Sois toujours diplomate

CARLETON-BROWNE OF THE F.O. used to appear with some regularity in the New York metropolitan television area of the 1960s, but it was called "THE MAN IN THE COCKED HAT". This was not unusual. The comedy "THE NAKED TRUTH" was called "YOUR PAST IS SHOWING". I saw it twice back then, and remember a few points that have been downplayed in these reviews.

SPOILERS AHEAD

It was not as serious a film as it seems to be to some of the reviewers. Rather it touched on the serious because it dealt with the end of Britain's empire and the way the cold world politics of the U.S. and the U.S.S.R. got entwined everywhere. What was being shown in the satire was that Britain (in the personality of it's man on the spot, Carleton-Browne (Terry-Thomas)) was too civilized to handle the realities of the dark politics of the era (keep in mind the film is British, so it is not really looking closely at the view of British policies and actions from the point of third world countries). The irony of the film is that those civilizing traits happens to be the unifying point that brings an end to the civil war bloodshed that is smashing the island kingdom of Gaillardia apart.

After showing how behind the times the foreign office of Raymond Huntley and Terry-Thomas is, we are taken to Gaillardia. A play is being attended by the King and his oldest son and heir, both of whom are bored by it. One of them says something like, "I'm blow-ed if I stay here". At that a bomb explodes killing them (paging Alistair Sim in THE GREEN MAN). The younger son, Ian Bannen, returns to the island, only to find that his uncle (John Le Messurier in an unusually ruthless and power-hungry role) is there to tell him it would be wisest if he would abdicate now. Bannen, who has been living in England, is trying to make his country a successful constitutional monarchy like mother England. He calls in the British Foreign Office, as his local "support" is the corrupt Prime Minister (Peter Sellers). The Foreign Office sends Terry-Thomas.

He has no idea of what to do. The island is slowly splitting in half, due to the activities of Le Messurier and his candidate for the throne, a Princess of the house. Le Messurier does not know that the Princess (Luciana Palluzzi) has met the young Bannen when they both were returning home (both had been in England). Actually she is just as set to set up the constitutional monarchy as Bannen is (and as Le Messurier is not, nor - for that matter - as Sellers could care for). Unless you keep that in mind the plot of this seems aimless.

Carleton-Browne (in his fumbling) comes up with a solution. It resembles the shamble solutions of East and West Germany (until 1989), Cypress (until today), North and South Vietnam (until 1975), and North and South Korea. He sets up a dividing line for Gaillardia so that both parties will be satisfied. It is voted on by the U.N. Security Council without any problem. Then it turns out that the aggression that Le Messurier brought to the matter was due to the U.S.S.R. It seems that the Northern part of the island has a valuable mineral the Russians need. When Carleton-Browne tries to undo the agreement, because he had not known this, Russia says he can't.

The British have been patrolling the demilitarized border area. Suddenly open civil war breaks out. Le Messurier thinks it is his opportunity, only to find his niece has a mind of her own, and it has no place for him as an adviser. Similarly (earlier) Bannen overhears Sellers offer to put the young king out of the way if Le Messurier will agree that he continue as Prime Minister of the reunited country. Bannen and Palluzzi both disappear, rendering their "pupper masters" useless. They only reappear when they confront Carleton-Browne - together they have formed a majority counter-insurgency to overthrow Le Messurier and Sellers. They are uniting to save the country.

They do. Basically what happens at the end is that Bannen and Palluzzi will marry and bring a constitutional country (based on Britain) to the island. Le Messurier (stunned and sad faced) is going to retire to some hotel in Europe where ex-monarchs congregate at. He will be accompanied by Sellers.

The comedy is in the film, but it is not consistent because of the commentary on modern diplomacy. Russia gets slapped for supporting dubious regimes (it's supporting a monarchy here, of all things) for raw materials. The U.S. is not directly affected (it is Britain that is), so when a sequence of news headlines from Britain show what a disaster is about to happen, the American newspapers reflect some trivial items of passing interest. In the last sequence, symbolically, the U.S. and U.S.S.R. have sent teams to play a soccer match in front of the Gaillardians. Carleton-Browne, despite his naivety and bungling, has won a victory for British civility (if not for the empire). He kicks the first soccer ball, as Sellers looks with patient interest, and an explosion occurs (paging again, Alistair Sim). But a final newspaper headline mentions he is being awarded a knighthood for his wonderful success as a diplomat, while he recovers.

"Man in a Cocked Hat" is a British comedy satire that just doesn't have that many laughs. The DVD I watched is from a Peter Sellers collection that had this film under its original British title, "Carlton Browne of the F. O." Frankly, that title makes a lot more sense.

Others have weighed in on this film, and I agree with the majority that the film is pretty flat - which means, not very funny. With this cast, there was potential for great laughter. The plot is okay, even a very good one. But it seems to me that so much was put into the ridiculous "power" of the fictional island nation of Gaillardia and not enough into crispy, witty dialog among the characters of the British Foreign Office. So, the silly antics on Gaillardia just don't get the laughs, and the great comedic cast of Terry-Thomas, Peter Sellers, Raymond Huntley, John Le Mesurier and Miles Malleson is mostly wasted.

This probably isn't a film that many people would stay awake through or watch much beyond the first 15 minutes or so.

Surely not yet Sellers at his best. I believe that he still had to be fully discovered. This is Sellers at the very beginning. He was proud of this at the time because he had just put his foot through the door. the best was yet to come. But hey I did appreciate how good this must have been for its time though. Im sure it got the audience laughing back then. I had high hopes to be in a fit, pretty confident I would be cracking up as always with Sellers, but not all that much with this one. But it was worth a watch since the story is based on this island which very much reminds me of the one I live on. Tonight Im going to watch another one of Sellers first and early works called "The smallest show on Earth", I hope it will get me giggling more than this one did as one would expect.

The Island of Gaillardia was discovered in 1720 when an English vessel with a cargo of oranges ran into it in the dark. As a result, Great Britain gained a colony, the captain lost his ticket and the inhabitants lived on marmalade for months. Great Britain little knew what she was taking on. With two branches of the Royal family at daggers drawn, war between North and South had long been a national pastime and neither side took kindly to outside interference. After 200 years, Great Britain threw in the sponge and granted the islanders self governance. Sadly no one told her representative and in 1959 he was still at his post when the present king was killed, his son brought in and both the UK and the USSR looking to gain favour. From the UK, Carlton-Browne is sent to negotiate.

With a big cast of reliable British names in the leads I was keen to see this film. However it failed to really impress me at any point for any sustained period. The plot had potential and is only really let down by the prolonged courtship/romantic scenes that producers feel obliged to include in many comedies of the period. Sadly this reasonably well designed plot has two other major flaws. Firstly it becomes a little too complex for such a lightweight affair as this – political motives and hidden agendas are all brought in which, while not complicated, certainly clutter the film. Secondly it is simply not very funny or even amusing.

Near the start and throughout the film has quite a few good jokes at the expense of the British system, the opening credits (partly quoted in my first paragraph) make a dig at the Foreign Office and there is a good running joke about the Ministry of Works Council constantly digging holes around the Island. This is not enough and the rest of the film is just about passable as it lacks any clear humour and any potential whimsy is choked by the messy plot.

It is a shame because by and large the film had a very talented cast at it's disposal. Thomas is good in the lead but seemed quite understated (but still a good lead). Sellers has a few good scenes but is largely underused and a bit of a waste. It was good to see Le Mesurier in a role that didn't require him to be wishy-washy as usual but again he has little to do. I was pleased to see Paluzzi (Thunderball in the film as I have always felt she is a very beautiful woman in a classic beauty type of way with a real touch, it is a shame that most of her scenes are the excess romantic things.

Overall this film is just about light enough to pass the time but I did find it to be a real disappointment. The plot starts well but gets confused and cluttered, the cast are given little to do to show their talents and the material is amusing at best, but never laugh out loud funny. Shame, there are plenty of better films with these talents in so why waste time on this one?

Another comedy about a plucky little country struggling through the jungle of the modern (for the forties) global world with only native wit and pluck to guide them, this is a fine entry in the Ealing cannon. Terry-Thomas sparkles as usual in the lead, as a feckless ministry man led to the brink of disaster when a nation he is supposedly in charge of starts attracting the interest of the world, Ian Bannen makes a great romantic lead, Peter Sellers puts in one of his quieter performances as a corrupt politico and the uber-suave John Le Mesurier plays against type as a rugged revolutionary leader. Lots of fun is had by all, especially the viewer; perhaps not in the very top echelon of Ealing classics, but pretty high up.