Can-Can
- 1960
- Tous publics
- 2h 11min
NOTE IMDb
6,3/10
2,7 k
MA NOTE
Ajouter une intrigue dans votre langueIn 1896 Paris, a female nightclub proprietor fights against the forces of public morality for the right to feature her performers doing the risqué dance, the Can-Can.In 1896 Paris, a female nightclub proprietor fights against the forces of public morality for the right to feature her performers doing the risqué dance, the Can-Can.In 1896 Paris, a female nightclub proprietor fights against the forces of public morality for the right to feature her performers doing the risqué dance, the Can-Can.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 2 Oscars
- 5 victoires et 7 nominations au total
Frank Baker
- Party Guest
- (non crédité)
Benjie Bancroft
- Club Patron
- (non crédité)
Herman Belmonte
- Waiter
- (non crédité)
Shirley Blackwell
- Townsfolk
- (non crédité)
Eugene Borden
- Police Officer Chevrolet
- (non crédité)
Buddy Bryan
- Dancer
- (non crédité)
Carole Bryan
- Gigi
- (non crédité)
Avis à la une
What does an old musical set in France need? Maurice Chevalier and Louis Jourdan, of course! And since there's also singing and a cute dancer who likes showing off her legs, what else does it need? Frank Sinatra and Shirley MacLaine! Can-Can has Shirley, both French charmers, and Ol' Blue Eyes.
Set in the 1800s, when the can-can dance was forbidden in France because it was too risqué, Shirley MacLaine decides to buck the system and allows her and her nightclub dancers show off their legs. Lots of dancing from choreographer Hermes Pan, lots of pretty costumes, lots of Cole Porter songs, and a love triangle that will keep you on the edge of your seat the entire time, Can-Can is definitely one to see if you like old musicals. I've seen them all, and while this one doesn't make it to the top shelf in my collection, I'm glad I saw it. Many famous songs come from this movie, including "I Love Paris", "Let's Do It", "Just One of Those Things", and "It's All Right With Me", so if you like any of those, rent it during your next musical-fest weekend.
Set in the 1800s, when the can-can dance was forbidden in France because it was too risqué, Shirley MacLaine decides to buck the system and allows her and her nightclub dancers show off their legs. Lots of dancing from choreographer Hermes Pan, lots of pretty costumes, lots of Cole Porter songs, and a love triangle that will keep you on the edge of your seat the entire time, Can-Can is definitely one to see if you like old musicals. I've seen them all, and while this one doesn't make it to the top shelf in my collection, I'm glad I saw it. Many famous songs come from this movie, including "I Love Paris", "Let's Do It", "Just One of Those Things", and "It's All Right With Me", so if you like any of those, rent it during your next musical-fest weekend.
"Can-Can" is a feeble and obvious attempt to match the wit and high professional gloss of "Gigi." The cast even included Maurice Chevalier, still enjoying the quiet pleasures of old age as a tolerant judge named Paul Barriere, and Louis Jourdan, cast here as an upright young judge named Philippe Forrestier
After Judge Forrestier becomes amorously involved with the café owner Simone Pistache (Shirley MacLaine), and legally involved with her shifty lawyer boyfriend (Frank Sinatra), he is no longer the same man
"Can-Can" is a musical film that virtually embodies the reasons for the decline of the genre in the sixties Except for its appropriately gaudy costumes and for the exuberant performance by dancer Juliet Prowse as a cancan girl, the musical is without joy or genuine style under Walter Lang's unfocused direction
The Cole Porter score reveals the composer at his most ersatz Parisian The two of the central roles are grotesquely miscast: Sinatra, who seems to have arrived to Paris by way of New Jersey, creates no discernible or even vaguely likable character in François MacLaine does well in the musical portions, but her Pistache is simply shrill and unappealing Maurice Chevalier and Louis Jourdan work hard at injecting some life into the dull proceedings Chevalier with his trademark shrugged-shoulders, laissez-faire attitude toward life and love, expressed to such songs as "Live and Let Live" and "Just One of Those Things," and Louis Jourdan with the French charm he displayed so prominently in "Gigi."
For all their efforts, however, Can-Can emerges as a flat soufflé
"Can-Can" is a musical film that virtually embodies the reasons for the decline of the genre in the sixties Except for its appropriately gaudy costumes and for the exuberant performance by dancer Juliet Prowse as a cancan girl, the musical is without joy or genuine style under Walter Lang's unfocused direction
The Cole Porter score reveals the composer at his most ersatz Parisian The two of the central roles are grotesquely miscast: Sinatra, who seems to have arrived to Paris by way of New Jersey, creates no discernible or even vaguely likable character in François MacLaine does well in the musical portions, but her Pistache is simply shrill and unappealing Maurice Chevalier and Louis Jourdan work hard at injecting some life into the dull proceedings Chevalier with his trademark shrugged-shoulders, laissez-faire attitude toward life and love, expressed to such songs as "Live and Let Live" and "Just One of Those Things," and Louis Jourdan with the French charm he displayed so prominently in "Gigi."
For all their efforts, however, Can-Can emerges as a flat soufflé
Strangely enough, the weakest aspect of this musical is the quality of the songs. Most of them are fairly mediocre, and fail to stay in the memory for long. But otherwise, "Can-Can" is a smashing entertainment. Lavishly produced and gorgeously photographed, this is one expensive movie where the money were spent with care and taste (unlike, for example, "Gentlemen Prefer Blondes" which, despite its big budget, looked cheap). The story may be a little thin, but it's suspenseful, too: you can never predict with absolute certainty if MacLaine will choose Sinatra (who is wonderful) or Louis Jourdan (who is as sly and charming as he was when he played the villain in "Octopussy"). But above everything else, this movie is a feast for the eyes!
Shirley MacLaine is a delight as the owner/operator of an 1895 Paris Night Club. The problem: A new, "disgusting" dance craze called the "Can Can" has swept Paris, and Shirley's night club seems to be the only place that dares to perform it nightly. Money man Frank Sinatra, who also is the on-again-off-again fiancé of the owner, attempts to bribe the authorities to turn a blind eye to what's going on at the club. Law man Louis Jourdan also falls for Shirley, while an ever-wise Maurice Chevallier tries his best to play cupid.
The musical numbers are wonderful, especially Shirley MacLaine's solo "Come Along With Me", The MacLaine/Sinatra duet "Let's Do It" and the grand finale "Can Can". -- This film cost 6 million dollars to produce, which was a lot in 1960. I'm glad they went through with it, because this is one of my favorite film musicals. They don't come much better than this!
The musical numbers are wonderful, especially Shirley MacLaine's solo "Come Along With Me", The MacLaine/Sinatra duet "Let's Do It" and the grand finale "Can Can". -- This film cost 6 million dollars to produce, which was a lot in 1960. I'm glad they went through with it, because this is one of my favorite film musicals. They don't come much better than this!
Another Cole Porter Broadway show makes it Hollywood, but not intact. Can Can retained most of its score, but 20th Century Fox added some other Porter standards like Let's Do It. Just One of Those Things, You Do Something To Me. And of course the book was sanitized by the Hollywood censors.
Briefly the plot is a girl who's a Can Can dancer played by Shirley MacLaine has to choose between two men of the legal profession. Upright judge, Louis Jourdan and less than scrupulous attorney, Frank Sinatra. Maurice Chevalier is an older judge who knows all of them and presides over the film like an avuncular grandfather.
The performers all do justice to the Cole Porter score and the best musical moment is Frank Sinatra's singing of It's All Right With Me. He's singing it to Juliet Prowse who was his main squeeze at the time. It's one of Sinatra's best musical moments on film, a perfect mating of singer and song.
I'm sure glad neither Sinatra or MacLaine attempted any kind of phony French accent. Sinatra tried a Spanish one in The Pride and the Passion and the results were hilarious.
Shirley MacLaine before she came to Hollywood was in the chorus of Can-Can on Broadway so she was a perfect fit for her part as Simone Pistache the cabaret owner where the illegal Can-Can is performed.
For reasons I don't understand a duet with Frank Sinatra and Maurice Chevalier singing I Love Paris was cut, though it remained in the original cast album. Blockheads at Fox, what were they thinking?
It also would have been nice to have some Paris location shooting for this film, it was all done at 20th Century's backlot where Nikita Khruschev paid a historic visit and said this was an example of western immorality and decadence. You couldn't buy that kind of publicity.
Verdict on this film, well as Old Blue Eyes sang:
RING-A-DING DING DING, C'est Magnifique.
Briefly the plot is a girl who's a Can Can dancer played by Shirley MacLaine has to choose between two men of the legal profession. Upright judge, Louis Jourdan and less than scrupulous attorney, Frank Sinatra. Maurice Chevalier is an older judge who knows all of them and presides over the film like an avuncular grandfather.
The performers all do justice to the Cole Porter score and the best musical moment is Frank Sinatra's singing of It's All Right With Me. He's singing it to Juliet Prowse who was his main squeeze at the time. It's one of Sinatra's best musical moments on film, a perfect mating of singer and song.
I'm sure glad neither Sinatra or MacLaine attempted any kind of phony French accent. Sinatra tried a Spanish one in The Pride and the Passion and the results were hilarious.
Shirley MacLaine before she came to Hollywood was in the chorus of Can-Can on Broadway so she was a perfect fit for her part as Simone Pistache the cabaret owner where the illegal Can-Can is performed.
For reasons I don't understand a duet with Frank Sinatra and Maurice Chevalier singing I Love Paris was cut, though it remained in the original cast album. Blockheads at Fox, what were they thinking?
It also would have been nice to have some Paris location shooting for this film, it was all done at 20th Century's backlot where Nikita Khruschev paid a historic visit and said this was an example of western immorality and decadence. You couldn't buy that kind of publicity.
Verdict on this film, well as Old Blue Eyes sang:
RING-A-DING DING DING, C'est Magnifique.
Le saviez-vous
- AnecdotesIt is explained in the film that the can-can was considered a lewd and lascivious dance (in reality often performed without panties).
- GaffesAbout 34 minutes in, when Philipe tries to close the window in Simone's boudoir, the whole wall shakes as he struggles with the window, indicating that it is a set wall and not a real building.
- Citations
François Durnais: You look like a broken umbrella.
- Crédits fousOpening credits prologue: Montmartre-1896
- ConnexionsFeatured in 20th Century-Fox: The First 50 Years (1997)
- Bandes originalesI Love Paris
(uncredited)
Music by Cole Porter
Lyrics by Cole Porter
Sung by chorus over the beginning and end credits
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- How long is Can-Can?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Jack Cummings' Production of Cole Porter's Can-Can
- Lieux de tournage
- Paris, France(stock footage of the evening barge sequences)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 6 000 000 $US (estimé)
- Durée
- 2h 11min(131 min)
- Rapport de forme
- 2.20 : 1
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