Ajouter une intrigue dans votre langueThe adventures of two young drifters across America.The adventures of two young drifters across America.The adventures of two young drifters across America.
- Nommé pour 2 Primetime Emmys
- 1 victoire et 3 nominations au total
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I saw many of the 1960 and 1961 episodes while in the service. I was so taken by the show that in my mind (confusing reality and television), I decided to hit the road when I got discharged in 1962. I purchased a 1961 Vette and a buddy and I set off from Sacramento, California sometime in May 1963 a la Tod and Buzz to find adventure and romance at every stop. Unfortunately we only got as far as southern Utah when we totally ran out of money. I guess we forgot that Buzz and Tod took time out to work here and there. Anyway, it was fun while it lasted and my only lasting regret was having sold the Corvette. Back to the show: one fascinating aspect is in the scripts. Silliphant in particular was a great writer both serious and comedic - but what is amusing today is the amount of beat-era language, as well as existentialist philosophy. Sterling must have read his Sartre and Camus - or at least Tod did while at Yale. The show had at times a strangely schizophrenic nature: trite, even stupid story lines, but some very profound dialogue (at least for television). And the need for at least one fist fight in every episode gives the lie to any myth of a "kinder and gentler nation" before the counter culture invasion in the mid 60's.
Marty Milner and his sidekick George Maharis get into intrigue and adventure on the highways and byways. Mostly across the good old USA, but one stop each in Canada and Mexico.
Ahhh, what a great concept for a TV series in this post-war period. Two virile young dudes getting into a gorgeous Corvette and driving aimlessly until the gas money ran out. This was one of the more well written and plotted series of the day, too! Some have called the dialogue intellectual and poetic. It is one of those shows that was impossible to stop watching once you were in the first five minutes. Gorgeous scenery and the perpetual sense that adventure was always just around the turnpike.
Stan Lee and Marvel Comics wouldn't admit this, but it would appear they may have unintentionally ripped off the Buzz Murdock character in creating one of their stable characters, Daredevil. According to all the trivial facts about Route 66, Buzz Murdock hails from Hell's Kitchen! Daredevil's secret identity, MATT Murdock, hails from Hell's Kitchen! It seems to me in one episode, Buzz was even blinded! Matt Murdock is blind!
Nah, I don't really care either, but thought somebody out there might find it interesting.
Ahhh, what a great concept for a TV series in this post-war period. Two virile young dudes getting into a gorgeous Corvette and driving aimlessly until the gas money ran out. This was one of the more well written and plotted series of the day, too! Some have called the dialogue intellectual and poetic. It is one of those shows that was impossible to stop watching once you were in the first five minutes. Gorgeous scenery and the perpetual sense that adventure was always just around the turnpike.
Stan Lee and Marvel Comics wouldn't admit this, but it would appear they may have unintentionally ripped off the Buzz Murdock character in creating one of their stable characters, Daredevil. According to all the trivial facts about Route 66, Buzz Murdock hails from Hell's Kitchen! Daredevil's secret identity, MATT Murdock, hails from Hell's Kitchen! It seems to me in one episode, Buzz was even blinded! Matt Murdock is blind!
Nah, I don't really care either, but thought somebody out there might find it interesting.
Simply one of the finest shows from American t.v.This is an undeservedly "lost" show ,amazingly neglected when so many inferior 60's series are wildly overpraised.If you have never seen "Route 66" try to,it's a rare gem.The scripts are not just highly literate,but often close to poetic(no wonder Jim Aubrey,downmarketeer boss at CBS TV disliked it!).There's a great deal of acting talent in the guest roles-Boris Karloff,Lee Marvin,Robert Duvall,Warren Stevens,Lew Ayers,Michael Rennie,Martin Sheen,Dorothy Malone,Ed Asner,Walter Matthau,Edward Andrews,Leslie Nielson,Anne Francis,Jack Lord,William Shatner and Dan Duryea are just a few to look out for.The two part story "Fly away home" has a haunting tortured performance by Michael Rennie as a doomed pilot;"Welcome to Amity"featuring Susan Oliver is both uplifting and truly moving; in "A month of Sundays" the "Route 66" camera captures Anne Francis at the peak of her stunning beauty and series regular Martin Milner gives the performance of his life as a drug crazed Tod Stiles in "A thin white line".These are just some of the highlights in "Route 66".The location filming (unusual then and now),provides a marvellous time capsule of a now vanished America.
I got hooked on this through my obsession with Adam-12 and some tapes I bought off ebay. I've only seen 14 episodes, but they are 14 of the greatest TV episodes of any drama ever to make it into our homes. So few shows now make you think, but this does and that's good. Makes you think about human nature, the world, and your role in it. It's more than just a show about two cute guys in the world's coolest car (though there's nothing wrong with that), it's about people. I cry when I remember that no one has jumped at the opportunity to put this show on their network. What are they thinking??? This is the drama that all the dramas since have wanted to be but never succeeded at becoming.
I have been living in Asia for the past 32 years so I don't know if
reruns of "Route 66" have ever been running on television in the States
over the past 3 decades. But 20 years ago when I read Alvin Toffler's
prediction in The Third Wave that the future would see professionals
not loyal to any one company but working with an honest fervor at a
given task and then moving on to the next worthy challenge, my
impression was, "this guy is describing the world of Buz and Tod on
'Route 66'." In an era when America was composed of white collar
office workers and blue collar union members, all working towards a
pension, 'Route 66' was a breath of fresh air, an escape, and a
challenge to try something different as well as a reminder that one
should move on not with a sense of despair but with a feeling of
jubilation and wonder at what is over the next hill. Against the
current economic climate in both Japan and the U.S.A., such a reminder
is especially needed today. Let's move on with a sense of jubilation
and wonder. And to help us do it, bring back the "Route 66" series.
reruns of "Route 66" have ever been running on television in the States
over the past 3 decades. But 20 years ago when I read Alvin Toffler's
prediction in The Third Wave that the future would see professionals
not loyal to any one company but working with an honest fervor at a
given task and then moving on to the next worthy challenge, my
impression was, "this guy is describing the world of Buz and Tod on
'Route 66'." In an era when America was composed of white collar
office workers and blue collar union members, all working towards a
pension, 'Route 66' was a breath of fresh air, an escape, and a
challenge to try something different as well as a reminder that one
should move on not with a sense of despair but with a feeling of
jubilation and wonder at what is over the next hill. Against the
current economic climate in both Japan and the U.S.A., such a reminder
is especially needed today. Let's move on with a sense of jubilation
and wonder. And to help us do it, bring back the "Route 66" series.
Le saviez-vous
- AnecdotesThe Corvette was replaced every three thousand miles. Chevrolet was the show's sponsor. It was never explained how Tod was able to get a new Corvette so often.
- ConnexionsFeatured in Frankenstein: A Cinematic Scrapbook (1991)
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- How many seasons does Route 66 have?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- The Searchers
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure
- Couleur
- Mixage
- Rapport de forme
- 4:3
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