Destination danger

British spies became all the rage in the 1960s, thanks largely to James Bond. However, the British television series "Danger Man" actually predated the James Bond movie series. Curiously, Danger Man's protagonist, NATO Agent John Drake, is probably unique in that the character started out as an American and then somehow "morphed" into an Englishman. In the first year Drake, played by Patrick McGoohan, was based out of Washington DC (the Capital Dome is clearly visible behind him in the opening credits) and he spoke with what passes in Britain as an American accent. In the succeeding years, however, Drake, still played by McGoohan, was based out of London and spoke with a distinct English accent.

What makes Danger man stand out, however, is the high level of intelligence that went into the series. Unlike other 1960s spies Drake did not rely on violence to solve the problems he was given and he almost never resorts to killing anyone. Instead he relied on trickery, maneuver and mind-games, rather than firearms or explosives. In fact, I understand that McGoohan actually turned down the role of James Bond because he objected to the excessive degree of gratuitous sex and violence in the series. In an era when gratuitous sex and violence is far more prevalent than it ever was in the early 1960s, Danger Man makes a refreshing change of pace.

Often unfairly overshadowed by it's sequel series' (Secret Agent and "The Prisoner"). Dangerman is a kick-ass (Often literally) spy show, which follows N.A.T.O. agent John Drake around the world.

The great thing about this show is it's length at just 25 minutes per episode it's the perfect thing to have on video when you want to kill a quick half-hour,

the only problem is it'll soon become a quick 4 or so hours as you watch every episode on the disc backwards searching for demonic messages from Patrick McGoohan. (?rettoP ysuB) (aet fo puc a evol dluow i eladgniD .srM, sey yhW)

It'll then develop into a quick 4 days as you roam the country abducting people and then bludgeoning them with to death with ring-binders when they refuse to participate in your home-produced screenplays.

During your 72 hour manhunt you can amuse yourself by giving your REAL name as your alias (John Drake, must have single-handedly brought about the collapse of communism by operating under such crafty Codenames as "Johnny").

While the prosecution is wondering why corpses with nametags reading "Hobbs","Keller","Hardy" and "Potter" were found in your apartment you can tell them (under oath) that although not quite as eccentric as "Secret Agent" or as downright mad as "The Prisoner" the general undercurrent of weirdness is palpable , (In Fact it comes to the fore in some of the later episodes,"The Contessa" for example features Drake being Drugged by a beutiful angel-like woman.

While your Defence lawyer rattles on about your upbringing in a racoon hive and your "Obsessive" collecting of electronic cow prodders. You can pass the time by humming "yellow submarine"AND commenting on the often sublime balance of storyline and style, of narrative and direction, of Nachos and chillypeppers.

You can inform the Large bearded man in your cell that "Dangerman" is to "the Prisoner" as the Old Testament is to Christianity. You can also tell him that you are flattered by his gift of a scented candle but you don't think of him that way.

So if you don't mind your children growing up in a Drakist temple in Southern Cambodia, or you feel your family can deal with you writing "redrum sbboH" in your finest red crayon all over their walls then Dangerman is the relig......, then Dangerman is the TELEVISION SERIES for you.

However if you harbour notions of ever Having a Career/Living over 30/feeling the wish to go outside again. Then perhaps it would be better not to watch this show.

I think the "Danger Man" series I remember, with its distinctive racy theme tune, was the later hour-long remake series from 1964 onwards, which would fit in with my own youthful time-line I suppose. Hunting down the show on the web I came across the first episode from 1960 entitled "The View From The Villa", which I was interested to see was co-written by the great Brian Clemens of future "The Avengers" fame.

This episode contained a neat little mystery taking in a murder, the city of Rome, and an enigmatic femme fatale which Patrick McGoohan's John Drake solves with his eye for a painting, all in a brisk 25 minute time-frame. The show, unlike its successor, is pre-Bond so there are no gadgets and there's also an icy detachment from the glamorous and flirtatious ladies he encounters which 007 would never countenance.

No, Drake is there simply to get the job done, which he does with steely aplomb, dispensing what might have been an early catchphrase "Obliged" as he does so. He's handy with his dukes too, but again not in a flashy or contrived way.

McGoohan strolls through the part with laconic ease and as well as elements of the early Bond, you can also see the genesis of Roger Moore's Simon Templar character here, the latter of course with added humour, suavity and raised eyebrow.

I'll certainly make an effort to try to watch more of this entertaining series, confident it will retain the standard of this opening programme.

In the "View from the Villa" agent John Drake pulls up in what looks like an Aston Martin DB4 or DB5, thus beating Sean Connery to the punch by several years. At least on the screen. I think it also appears in a few other episodes, but I am not certain.

I have spent the last few years slowly catching up on this superb series via net flicks. As other reviewers have noted already the plots were nearly always excellent. The understatement and laconic delivery of Mr. McGoohan a foretelling of others who would try the same style and mostly fail, except for the wonderful Le Carre adaptions, and Mr. Caine's superb Ipcress File. The satire of Establishment figures was often very droll.

In the current editions I am getting from Netflicks the music track is provided by a powerful jazz orchestra. What happened to the superb Harpsichord jazz music that I remember from the original UK broadcasts? So much more subtle and intriguing than the blaring band arrangement, although it does have a period flavor I cant deny.

Mr. McGoohan passed away recently. I will remember him and Danger Man as one of the very influential forces in my teenage years.

patrick mcgoohans's dicey 'new englander' accent notwithstanding, he's in fine form here. fast paced and inventive plots, exotic locales, and the extremely moral hero john drake all make the first series of danger man great television.

though he doesn't bed down with every girl he comes across, there's more than enough sexual tension to go around, as every female within a thirty-foot radius ends up throwing herself at johnny d. not keen on guns, drake's a master fighter and the resulting fight scenes are always fun to watch. his gadgets are realistic, much more believable than the ones used by bond or the man from wherever.

the very first episode, 'a view from the villa', takes us to portmeirion, PMG's inspiration for the village in 'the prisoner'. another one of the best television programs ever made.

you'll see a host of familiar faces in supporting roles here too. donald pleasance, barbara shelley--all kinds of great actors popped up on dm from time to time. by all means, if you're a fan of espionage shows, danger man should be high on your list of must-sees. it's got all the chewy goodness and none of the camp that marred so many spy programs in the sixties.