Échec et mat

I remember Checkmate from when I was four years old, oddly. I have a few other memories from that age but the swirling colors in the opening, even in black and white, stuck with me and somehow I enjoyed the show even at that age, though I'd have understood little behind the stories.

As an adult, I years ago bought the DVD set. I haven't watched it all by a long shot. To be truthful the episodes are a bit dated by now and not all of their plot points really hold together that well. A lot of things happened because it was 'convenient' for the writers, rather than a plot point making good sense.

Still, the episodes are enjoyable and a window into the world of the early 60s. If you have a hankering for this type of classic show, 77 Sunset Strip is head and shoulder better than Checkmate, but I've seen most of 77 Sunset Strip twice. LOL I'd say the story quality of Checkmate is more in line with Hawaiin Eye.

This show was made when networks bought almost twice as many episodes as they have for many years. You can still pick the DVD set up for just more than 50 cents an episode. That's a good value.

Checkmate Inc. was an elite San Francisco firm that would prevent (or checkmate) a crime before it occurred. Don Corey (Anthony George) was the owner of the firm and Jed Sills (Doug McClure) was his young associate. Dr. Carl Hyatt (Sebastian Cabot) was a criminologist at a local university who served as a consultant to Checkmate. All three actors worked as a team in each episode, rather than alternating as episode stars. Sebastian Cabot was the standout, but all three actors were very appealing, and their interactions made the show compelling.

Checkmate Inc. worked out of Don Corey's beautiful Nob Hill bachelor pad. The set for this apartment was sensational, and was almost a fourth character. I really loved that apartment. I waited for the scenes that took place in Corey's elegant home, hoping to get a different angle on it. (Checkmate's John J. Lloyd won the Emmy for Outstanding Art Direction and Scenic Design.)

The three leads probably weren't paid much money, but the producers splurged on guest stars. A cool group of actors: Lee Marvin, Inger Stevens, Peter Lorre, Claire Bloom, Dan Duryea, Cyd Charisse, Richard Conte, Terry Moore, David Janssen, Angie Dickinson, Jack Lord, Elizabeth Montgomery, Charles Laughton, Tina Louise, Robert Lansing, Susan Oliver and Ralph Bellamy were a few.

My favorite episode was "The Murder Game", an Agatha Christie type story by Douglas Heyes ("Kitten With a Whip") that had an undercurrent of dark humor. A famed criminal lawyer (John Williams), who never lost a capital case, is dying. He learns that one of the clients he got off on a murder charge was really guilty. The lawyer invites several of his former clients to his house for a party, including the guilty one. He plans to murder the murderer. The lawyer also invites his former colleagues Don Corey and Carl Hyatt, and challenges them to stop him. "Checkmate" was on Saturday nights its first season, right after "Perry Mason", who the lawyer might have resembled.

Thriller writer Eric Ambler created this show. Ambler was married to "Alfred Hitchcock Presents" producer Joan Harrison, who may have produced some of the early episodes.

John Williams received a Grammy nomination for the striking theme music. Saul Bass created the dazzling opening title credits.

Robert Lansing and Robert Sterling auditioned for the lead role of Don Corey along with Anthony George. Lansing was the choice of Universal executive Richard Lewis who developed the show, but CBS president Jim Aubrey didn't like Lansing's looks.

The Doug McClure character was originally going to be a woman, to be played by the lovely Joan O'Brien.

In the second episode of the second season, a new regular was mysteriously added. Jack Betts played investigator Chris Devlin. Betts had the tall, dark and handsome looks of Anthony George. Maybe George was having contract disputes with Universal, or maybe he had health issues. Or maybe Universal already had plans to move Doug McClure over to "The Virginian" the next season. Jack Betts had the lead in his first episode (with guest star Tony Randell) but after that he didn't get much screen time. I'm only sure of him being in one other episode (with guest star James Whitmore.) Jack Betts is still a very busy working actor ("Spiderman").

For me, this show jumped the shark the second season when "Checkmate" moved out of Don Corey's posh apartment into an expensive office suite. It just wasn't the same without that Nob Hill apartment. But for its first season, "Checkmate" was my favorite show, along with Rod Taylor's "Hong Kong".

Aaron Spelling tried to do a remake of "Checkmate" in 1970 called "The Most Deadly Game". George Maharis, Inger Stevens and Ralph Bellamy starred in the pilot. With that cast (two of whom were veterans of "Checkmate"), it should have worked. But even with Joan Harrison as one of the line producers, the execution was nowhere near as good as "Checkmate". Yvette Mimieux replaced Inger Stevens after her death.

I remember Checkmate. It had great style, action, plots & characters. I never knew it was created by Eric Ambler, the author of A Coffin For Dimitrios.

I had just moved to San Francisco in 1960 & it was a very exciting place to be - the fog, the cable cars, the bridges, Alcatraz & Chinatown. They all appeared in episodes of Checkmate. I recall the series was saturated with a sense of the city.

It would be great to see some of those old episodes again. They might seem corny now, but I'd like to see that great gray city by the bay again the way it was way back then.

Most fictional detectives work out of dingy offices and where clothes that look like they've slept in them. Jim Rockford in the Rockford Files operates out of a trailer. But the three who operate the Checkmate Agency live pretty good out of a posh apartment that serves as their office as well. Doing the grunt work are Anthony George and Doug McClure, but they do it elegantly and only resort to violence when necessary.

George and McClure have a high priced consultant in Oxford professor Sebastian Cabot who is now transferred to San Francisco. He lectures on criminology at Berkeley. But the man has a Sherlock Holmes like mind and misses nothing. The other guys are on their toes as well.

Checkmate lasted three seasons and for three seasons gave us some really literate scripts, well plotted stories and unfortunately a black and white view of San Francisco. Pity CBS wasn't doing color at the time.

I just acquired the complete episodes of the show. It's going to be nice to relive the days of Corey, Sills, and Hyatt.

During the early 1960's, the series "77 Sunset Strip" (one of my favorites...) spawned a rash of hip detective knockoffs, many of them from the same studio, Warner Brothers, several more from other studios. Surprisingly, Revue Studios, known mainly for its cookie-cutter formulaic dramas, came up with one that stood head and shoulders from the rest of the imitators, and was an original in its own right. "Checkmate" is the name of a detective agency in San Francisco with an unusual twist: not just content to protect their clients, their aim is to prevent the crimes before they start. The approach is like a game of chess, hence the name, "Checkmate".

First and foremost, "Checkmate" strayed from the pretty-boy lighthearted mysteries, and settled for taut, intelligent, serious cases with a noir fashion. The fact that famed mystery writer Eric Ambler created the show speaks for itself. Plus, while "77 Sunset Strip" relied on Warners' stock company of character actors and rising young stars, "Checkmate" had the ability and the budget to include major big guest stars like Joan Fontaine, Peter Lorre, Mickey Rooney, David Janssen, Harry Guardino, Julie London, etc., giving it a sheen of class denied the other imitators.

The regular cast contained no slouches. The recently deceased Anthony George played Checkmate's deep-voiced head honcho Don Corey with more intensity than even the Strip's Efrem Zimbalist, Jr. Doug McClure played Jed Sills with a self-depreciating flair, playing off his obvious good looks; when "Checkmate" was canceled, McClure would pull it off again in the role of Trampas on "The Virginian". The real highlight here is the late, great Sebastian Cabot, playing the esteemed scientific consultant, Dr. Carl Hyatt, with a blend of haughtiness, exasperation, and intelligence; a blend that was put to good use (or waste, depending on how you see it) when he later took on his signature role as Mr. French on "Family Affair".

And I also might add, the theme song wasn't a bouncy rock and roller like 77SS and the rest, but a tense, moody jazz instrumental by the legendary John "Johnny" Williams.

If you can find "Checkmate" on DVD, which, sadly, is the only way you'll get to see this wonderful lost gem, I strongly recommend you pick it up. Compare it (and for that matter, "77 Sunset Strip") to the current wave of police procedurals on TV today. See which is better.

"Checkmate" is a JaMco Production, financed by Jack Benny (yes, THE Jack Benny, who also did a guest spot here), and filmed by Revue Studios in Hollywood and San Francisco. 70 episodes were aired on CBS between 1960 and 1962.