La Mort aux trousses

Cary Grant handles the twisted expressions of his face, his astonished look, his impulsive smile with professional self-assurance and charm while taking us right in the middle of confusion on a breathless 2000-mile cross-country chase which has its gripping showdown across the giant faces of the presidents sculptured on Mount Rushmore high above Rapid City, South Dakota…

Grant plays Roger Thornhill, a stylish publicist, mistaken for a fictitious Federal agent, plunged into a world of crime and intrigue, hunted down by villains who want to eliminate him because he seems to be on their dishonest dealings…

When questioned by bland Phillip Vandamm (James Mason), Thornhill is unable to convince him that he is a victim of a mistaken identity… His three thugs fill him with bourbon, and place him in a stolen car expecting him to have a drunken accident… After narrowly escaping death, no one believes his story including, obviously, his skeptical mother (Jessie Royce Landis).

In an effort to discover the agent he is being confused with, and using the clues he collected, Thornhill returns to the United Nations Headquarter looking for George Kaplan… There, somebody falls into his arms and unthinkingly, Thornhill draws the blade out of the victim's back and is photographed holding the weapon in mid-air… And thus became a fugitive from justice, pursued by the cops and had to skip by boarding a train to Chicago…

While on the run, he is caught by a provocative platinum blonde (Eva Marie Saint), who comes out as a glamorous woman and a delightful charmer…

James Mason, a polished mastermind spy showed too well to be threatening... His menacing henchman, Martin Landau is also convincingly hurtful...

In his fifth Hitchcock picture, Leo G. Carroll is suave and calm as the devoted intelligence chief…

Directed by a genius behind the camera, "North By Northwest" remains a genuinely exciting film for the dangerous world of spies and counterspies

With everything you expect from Hitchcock and more, "North By Northwest" is terrific entertainment from the master. There are interesting characters, an exciting story with intrigue and suspense, lots of fine photography, and some of Hitchcock's best-known set pieces. It's capped off by a fine Bernard Herrmann score that is almost as good as the one he wrote later for "Psycho".

Cary Grant may be the ideal Hitchcock actor, and he is a big part of making this such great fun. As one of the man-on-the-run characters that Hitchcock loved to make movies about, Grant is entertaining and believable, maintaining good humor even as he tries to work his way out of a series of desperate situations. The other stars, James Mason and Eva Marie Saint, also are very good, and the supporting roles are all filled by good character actors.

The story is one of Hitchcock's most exciting. It's slightly longer than usual, and it occasionally stretches credibility, but it all goes by quickly because there is always something interesting going on, and there is also plenty to look at. Whether using the famous landmarks or using more everyday settings, there is always lots of good detail, and the settings complement the story nicely. At times the plot becomes somewhat fanciful, but probably deliberately so, for it only emphasizes Hitchcock's mastery of technique that he can have his characters do almost anything and make you believe it at the time.

With everything that characterizes Hitchcock at his very best, this fully deserves its reputation as one of the finest films by him or any other director. You can watch it several times and still find it just as entertaining.

My favourite director, Alfred Hitchcock has directed many classics like Psycho, Rear Window and Vertigo, and I will say that this deserves to be up there among his best. I absolutely loved it! The best aspect of this movie is the always charming Cary Grant in a brooding and entertaining performance as Roger Thornhill, a man wanted for the murder of a diplomat. Solidly supporting him all the way are the lovely Eva Marie Saint as Eve Kendell and oily James Mason as the villainous Vandamme. They are further advantaged by some excellent camera-work and a wonderfully atmospheric music score. The script is focused and suspenseful, and Hitchcock's direction ensures the film rarely slips, even if some of the complicated plot does fly over people's heads. The climax though is simply the icing on the cake. Overall, a hugely enjoyable film, which I will give a 9.5/10. Bethany Cox

North By Northwest is not an artistic masterpiece like Rear Window and Vertigo, but it is probably the most purely entertaining picture Hitchcock ever made. It's essentially a rehash of many of his earlier films, with a plot partially derived from The Thirty Nine Steps and the very similar Saboteur, while there are borrowings from Foreign Correspondent and Notorious, among others. However, it is all done with such style and confidence that it doesn't matter if it's essentially just a greatest hits package.

Very few other films of this kind attain the near perfect tone of this one, precariously balanced between seriousness and silliness. Sometimes this film manages the very difficult trick of being both suspenseful and comical at the same time, as in the auction house scene, or the wonderful scene in the lift when the hero's mother turns to two heavies in a lift looking menacingly at the hero and says "you gentlemen are not REALLY trying to kill my son, are you?".

Of course the famous crop dusting plane scene and the Mount Rushmore chase are terrific. The former is really more notable for the amount of time taken to build up to the action than the action itself, while the technical work on the latter still looks pretty good. In a totally different vein is the astonishingly frank seduction sequence on the train. Hitchcock takes his time here as with many of the other scenes, but the film is so crammed with memorable passages that one hardly notices it's 136 mins long.

Ernest Lehman's script is full of wonderful lines, many of them delivered so well by chief villain James Mason that at times we almost want to root for him. "Has any one ever told you tend to overplay your various roles Mr Kaplan....it seems to me you fellows could stand a little less training from the FBI and a little more from the Actor's Studio". Cary Grant is so smooth one almost forgets he's over 50, and of course there's also Bernard Herrmann's vibrant score.

Endlessly enjoyable even with repeated viewings. How many of today's thrillers will be such fun in 25 years time?

Hitchcock at his sharpest. Art and commerce in a delicious salad with all the right ingredients. A brisk screenplay by Ernest Lehman a Cary Grant that is just pure delight, Eva Marie Saint fresh out of her Oscar from "On the Waterfront" is an icy blonde with a brain. James Mason, the ultimate foreign sinister not to mention Jessie Royce Landis and Hitchcock brings Bernard Herrmann to wrap it all up in one of the most infectious scores imaginable. A real treat.