NOTE IMDb
7,6/10
38 k
MA NOTE
Un chirurgien provoque un accident qui a défiguré sa fille et va jusqu'à l'extrême pour lui donner un nouveau visage.Un chirurgien provoque un accident qui a défiguré sa fille et va jusqu'à l'extrême pour lui donner un nouveau visage.Un chirurgien provoque un accident qui a défiguré sa fille et va jusqu'à l'extrême pour lui donner un nouveau visage.
- Réalisation
- Scénario
- Casting principal
Charles Blavette
- L'homme de la fourrière
- (scènes coupées)
- (as Blavette)
Charles Bayard
- Un homme à la conférence
- (non crédité)
Avis à la une
A brilliant surgeon, Dr. Génessier, helped by his assistant Louise, kidnaps nice young women. He removes their faces and tries to graft them onto the head on his beloved daughter Christiane, whose face has been entirely spoiled in a car crash.
The mask was really good. The way it is blank, but clearly fits to the contours of her face... it completely destroys her identity, makes it like she does not even exist as a person. I would not go so far as to say she looks worse with it on than off, but it makes her less than human for sure.
While some of the story is a bit slow, it is overall a quite strong story... part horror, part drama and part detective story. I am not surprised that many horror historians consider it among the greatest films ever made in the genre.
The mask was really good. The way it is blank, but clearly fits to the contours of her face... it completely destroys her identity, makes it like she does not even exist as a person. I would not go so far as to say she looks worse with it on than off, but it makes her less than human for sure.
While some of the story is a bit slow, it is overall a quite strong story... part horror, part drama and part detective story. I am not surprised that many horror historians consider it among the greatest films ever made in the genre.
Georges Franju's version of a mad scientist trying to play God tells about a brilliant but controlling and obsessive doctor who is trying to restore the face of his own beloved daughter that was horribly disfigured in a car accident caused by his reckless driving. He requires tissues of recently deceased young women that look like his daughter and he is not going to wait for them to die in an accident - he creates the accidents with help of his loyal secretary/nurse/lover/former patient Louise (Alida Valli of "The Third Man") who kidnaps the unsuspecting girls and brings them to the secluded mansion in one of Paris's suburbs where Doctor Génessier is ready to perform the fascinating and horrifying surgeries.
"Eyes without a Face" is a very impressive, classy picture that has inspired many later horror movies. The music by Maurice Jarr adds to the uneasy and creepy atmosphere - it makes you feel like on the never-stopping ominous merry-go-round and you can't get off it.
"Eyes without a Face" is a very impressive, classy picture that has inspired many later horror movies. The music by Maurice Jarr adds to the uneasy and creepy atmosphere - it makes you feel like on the never-stopping ominous merry-go-round and you can't get off it.
"Eyes Without A Face" is a groundbreaking and trendsetting artistic nightmare! The plot of this film has often been copied but never has it been done in such an eerily effective style. The sight of the masked daughter playing with the dogs evokes many emotions in the viewer. There are shots in this movie that will stay with you long after you have seen it! Heavily recommended!
Though EYES WITHOUT A FACE is indeed a horror film, it is also a dark tragedy. Doctor Genessier (Pierre Brasseur) and his daughter, Christiane (Edith Scob) were involved in a terrible accident, leaving Christiane in the condition suggested by the title. Now, her father is driven to fix what he has done. He is aided by his faithful cohort, Louise (Alida Valli), who lures women to their fate.
Through hideous trial and error, involving several unwary, female "subjects", Genessier is willing to destroy others in order to restore his daughter's beauty. What he really seeks is redemption, and relief from his own feeling of unfathomable guilt. His obsession to restore what he has broken makes him oblivious to all else. For Genessier, the end truly does justify the means.
For her part, Christiane is a virtual prisoner in their enormous house, doomed to wear a doll-like mask, and wander about like a ghost. Not so surprisingly, this all leads to a catastrophic conclusion. This film shocked audiences and inspired a generation of filmmakers. It holds up solidly to this day...
Through hideous trial and error, involving several unwary, female "subjects", Genessier is willing to destroy others in order to restore his daughter's beauty. What he really seeks is redemption, and relief from his own feeling of unfathomable guilt. His obsession to restore what he has broken makes him oblivious to all else. For Genessier, the end truly does justify the means.
For her part, Christiane is a virtual prisoner in their enormous house, doomed to wear a doll-like mask, and wander about like a ghost. Not so surprisingly, this all leads to a catastrophic conclusion. This film shocked audiences and inspired a generation of filmmakers. It holds up solidly to this day...
George Franju's "Yeux Sans Visage" is extremely slow yet absolutely riveting. The direction is masterful and Pierre Brasseur is superb as the dedicated doctor whose love for his daughter leads him to commit unspeakable crimes.
The cold, sinister atmosphere of the film will seep into your bones and you may find it hard to look at the screen when the central skin-removal operation takes place - this is an extraordinarily grisly sequence for its time, lent all the more power by the cold, matter-of-fact direction and acting.
In a film full of haunting images, you will find the last one unforgettable.
Why can't modern directors make horror films as good as this? It deals with a potentially lurid, gory subject-matter with masterly subtlety and skill.
The cold, sinister atmosphere of the film will seep into your bones and you may find it hard to look at the screen when the central skin-removal operation takes place - this is an extraordinarily grisly sequence for its time, lent all the more power by the cold, matter-of-fact direction and acting.
In a film full of haunting images, you will find the last one unforgettable.
Why can't modern directors make horror films as good as this? It deals with a potentially lurid, gory subject-matter with masterly subtlety and skill.
Le saviez-vous
- AnecdotesDuring the original release of the film in the UK in 1960, an English film critic for "The Spectator" was nearly fired for writing a positive review of it after the general critical reaction to it had been negative.
- GaffesWhen she is not wearing it, Christiane's mask is very thick and heavy and would only seem to cover her face. When she puts it on, however, it is very thin, close-fitting, and seamlessly covers her jawline and the underside of her chin, revealing that the mask itself is a prop while the actress probably wears a combination of makeup and prosthetics.
- Citations
Christiane Génessier: My face frightens me. My mask frightens me even more.
- Versions alternativesThe film's original release in the U.S. in 1962 was dubbed in English, edited and re-titled "The Horror Chamber of Dr. Faustus". The surgery scene was edited for content, while any and all scenes that made Dr. Genessier seem to be sympathetic (particularly the scene where he cares for a sick boy) were cut.
- ConnexionsFeatured in Cinéma, de notre temps: Georges Franju, le visionnaire (1996)
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- How long is Eyes Without a Face?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 58 565 $US
- Week-end de sortie aux États-Unis et au Canada
- 19 628 $US
- 2 nov. 2003
- Montant brut mondial
- 62 793 $US
- Durée
- 1h 30min(90 min)
- Couleur
- Rapport de forme
- 1.66 : 1
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