NOTE IMDb
5,6/10
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MA NOTE
Ajouter une intrigue dans votre langueThe nations of the Earth unite in a common cause to fight off an invader from outer space.The nations of the Earth unite in a common cause to fight off an invader from outer space.The nations of the Earth unite in a common cause to fight off an invader from outer space.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Ryô Ikebe
- Maj. Ichiro Katsumiya
- (as Ryo Ikebe)
Kyôko Anzai
- Etsuko Shiraishi
- (as Kyoko Anzai)
Harold Conway
- Dr. Immerman
- (as Harorudo Konwei)
Elise Richter
- Sylvia
- (as Erisu Rikutâ)
Hisaya Itô
- Kogure
- (as Hisaya Ito)
Nadao Kirino
- Gravity Man
- (as Hiro-o Kirino)
Kôzô Nomura
- Rocket Commander
- (as Kozo Nomura)
Takuzô Kumagai
- Alien
- (as Jirô Kumagai)
Katsumi Tezuka
- Alien
- (as Katsumx Tesuka)
Mitsuo Tsuda
- Air General
- (as Mitsuo Isuda)
- …
Osman Yusuf
- Bystander
- (as Osuman Yusefu)
Avis à la une
Aliens are causing havok on Earth. So a bunch of astronauts are sent to the moon to war with these little funny midget aliens. Just a big battle from beginning to end, with the aliens sucking up Tokyo at the end (man is that cool). It is basically like a Japanese Independence Day except not nearly as intense or violent
Some really neat miniatures, beautiful matte paintings, and a very cool lunar set, are the highlights of this movie. It's fun entertainment for the first half, but becomes especially enjoyable midway through once our heroes land on the Moon.
As other reviewers have noted, this movie seems to have influenced Star Wars, in particular a couple of shots during the climactic battle in space, which seem as though Lucas might have lifted them from a print of this film and dropped them right into A New Hope.
As other reviewers have noted, this movie seems to have influenced Star Wars, in particular a couple of shots during the climactic battle in space, which seem as though Lucas might have lifted them from a print of this film and dropped them right into A New Hope.
Saw this when I was 11 years old, I recall the rocket fighters sent up by the Earth Forces are based on the X-15 rocket plane. One thing I remember-and it moved me at the time, and is one of the movie's strengths-is the scene where the earth space ships go past the area where the space station was destroyed-and you see the bodies of the crew. The action moves at a brisk pace, no long winded speeches or philosophizing. The SFX are pretty good for the time. As a side issue, I got a chuckle when I saw "Star Wars" in 1977, I recognized the "futuristic weapons" as being models of British Lee Enfields, German MG-42 machine guns, Heckler & Koch submachine guns.
Ishiro Honda is the Steven Spielberg of Japan in that he created a huge body of work...big, exciting, fantasy movies of such number, quality and iconic value that he stands head and shoulders above his peers.
This film is among Honda's lesser known works, and is a rarity in that there is absolutely no Kaiju in this film, not even a robot Kaiju such as seen in the better-known 'The Mysterians'. And, in terms of the fantastic cinema of Japan, this is one of the more serious science fiction creations of the period, although containing many inaccuracies that would be glaring to anyone with the slightest familiarity to the work of George Pal.
This film features creative and interesting FX that vastly outshine most of what the US was producing at this time, and might even have the most complex miniature sets and sequences of anything produced by Toho during the classic period. There are large scale space ship dogfight sequences that anticipate Star Wars, which was done 17 years later.
The plot, while not profound, is sufficiently interesting and entertaining and the actors are good enough to make this an enjoyable escapist film. Thematically, this is classic Invasion Literature, with few new wrinkles thrown in...definitely straightforward, Honda doesn't give us anything ambiguous or subversive to chew over.
Any fan of old-school scifi and Kaiju films is liable to enjoy this one very much, it's just an impressive spectacle.
This film is among Honda's lesser known works, and is a rarity in that there is absolutely no Kaiju in this film, not even a robot Kaiju such as seen in the better-known 'The Mysterians'. And, in terms of the fantastic cinema of Japan, this is one of the more serious science fiction creations of the period, although containing many inaccuracies that would be glaring to anyone with the slightest familiarity to the work of George Pal.
This film features creative and interesting FX that vastly outshine most of what the US was producing at this time, and might even have the most complex miniature sets and sequences of anything produced by Toho during the classic period. There are large scale space ship dogfight sequences that anticipate Star Wars, which was done 17 years later.
The plot, while not profound, is sufficiently interesting and entertaining and the actors are good enough to make this an enjoyable escapist film. Thematically, this is classic Invasion Literature, with few new wrinkles thrown in...definitely straightforward, Honda doesn't give us anything ambiguous or subversive to chew over.
Any fan of old-school scifi and Kaiju films is liable to enjoy this one very much, it's just an impressive spectacle.
I thoroughly enjoyed this film. It is certainly paced slower than modern sci-fi movies, but the action moved along at a good pace nonetheless. The backgrounds, matte work, color and special effects were very impressive.
The one conceivable flaw was that there were no stand out actors or personal relationships (no love interest as there was in the original Godzilla). This may have been intentional as the story meant to emphasize a global effort against a ruthless and cruel invader.) I would rate this on the upper scale of Toho's scifi efforts (anotehr under-rated, under-viewed film would be "H-Men").
If you are a kaiju fan you will not be disappointed.
The one conceivable flaw was that there were no stand out actors or personal relationships (no love interest as there was in the original Godzilla). This may have been intentional as the story meant to emphasize a global effort against a ruthless and cruel invader.) I would rate this on the upper scale of Toho's scifi efforts (anotehr under-rated, under-viewed film would be "H-Men").
If you are a kaiju fan you will not be disappointed.
Le saviez-vous
- AnecdotesThis film was the first Japanese science fiction film which had the original Japanese cast and crew listed on the posters and other advertising material in the United States.
- GaffesThe funniest bits are the gravity antics. When the first scout ship turns off the thrusters and the crew all unfastens their safety belts, one of them flies up to the ceiling. He is so surprised, clearly no-one told this astronaut that there was no gravity in the spacecraft. They help him down and the chief tells him that there is no gravity in the ship. Then they all begin walking around completely normally.
- Versions alternativesThe final 16mm prints struck for U.S. television distribution had the final third of the film letterboxed for the widescreen Tohoscope format.
- ConnexionsFeatured in Aweful Movies with Deadly Earnest: Battle in Outer Space (1966)
- Bandes originalesBurlesque-style Rondo
Composed by Akira Ifukube
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- How long is Battle in Outer Space?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Battle in Outer Space
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 30min(90 min)
- Mixage
- Rapport de forme
- 2.35 : 1
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