on this particular incident on his series of talks on witchcraft. One particular student says she wants to do some field work on this subject, and the professor directs her to Whitewood and to the innkeeper of the town's inn. When the student arrives she finds it forboding, and small groups of people gather in the street and stare at her. A ghostly fog shrouds everything. Let's just say our heroine gets more than enough field work to satisfy her thesis.

Soon, back home, her brother and boyfriend get concerned and they head to Whitewood too. Let me just say that this is one of those horror fllms in which the characters refuse to acknowledge the clues/warnings that would turn most of us in the opposite direction, but then we would have no movie if everybody had their curiosity tempered by self preservation.

With cinematography by Desmond Dickinson that is wonderfully atmospheric and eerie with one of the great inspired endings to a horror film.

Eeriest scene to me? When the innkeeper at Whitewood asks the young visiting coed if she would like to join the other guests in dancing and you see them spinning and pirouetting about in perfect synchronization as though they are decorative mechanical figures dancing in a jewelry box.

I'd recommend this one today. It really holds up and the horror - though not graphic at all - is very effective.