La Plus Grande Aventure de Tarzan

This movie is a no nonsense, realistic action film, bolstered by a capable cast, a believable story and colorful location shooting. Gordon Scott showed here that he had some acting talent as well as the good physique. The rest of the actors in general, and Anthony Quayle in particular, are quality professionals whose performances keep things interesting. Unlike earlier films in the Tarzan genre, they actually went to Africa to shoot this one and the difference really shows. These items, along with generally good production values, fairly tight direction, and beautiful color photography move this film well above the norm. Definitely a welcome departure from earlier Tarzan films. Highly recommended.

Tarzan's Greatest Adventure (1959)

*** (out of 4)

Gordon Scott's fifth attempt at playing Tarzan is certainly a step above the previous four. In this outing he must try and track down four British diamond smugglers who are blowing up African villages trying to gather supplies for when they reach this diamond cave. Along the way Tarzan rescues a woman (Sara Shane) and she joins him for the adventure. TARZAN'S GREATEST ADVENTURE was clearly meant to try and take the series to a higher quality level and I think it's fair to say that this is the most lavished film in the long running series since the early MGM/Johnny Weissmuller films. I think there's a lot of good here and this is clearly one of the best films in the series. You can start off with Scott who by this time was perfectly comfortable in the role and you must admit that he's probably the best Tarzan since Weissmuller. The actor certainly has the physical appearance to pull the part off but he also works well when it comes to delivering the dialogue. The earlier films always had Tarzan speaking in this weird broken English but this wasn't how the character was originally written so it's nice to see a different approach and Scott does a very good job with it. The supporting cast is equally great here including Shane who makes for a terrific love interest. The actress is very strong in the part and her and Scott share some real chemistry. The bad guys are all terrific with Anthony Quayle doing a remarkable job as the main guy. Niall MacGinnis is perfect as the snake diamond expert and a young Sean Connery plays the loud-mouth tough guy. Another major plus is that the majority of this was actually filmed in a jungle and this really adds some nice atmosphere. The cinematography really picks up everything quite nicely and adds an added dimension. The story itself is another winner as it clearly tries to break away from a lot of the comedy and silliness that a lot of the series had. Instead of comedy we pretty much get one action scene after another and most of them are quite fun and a few even has some nice suspense. There's a chilling scene involving quicksand and of course you have to have Tarzan battling a crocodile. With that said, if you're looking for high art you're certainly not going to find it here but there's no question that this is an entertaining little film with some strong performances and nice action.

When producer Sy Weintraub took over the reins of the "Tarzan" franchise, in 1958, he set as his goal the dream of Edgar Rice Burroughs and countless fans of the Jungle Lord over the years; a return to the character as originally envisioned in Burroughs' novels. An intelligent, articulate 'defender of the jungle' gifted with nearly superhuman abilities, John Greystoke, aka Tarzan, had the savagery to survive in a primeval environment, but could also function comfortably in the world of men. MGM had thought the concept too far-fetched, and had turned Tarzan (as personified by Johnny Weissmuller) into a monosyllabic savage, only 'humanized' by the love of British society girl Jane Parker (Maureen O'Sullivan). When the formula proved successful, the Ape Man was 'locked' into the characterization, much to the chagrin of Burroughs, and when RKO took over the series, in 1943, no effort was made to change the formula. Weismuller eventually aged out of the role, but successor Lex Barker, despite credentials that would have made 'smartening' Tarzan logical (he was an Ivy Leaguer with a pedigree nearly as impressive as Greystoke), was forced to carry on the "Me, Tarzan" tradition through four more films.

When Barker became fed up with being stereotyped, and passed the Tarzan loincloth to ex-lifeguard Gordon Scott, in 1955, the powerfully-muscled Scott carried on the duties of role adequately, but the series had degenerated into low-budget formula pictures, only notable for an occasional future star in an early role (Vera Miles appeared in TARZAN'S HIDDEN JUNGLE, and would, in fact, marry Scott, after filming was completed).

After four mediocre Gordon Scott "Me, Tarzan" films, the time was ripe for change, and Weintraub was a man of vision, and terrific entrepreneurial skills. Not only would the actor speak full sentences in TARZAN'S GREATEST ADVENTURE, he'd be backed by a first-rate supporting cast, and the film would be the first "Tarzan" shot, in Technicolor, in Africa! With a large contingent of press on hand, the cast and crew arrived on location, and Gordon Scott proved himself the very personification of Tarzan, riding a zebra, wrestling a lion, and performing other tasks with grace and astonishing skill. It was an auspicious start to what would become a landmark "Tarzan" film.

The tale of a band of escaped British criminals killing innocents, and stealing dynamite for a robbery, the gang leader, Slade (Anthony Quayle) is a homicidal maniac that Tarzan had put in prison before, making the Ape Man's pursuit a 'personal' vendetta. Not even the presence of an alluring distraction (Sara Shane) would deter him on his quest, and the frequent close-ups of the scarred and cold-blooded Slade, and Tarzan, with a fixed, merciless grin across his face, give clear evidence of two predators, circling for a kill. As Tarzan whittles down the gang, the stage is set for a terrific, violent climactic fight that ranks as one of the best of the entire "Tarzan" series. When Tarzan beats his chest and gives the classic Ape yell at the conclusion of TARZAN'S GREATEST ADVENTURE, he's EARNED the right!

Featured in the cast is 29-year old Sean Connery, excellent as the brutal, but wise-cracking "O'Bannion", Slade's right-hand man, and he so impressed Weintraub and director John Guillermin that the pair actually asked him to become the next screen "Tarzan", after Gordon Scott's last contracted film, TARZAN THE MAGNIFICENT. Connery, thrilled, was prepared to accept the role, but a call back from another audition...to play a secret agent in an upcoming production called DR. NO, resulted in a contract, and he, regretfully, passed on Tarzan, and became James Bond, instead! Weintraub ended up replacing Gordon with his 41-year old TARZAN THE MAGNIFICENT co-star, Jock Mahoney, and the new, literate Tarzan would continue on into the sixties.

TARZAN'S GREATEST ADVENTURE may not be everyone's favorite Tarzan film, but in it's daring approach to both the character and the use of actual locations, it certainly deserves it's place as a classic of the series!

I haven't seen this movie for a while, but it's the Tarzan film that I remember with the most affection. "TGA" was the first Tarzan movie to be produced by Sy Weintraub (who took over the franchise from Sol Lesser), and the new producer wanted to take the character in a new direction. He succeeded admirably. After "Tarzan and His Mate" (with its notorious nude scene) in 1934, the series had been geared mostly towards younger viewers.

Weintraub wisely sought to reclaim a more mature audience. "TGA" is the first Tarzan film since the 1930s to have the apeman speak in complete sentences, and Gordon Scott relaxes into the role more than he had in his earlier, less articulate efforts. It's a credit to Scott's acting that he was able to make the transition so well from the "ooga-ooga" Tarzan to "TGA's" more thoughtful, more cunning interpretation of the character. The film even hints at a sexual relationship between Tarzan and Angie (Sara Shane), who is more feisty and more fun to watch than any Jane. (In fact, a kissing scene between Tarzan and Angie was left on the cutting-room floor).

But most important of all "TGA" still stands up as both an adventure movie and a character study. While not quite as polished as a prestigious A-picture, the story and the action scenes still grip the viewer. The psychological deterioration and in-fighting between the bad guys is very believable. Anthony Quayle brings as much seriousness and credibility to the role of the ringleader as he brings to his Shakespeare work, and even though his time on the screen is relatively brief, a young Sean Connery still shows early glimmers of the brilliant charisma that would make him one of the world's most enduring stars. "TGA" makes good use of its cast, and the movie strikes an exciting equilibrium between its dialogue scenes and its action scenes. You can imagine this film working as an adventure drama even if Tarzan weren't in it. And perhaps to signal the series' more adult-oriented emphasis, Tarzan's yodeling ape call is voiced only once: at the very end of the film. There's only one thing regrettable about this movie: it got so many of its adventure elements right that the rest of the films in Weintraub's Tarzan series had a hard time living up to it.

Striking a good balance between action and drama--and boasting a very watchable cast--"Tarzan's Greatest

This film I suggest, after many decades of Tarzanophilia, came nearer to capturing the ideal Tarzan than has any other such effort. In the MGM B/W version, geared for mental twelve-year-olds as they admittedly were, Johnny Weissmuller was saddled from the outset with a civilization-bred wife, then a child, short-word speech patterns, a lack of mental training and a great difficulty at freeing himself long enough to become involved in interesting adventures or important ones. In "Tarzan's Greatest Adventure", Sy Weintraub's color attempt to create a new and more Burroughsian Tarzan, as Edgar Rice Burroughs had envisioned the "ape man" in his intelligent fantasy series of novels caused him to introduce many changes. In this film Tarzan, played by attractive Gordon Scott, speaks English, has a thoughtful and trained mind, and is respected and deferred to by the local British officials because of his jungle lore and standing with everyone in the area. When a bandit gang invades the territory and murders several men in order to steal dynamite for use in a diamond stealing scheme, Tarzan believes he alone can prevent further murders such as they have just done and that only he can and must stop Slade, a ruthless escaped convict and psychopathic murderer, from becoming a great danger to everyone in his realm. This is not altruism on his part; he knows the man and knows Slade can never rest while Tarzan is alive, and vice versa. He goes after him, and ends up saddled with a spoiled and lovely pilot, with whom he shares a romance and the dangers of a truly great adventure. As Slade's criminal gang quarrel among themselves and try to stay ahead of Tarzan, whom they nearly manage to kill, he is saved by the pilot and finally overcomes and kills the last of them, Slade. Then the pilot has to go back to her world and Tarzan to his. In the very fine small cast the director, John Guillermin, got good performances from such stalwarts as Anthony Quayle, Sean Connery, Niall MacGinnis, Al Mulock and Scilla Gabel. The credit for the very expensive-looking production go to the director, as well as to cinematographer Edward Scaife and art director-production designer Michael Stringer. Music was supplied by Douglas Gamley. The film to me has a jungle look about it that borders on being rather stylish; such exciting scenes as the raid staged by Slade's men, the scenes on the boat by which he and his group proceed upriver, the plane crash that brings the pilot into Tarzan's life, her theft from the group of medicine to help him, and the deaths of the criminals one-by-one are very-well photographed and staged. This is a very good film, with its only drawback the apparently needless introduction into its villain, Slade, of a psychological preference for adventitious killing over even crimes committed for a simple purpose of theft. But overall, this was a very successful adventure, unusually-bright, attractive and well-presented. Connery is charismatic as an annoying type, Gabel very good in a thankless part, and Quayle and MacGinnis powerful as career criminals. Sara Shane was attractive, and as Tarzan, Gordon Scott proved to be a first-rate athlete and a serviceable leading man. A worthy and imaginative recasting of the Tarzan image on film.