La nuit est mon ennemie

Having just seen "Libel" on TCM, I was pleasantly surprised....certainly, it is not a great film, but still was very entertaining, and the settings were extremely well done. The story line has been done before, but the acting of some very good English stalwarts plus Olivia de Havilland as an American wife to an English Baron, makes it well worth watching. Dirk Bogarde (never a favourite of mine) does an excellent job in a dual role, and is ably supported by Robert Morley, Paul Massie and Wilfred Hyde-White. There is no doubt that the producers of this film have come up with a film that still stands up today, and be proud of the end result. There are some very clever twists and the use of flash-backs was excellent. I can recommend this to everyone

Libel is directed by Anthony Asquith and adapted from Edward Wooll's play by Anatole de Grunwald and Karl Tunberg. It stars Dirk Bogarde, Olivia de Havilland, Paul Massie, Robert Morley, Wilfrid Hyde-White, Anthony Dawson and Richard Wattis. Music is by Benjamin Frankel and cinematography by Robert Krasker.

A shell-shocked ex-WWII prisoner of war with amnesia is accused of being an impostor by one of the guys he was imprisoned with. This sends him spinning into the middle of a Libel court case that could destroy everything in his life.

A splendidly stylish mystery/drama that offers up two Dirk Bogarde's for the price of one. The big question throughout is if Bogarde, in the shoes of Sir Mark Sebastian Loddon, is actually a doppleganger that he was in the war with called Frank Welney. Loddon has the riches, the estate and a beautiful loving wife, Welney was a struggling actor and something of a mischievous imp. The big narrative thrust is that Loddon is not sure himself, he can only remember certain things, thus we are never sure either as the plot twists and turns and the court case simmers away with dramatic force.

Bogarde is great in his dual role, with a voice change for each character and different hair styles to help the viewers differentiate. In the court we have a trio of classy character actors, with Hyde- White and Morley as the opposing lawyers (wonderful to witness this) and Watiss as the judge presiding over the trial. Havilland isn't asked to do much until late in the day, but then she shines bright and puts some emotional punch into proceedings. The great Krasker photographs it in crisp black and white, while Asquith directs with a smoothness that undercuts the coincidences and conveniences that exist in this sort of story.

All the highlights of a court room drama are here, and it's a cracking mystery to boot. 8/10

Dirk Bogarde carries the main burden of this interesting courtroom drama co-starring Olivia de Havilland. Bogarde is an English barrister accused of being an imposter by a wartime buddy who has mistaken a look-alike they both knew in a POW camp as the man who has become Sir Mark Loddon. His understanding wife stands by him and encourages him to sue for libel but soon comes to have doubts of her own. Toward the climax, she turns on her husband and accuses him of "stealing" her love. Bogarde and de Havilland both have some excellent dramatic moments but it is Bogarde who rivets the attention with his fascinating dual role, achieving a distinct difference between the two men with just a slight change of hair style and a shift in attitude. Wilfred Hyde-White and Robert Morley are good in supporting roles as opposing barristers. It all moves smoothly under Anthony Asquith's crisp direction and all of the domestic scenes were filmed at the Duke of Bedford's magnificent country estate, giving production values a touch of elegance. The POW flashbacks are quite convincing--and the courtroom twist toward the end is nicely handled--if not quite convincing. Sometimes confusing--but always absorbing. MGM should release this one to video!

Dirk Bogarde was a marvelous actor, and this is a fine film. But if you insist on believable stories, you won't like it. It's as true to life as an Agatha Christie story, and just as entertaining.

The plot is this: An English lord and a penniless scoundrel who looks exactly like him are in the same POW camp during World War II. Years later, another veteran claims the scoundrel actually killed the aristocrat and has been impersonating him ever since. The whole thing winds up in court, putting the aristocrat's wife through some agonizing moments. Finally, when nobody can stand the suspense any longer, the truth is revealed.

The idea of someone meeting his exact double is as silly as it is unbelievable, and by the 1950s there were ways to verify whether a living man was the war veteran he claimed to be. So you can't take this seriously. But if you suspend disbelief, you will really enjoy it. Though it's not marketed as a mystery, it's ideal for mystery fans.

I had to talk my wife into watching this movie on TCM, because it looked to her like a gloomy psychological drama. Once she started watching, she couldn't turn away (especially when Dirk Bogarde was on the screen). She was still talking about it an hour after it ended. "What if something like that really happened?" she remarked. Well, it wouldn't, but ...

Sir Mark Loddon has been having a hard time of it since he returned from WWII. He was in a German prison camp and then was injured badly during his escape. Everyone, including himself, assumes that his emotional state and spotty memory of things that happened before his escape are due to his wartime trauma. We call it PTSD now, they called it "shell shock" back in the day. He's subject to night terrors and he is always seeing some terrifying reflection in mirrors, water, whatever.

And then along comes somebody from his past, Jeffrey Buckenham, who escaped with Loddon. Buckenham is saying that Loddon is in fact an impoverished actor named Frank Wellney who could have passed for Loddon as far as looks go and who was always trying to find out personal details about Loddon and impersonating him. Wellney, along with he and Loddon, escaped the prison camp together. The three got separated, and (from a great distance) Buckenham witnessed what he believes is the aftermath of the murder of one body double by the other. Only after seeing Loddon on a TV program about famous English castles and noticing that Loddon has the same finger missing as Wellney had has Buckenham decided to come forward with his suspicions.

Buckenham doesn't want blackmail money. Instead, he wants to expose Wellney for the fraud that he is. Buckenham goes to a local newspaper and tells them his tale and the paper prints it, with a great deal of publicity being stirred up since Loddon is quite wealthy and owner of a large manor. Loddon wants to ignore the whole thing and let it blow over, but his wife, Margaret (Olivia De Haviland), says they must sue the paper and Buckenham for libel as otherwise this scandal would always hang over their son. So Loddon becomes a reluctant plaintiff. But why is he so reluctant?

Thus the rest of the film is a courtroom drama with lots of interesting turns including a surprise witness with a story that turns out to have a kind of Frankenstein monster twist to it. The really interesting part of the plot's dynamics is that Loddon was so terribly wounded and shell-shocked in the aftermath of the escape that he himself begins to doubt who he is and what exactly he has done to the missing Mark Loddon, if he in fact is not Mark Loddon himself.

The casting is wonderful. De Haviland is great as a woman who at first completely believes in her husband, but after all of this testimony is beginning to have doubts. Wilfred Hyde-White and Robert Marley are the clever barristers. Anthony Dawson plays Mark's sly cousin who would inherit the entire Loddon estate if it can be proved that the person claiming to be Mark Loddon is an imposter. Finally there is Dirk Bogarde who convincingly plays both the aristocratic Loddon and the oily Wellney as two very different types of people, and also excels at playing whoever the troubled person is sitting next to Olivia De Haviland in the courtroom.