Ajouter une intrigue dans votre langueThere is no plot as such. This is a slapstick comedy. It shows a lots of gags.There is no plot as such. This is a slapstick comedy. It shows a lots of gags.There is no plot as such. This is a slapstick comedy. It shows a lots of gags.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Oscar
- 1 victoire et 1 nomination au total
Richard Lester
- Painter
- (non crédité)
Peter Sellers
- Photographer
- (non crédité)
Dick Bentley
- Protagonist
- (non crédité)
Mario Fabrizi
- Photographer
- (non crédité)
Bruce Lacey
- Man With Record
- (non crédité)
David Lodge
- Hammer Thrower
- (non crédité)
Leo McKern
- Man With Boxing Glove
- (non crédité)
Spike Milligan
- Man with Tent
- (non crédité)
Norman Rossington
- Bearded Man
- (non crédité)
Graham Stark
- Man with Kite
- (non crédité)
Johnny Vyvyan
- Protagonist
- (non crédité)
Avis à la une
10woid
This hilarious homemade short is a key moment in British comedy.
Two years before "A Hard Day's Night," Richard Lester (then a TV director) made this movie, starring Goons Peter Sellers & Spike Milligan with the wonderful Leo McKern (who would later play the zany cult leader in "Help").
Here, in 1962, you can see the seeds of the revolutionary style Lester applied to the Beatles, and that was hugely influential in the look of 60s films and media. It's clearly an ancestor of Monty Python, for one.
The movie features an oddball group of deadpans who look like they could come from a Beckett play. For no reason, they're outside in a landscape somewhere, where, for no reason, they play a series of silent-movie gags on each other.
Improvised and loose, it's a record of a bunch of guys (who happen to be comedy geniuses) fooling around with a camera, just like the video posters of today. Only much, much funnier.
Richard Lester is credited as co-director (with Sellers), co-writer, cinematographer, editor, and composer. It's the earliest piece of his work we're likely to see. (Try to catch his other early ones... "It's Trad, Dad," a feature that's half early 60s pop music and half crazy gags, is in rotation on TCM and is wonderful... "Mouse On The Moon," the one just before "A Hard Day's Night," is also enjoyable, but not so much in Lester's typical style.)
When "A Hard Day's Night" was released on DVD a few years ago, the advance information and even the packaging said that the disk would include "The Running Jumping & Standing Still Film." In sad fact it didn't. So for now, it's unavailable commercially. (Though as we know, in the cyber universe, everything is SOMEWHERE.)
Two years before "A Hard Day's Night," Richard Lester (then a TV director) made this movie, starring Goons Peter Sellers & Spike Milligan with the wonderful Leo McKern (who would later play the zany cult leader in "Help").
Here, in 1962, you can see the seeds of the revolutionary style Lester applied to the Beatles, and that was hugely influential in the look of 60s films and media. It's clearly an ancestor of Monty Python, for one.
The movie features an oddball group of deadpans who look like they could come from a Beckett play. For no reason, they're outside in a landscape somewhere, where, for no reason, they play a series of silent-movie gags on each other.
Improvised and loose, it's a record of a bunch of guys (who happen to be comedy geniuses) fooling around with a camera, just like the video posters of today. Only much, much funnier.
Richard Lester is credited as co-director (with Sellers), co-writer, cinematographer, editor, and composer. It's the earliest piece of his work we're likely to see. (Try to catch his other early ones... "It's Trad, Dad," a feature that's half early 60s pop music and half crazy gags, is in rotation on TCM and is wonderful... "Mouse On The Moon," the one just before "A Hard Day's Night," is also enjoyable, but not so much in Lester's typical style.)
When "A Hard Day's Night" was released on DVD a few years ago, the advance information and even the packaging said that the disk would include "The Running Jumping & Standing Still Film." In sad fact it didn't. So for now, it's unavailable commercially. (Though as we know, in the cyber universe, everything is SOMEWHERE.)
Its just mad. I'm a big fan of Sellers. This just blows everything else out of the water. When it comes to craziness this beats anything. Well almost anything. It makes No sense! please note it is not actually on this DVD its on another DVD in the UK REGION 2 The Peter Sellers Story... As He Filmed It please note this DVD also contains a short film called 'I Say, I Say, I Say' as well as a documentary about Peter Sellers, this includes an interview never seen before as Sellers confiscated the film the day after it was shot at his home in Ireland, feeling that it was too revealing about himself. Interesting Stuff I'm Sure You'll Agree. Anyway go watch "The Running Jumping Standing Still Film" Watch it just to say you have. If You are a fan of Milligan/Sellers/Secombe You must watch If You are a fan of short films or a student watch it. Its just so odd!!
"The Running Jumping & Standing Still Film" is not a film as such, but it is a short series of clips with a comical slapstick theme. This 'film' got Richard Lester recognised and paved the way for him to direct the first Beatles film: 'A Hard Day's Night".
Richard Lester directed and wrote the music for his first film in 1959. This film was entitled The Running, Jumping, & Standing Still Film. It was intended to be viewed only by those who had aided in its production. Since the film was intended to be viewed by Lester and his partners alone, a small amount of money and time was invested. The sole purpose of this film is entertainment, but the main reason for its existence is the fact that it served as an experiment to work the camera. The film cost 70£ to make, and it was filmed in sepia-toned film stock in a field on a couple of Sundays. All of the shots that were filmed were included in the finished production; the finished production is eleven minutes in length.
The Running, Jumping, & Standing Still Film is a comedy about English Sundays and the small hobbies that people do to pass the time. All of the events in this film take place in a field. A few of these comical events include a woman scrubbing a lawn, a man running around a tree stump with a needle to play a record, a photographer developing film in a pond, an artist aided in painting by the numbers on a model's face, a man building a tent, an athlete running over the tent, and a duel between a man with a knife and a man with a gun. Not only does the film poke fun at the hobbies that people do to pass the time away, but it also pokes fun at English culture when compared to American culture. Another one of several events in this film includes a group of men and a kite, which has been constructed out of the flag of the United Kingdom. One of the men jumps inside the kite while the other men attempt to fly it, and the kite breaks. According to Neil Sinyard, author of The Films of Richard Lester, this event symbolizes the United Kingdom as lesser in power and technology when compared to the United States during the space age. According to this scene, the British fly primitive kites while the Americans, the world-power after World War II, fly highly-advanced rockets and space shuttles.
Richard Lester directed and wrote the music for his first film in 1959. This film was entitled The Running, Jumping, & Standing Still Film. It was intended to be viewed only by those who had aided in its production. Since the film was intended to be viewed by Lester and his partners alone, a small amount of money and time was invested. The sole purpose of this film is entertainment, but the main reason for its existence is the fact that it served as an experiment to work the camera. The film cost 70£ to make, and it was filmed in sepia-toned film stock in a field on a couple of Sundays. All of the shots that were filmed were included in the finished production; the finished production is eleven minutes in length.
The Running, Jumping, & Standing Still Film is a comedy about English Sundays and the small hobbies that people do to pass the time. All of the events in this film take place in a field. A few of these comical events include a woman scrubbing a lawn, a man running around a tree stump with a needle to play a record, a photographer developing film in a pond, an artist aided in painting by the numbers on a model's face, a man building a tent, an athlete running over the tent, and a duel between a man with a knife and a man with a gun. Not only does the film poke fun at the hobbies that people do to pass the time away, but it also pokes fun at English culture when compared to American culture. Another one of several events in this film includes a group of men and a kite, which has been constructed out of the flag of the United Kingdom. One of the men jumps inside the kite while the other men attempt to fly it, and the kite breaks. According to Neil Sinyard, author of The Films of Richard Lester, this event symbolizes the United Kingdom as lesser in power and technology when compared to the United States during the space age. According to this scene, the British fly primitive kites while the Americans, the world-power after World War II, fly highly-advanced rockets and space shuttles.
This British comedy one-reeler, an Academy Award nominee, is renowned for being director Lester's debut and as one of the few films to showcase "The Goons" (represented here by Peter Sellers and Spike Milligan). A collection of silent and somewhat surreal skits, it obviously owes a lot to the likes of Chaplin, Keaton and Tati - yet, its irreverence also looks forward to the whole "Swinging Sixties" trend and the Monty Python brand of fooling that would be established a decade on. In that respect, it is something of a milestone as well, even if on the surface it appears both silly and amateurish!
In fact, the most inventive bit has Sellers wearing goggles and flippers while toting a hunting rifle which he intends catching fish with and the most amusing being Milligan acting as a human gramophone! By the way, Lester himself (recognizable, if anything, by his bald head) appears as an eccentric artist who labels his female model's face according to the colour of paint he will be utilizing on his canvas!; also on hand is Leo McKern - with whom the film opens and ends, for no very good reason....but such is the 'anything goes' attitude on display here!
In fact, the most inventive bit has Sellers wearing goggles and flippers while toting a hunting rifle which he intends catching fish with and the most amusing being Milligan acting as a human gramophone! By the way, Lester himself (recognizable, if anything, by his bald head) appears as an eccentric artist who labels his female model's face according to the colour of paint he will be utilizing on his canvas!; also on hand is Leo McKern - with whom the film opens and ends, for no very good reason....but such is the 'anything goes' attitude on display here!
There is no plot as such. This is a slapstick comedy. It shows a lots of gags.
By itself, this film is nothing special. A weird experiment with some gags, it somehow got nominated for "best short film". What really makes it noteworthy is that the film contains Peter Sellers, who went on to be one of the greatest comedians of all time.
Also, this film leads to "A Hard Day's Night", which changed the way the world looked at music on film. Apparently the Beatles loved this short film and just had to have director Richard Lester work with them. Who knew?
By itself, this film is nothing special. A weird experiment with some gags, it somehow got nominated for "best short film". What really makes it noteworthy is that the film contains Peter Sellers, who went on to be one of the greatest comedians of all time.
Also, this film leads to "A Hard Day's Night", which changed the way the world looked at music on film. Apparently the Beatles loved this short film and just had to have director Richard Lester work with them. Who knew?
Le saviez-vous
- AnecdotesAccording to Richard Lester, it was a series of mistakes (which he cannot say) that got this film nominated for an Academy Award.
- ConnexionsEdited into The Beatles Anthology: February '64 to July '64 (1995)
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Liebenswerte Leckerbissen
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 70 £GB (estimé)
- Durée
- 10min
- Couleur
- Mixage
- Rapport de forme
- 1.37 : 1
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