Le Dernier Rivage

The French title is "le dernier rivage"(the last shore)The intellectuals dismiss this movie in France and I've always thought they were wrong.Ava Gardner had never been better with the eventual exception of Huston's "night of the iguana".My favorite part is the central one:one of the soldiers tries to find the cause for the strange Morse signals.He crosses bleak dead San Francisco harbor (the camera takes prodigious high angle shots of him,making us share his loneliness and his hope against hope)Hope that was to be short-lived!What a symbol,this equivalent of a bottle thrown into the sea!So few special effects,ans so much emotion.Stanley Kramer's peak.

And the essence of our lives is expressed in the way we treat each other under the implacable threat of imminent mortality. As Ava Gardner's character says, at the penultimate moment of love's farewell, "It's been nice, Dwight Lionel. It's been everything." And what she says on her beach is true for every last one of us, on ours.

The primary power of this great movie to me is how well it conveys the idea that for us, on this beach, love and tender kindness are all that matter in the end, and the end is always near. The sheer kindness that Ava and Gregory's characters express for each other is surely the key element of their triumphant relationship.

The moment in which their relationship most completely triumphs, of course, occurs at the Narbethong Hotel. "On The Beach" achieves a cinematic moment of genius when the chorus singing "Waltzing Matilda" changes from a rowdy crowd of drunks to a magnificently harmonious group of fine male voices. As the sheer beauty of the music overwhelms us, it also overwhelms our characters, and we all unite together in a sublime moment of awareness that true love and kindness give us our only victory over imminent death. "You'll never take me alive," says the ghost.

The way Gregory Peck's character shifts from fumbling with the fire to turning toward Ava as the music inspires transcendence, and the way Ava smiles at him, make this scene unforgettably great.

Nearly as wonderful is the scene in which Ava's character learns that the Sawfish will be leaving, with her captain at the helm. She will have to face her death alone. She doesn't waste a moment in argument or recrimination, but expresses the fullness of her love for him and her great courage when she accepts his decision and thanks him: "..it's been everything." And then: "oh, I'm so frightened." This moment is one that I take to heart. It shows the love and courage I wish to have "when the time comes."

There is still time, brothers and sisters. But we are all on the beach.

The Cold War aspects of this movie may be a bit dated, but for those of us of a certain age it is a reminder of the fears we lived under at that time. In retrospect, it may be that Julian was wrong: it may have indeed been the very presence of these terrible weapons that prevented a third world war.

In any case, that aspect of the story never overshadows the movie's underlying theme, which is, rather, how each of us views the sum of our lives as our mortal end approaches. Are we alone? Have we connected with anyone? Have we failed? Have we loved? Have we been loved?

Color would have been all wrong for this essentially b&w story. Superb performances from Gregory Peck, Ava Gardner, Fred Astaire and the pre-Norman Bates Anthony Perkins. A fine bit as well by John Tate as the old admiral("to a blind, blind world").

A mere cold-war nuclear destruction movie would leave one merely frightened at the end. The fact that this movie leaves you with an almost unbearable feeling of terrible sadness is a testament to the human power of Nevil Shute's book, as well as to the fine script and Kramer's superb direction.

One of the most depressing movies ever made, but a truly great one.

In an age where sci-fi films seem to rely more on big budget special effects,and spectacular explosions,to hold an audience(usually at the expense of a decent script and plot line),On the beach is here to remind us of how it should be done.Although the plot is simple and uncomplicated, it works well on different levels,almost feeding of the paranoia that abounded at the time, concerning atomic weapons.

It tells the story of a group of individuals,and their last few months of life.An atomic war has wiped out most of the earth,only Australia and parts of the southern hemisphere are left,but it is only a temporary reprieve,the cloud of dust which has destroyed mankind is heading their way.It is against this backdrop that the film opens,and we get to meet the main characters.Dwight Towers,the american submarine captain,played superbly by Gregory Peck,good time girl Moira Davidson (Ava Gardner),desperately looking for one last chance of love,young naval officer and new dad Peter Holmes played by a young Anthony Perkins,and Fred Astaire as the towns drunken scientist,proving he could act as well as dance.

As these characters develop,and we start to care about them,(they are all believable and for the most part,likeable),the film starts to ask questions of the viewer.what would i do? what about my family?how would i cope?.Director Stanley Kramer plays on the very real fears of the viewer,much the same way as Byron Haskin did in War of the worlds and Robert Wise in The day the earth stood still,albeit in a more subtle fashion.

It is in the second half of the film,when the grim reality sets in,that Kramer cranks up the tension,almost scene by scene,we witness the growing despair and anguish of these poor souls,and there are some pretty unsettling scenes,non more so than when we watch people queueing up for "suicide"pills and then again when Anthony Perkins tries to explain to his young wife how to administer them to their young daughter in his absence"when the time comes". But of course,even amidst the doom and gloom,love blossoms,and the most poignant scene in the film for me,is when Gregory Peck and Ava Gardner kiss for the first time.

A first rate cast and script,together with a haunting soundtrack,(you'll be whistling waltzing matilda for days after watching this)makes this one of my favourite films.Don't just rent this classic,buy it and give it pride of place in your collection.

In 1974, my 6th grade teacher would go on and on about this movie. It only took 48 years to see it-- but I bet I've thought about his description at least once a month over the decades. Coincidentally, it was about the same time that I gained an interest in Australia, which has stuck with me to this day. Was not much of a movie buff until the pandemic hit almost 3 years ago, which has since gave me time to appreciate classic vintage film (thank you TCM). Stanley Kramer, Gregory Peck, Ava Gardner... all these names mean something to me now, and I have perspective. The timing couldn't have been better to see the film December 2022, and I can fully appreciate it for everything that it's about. Great story, and the patience has paid off.