Publicitaire infortuné de la ville de New York, il est pris pour un agent du gouvernement par un groupe d'espions étrangers et est poursuivi dans tout le pays alors qu'il cherche un moyen de... Tout lirePublicitaire infortuné de la ville de New York, il est pris pour un agent du gouvernement par un groupe d'espions étrangers et est poursuivi dans tout le pays alors qu'il cherche un moyen de survivre.Publicitaire infortuné de la ville de New York, il est pris pour un agent du gouvernement par un groupe d'espions étrangers et est poursuivi dans tout le pays alors qu'il cherche un moyen de survivre.
- Réalisation
- Scénariste
- Stars
- Nommé pour 3 Oscars
- 9 victoires et 7 nominations au total
- Lieutenant Harding
- (non crédité)
- Auction Guest
- (non crédité)
Résumé
Avis à la une
This time it is Cary Grant who is thrust into a world of international intrigue when is mistaken by villain James Mason for an American operative named George Kaplan (the film's "McGuffan" by the way). Along the way he is seduced by Mason's mistress (Eva Marie Saint) while being pursued by Mason and his cronies from New York to Chicago to South Dakota and ultimately to Mount Rushmore for the film's climax.
"North By Northwest" is full of classic Hitchcock moments. First,there is Grant's frustration and fear as he tries to explain to Mason that he is not the person they are seeking. Next, the scene in the cornfield where Grant is isolated and attacked by a plane is pure Hitchcock. Then we have the art auction where he cleverly escapes Mason's henchmen and finally, the finale at Mount Rushmore in a scene reminiscent of a similar one in "Sabotage" (1942) (which took place at the top of the Statue of Liberty).
The cast, as in most Hitchcock films is excellent. Grant is understandably confused and frightened as the the hero, Eva Marie Saint has never been sexier as the femme fatale, James Mason is suave and sinister as the villain and Martin Landau in an early role, is good as Mason's chief henchman. Hitchcock regular Leo G. Carroll is cold heartedly sinister as the "professor". Jesse Royce Landis as Grant's mother (she was about Grant's real age) is wasted and unnecessary to the plot.
The only problem that I have with this and other Hitchcock films is his over reliance on back projection and soundstage "exteriors". Other than that. "North By Northwest" has to be considered as one of Hitchcock's best. Watch for Hitchcock's hilarious cameo appearance at the end of the opening credits.
Cary Grant is urbane and smooth as the hero. James Mason oozes silky menace as the principal villain (Martin Landau also plays a villain, giving his character a seriously nasty toughness). Eva Marie Saint is simply fabulous as the woman whose loyalties seems torn between good and bad.
The set pieces are rightly considered to be moments of cinematic genius. Grant's escape from a crop-duster; the fight atop Mount Rushmore; the auction house bluff; the drunken car journey; the murder at the UN building.... each scene is brilliantly devised by script writer Ernest Lehmann and just as brilliantly filmed by director Hitchcock. Everyone should see this movie... it's a masterpiece.
For me, half of the fun of North by Northwest is its incredible story. This film has something for everyone within it: a little comedy, a little romance, great snappy dialogue and more action than any Bruce Willis Die Hard film combined. Hitchcock was a master at this and in North by Northwest he lets his genius shine through totally. It seems to me that whenever I watch it, everyone who made this film from Cary Grant on down had nothing but sheer fun making it. Perhaps my two favorite scenes are the infamous "crop-duster" sequence and the last twenty minutes or so at Mount Rushmore.
I must give special mention to Ernest Lehman who yet again managed to write a screenplay that totally knocks your socks off. How he came up with the idea, I've not a clue, but what an idea it is. The screenplay itself was nominated for an Academy Award that year, but lost to Pillow Talk. North by Northwest was also nominated for Best Set Decoration and Best Film Editing, but lost to Ben-Hur in both categories.
All in all, what a film. If you haven't seein it, do so ASAP. North by Northwest just reinforces my belief that Alfred Hitchcock was one of the greatest directors of all time. Period.
My rating: 4 stars
Cary Grant may be the ideal Hitchcock actor, and he is a big part of making this such great fun. As one of the man-on-the-run characters that Hitchcock loved to make movies about, Grant is entertaining and believable, maintaining good humor even as he tries to work his way out of a series of desperate situations. The other stars, James Mason and Eva Marie Saint, also are very good, and the supporting roles are all filled by good character actors.
The story is one of Hitchcock's most exciting. It's slightly longer than usual, and it occasionally stretches credibility, but it all goes by quickly because there is always something interesting going on, and there is also plenty to look at. Whether using the famous landmarks or using more everyday settings, there is always lots of good detail, and the settings complement the story nicely. At times the plot becomes somewhat fanciful, but probably deliberately so, for it only emphasizes Hitchcock's mastery of technique that he can have his characters do almost anything and make you believe it at the time.
With everything that characterizes Hitchcock at his very best, this fully deserves its reputation as one of the finest films by him or any other director. You can watch it several times and still find it just as entertaining.
Le saviez-vous
- AnecdotesWhile filming Sueurs froides (1958), Sir Alfred Hitchcock described some of the plot of this project to his frequent leading man and "Vertigo" star James Stewart, who naturally assumed that Hitchcock meant to cast him in the Roger Thornhill role, and was eager to play it. In fact, Hitchcock wanted Cary Grant to play the role. By the time Hitchcock realized the misunderstanding, Stewart was so anxious to play Thornhill that rejecting him would have caused a great deal of disappointment. Hitchcock delayed production on this movie until Stewart was already safely committed to filming Otto Preminger's Autopsie d'un meurtre (1959) before officially offering him the role in this movie. Stewart had no choice but to turn down the offer, allowing Hitchcock to cast Grant, the actor he had wanted all along.
- GaffesDuring the scene in the diner at Mount Rushmore, a boy in the background anticipates the surprise gun shot fired by Eve by putting his fingers in his ears.
- Citations
[Thornhill is wearing sunglasses to hide his identity]
Ticket Seller: Something wrong with your eyes?
Roger Thornhill: Yes, they're sensitive to questions.
- Crédits fousRight after his credit as director during the opening credits, Alfred Hitchcock is running toward the door of the city bus just as it slams shut on him!
- Versions alternativesThe print originally had an acknowledgement for the cooperation of the Department of the Interior and the National Park Service. But they requested it be removed after MGM violated the agreement that no violence would take place near the Mt. Rushmore monument. Some prints, however, were released with the acknowledgement still in.
- ConnexionsEdited into Histoire(s) du cinéma: Le contrôle de l'univers (1999)
- Bandes originalesIt's a Most Unusual Day
(1948)
(uncredited)
Music by Jimmy McHugh
Lyrics by Harold Adamson
Played as background music at the Plaza Hotel
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Intriga internacional
- Lieux de tournage
- 13296 Corcoran Rd, Wasco, Californie, États-Unis(cropduster attack)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 3 101 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 66 728 $US
- Montant brut mondial
- 203 192 $US
- Durée
- 2h 16min(136 min)
- Couleur
- Mixage
- Rapport de forme
- 1.50 : 1(VistaVision, original & negative ratio)






