Hold-up à Londres

A British army colonel, pensioned off and embittered, assembles a motley group of specialist, criminal and deviant ex-officers who share his bitterness. He has in mind a bank robbery. They arm themselves, courtesy of their former employer, then execute the robbery impeccably, right in the centre of the City of London. The bags of loot are filled, but, at the pictures, crime seldom pays....

That this film has been reviewed as a comedy demonstrates, once again, that British and American are two cultures disguised by a common language. The humour here, of that characteristically British sardonic kind, is incidental to a drama of frustration, disappointment and inadequacy. The humour is just the way the British speak.

The clever and low key "raid" on the army training centre is finely done. So much so that it overshadows the robbery itself and therefore slightly unbalances the action.

This is one of those films, craftsmanlike and enjoyable, yet not desperately exciting, that finds its greatest value precisely in being a period piece. The League of Gentleman is a fascinating social document. Made in 1959, it catches the moment in British history when, as its Empire dissolved, the social infrastructure that supported it and that had made Colonel Hyde what he had been, also disintegrated. This aspect could almost have been deliberate, explaining the very long opening sequence (another unbalancing factor) that introduces us to the seven main characters. There are shockingly frank moments: the honourable man with the overtly promiscuous wife; the gigolo; the religious fraudster (or pervert - the message is obscured); another of the heroes an "other man", a homosexual; the pressure of life in a small house with a loud television set. So, too, the casualness with which machine guns are used in a robbery by men trained in the code of gentlemen. The dull and seedy presentation of Hyde's home and base, large but far from grand, is further evidence of the decline of his class. So, too, a robbery that was intended as a hymn to the effectiveness of military planning, brought to naught by one stupid mistake and a small boy.

Yet this is not a sententious film, their is no preaching, none of that British nostalgia for the old ways, but almost a respect for the robbers and a recognition that life had to become more ruthless as a stiff society began to flex. How it was elsewhere, I do not know, but this watchable film will show anyone what was happening in Britain just before the Sixties began to swing.

This movie is an involving, intriguing and ultimately poignant heist thriller. Since the advent of a comedy TV show which took it's name, the TV Guides have taken to describing this film as a 'comedy'. Obviously they've never watched it - the moral is, get your movie info from IMDB, not a rubbish newspaper or magazine TV Guide.

The movie's premise is good - a disenchanted ex-army officer dispairs of success on 'civvy street' so decides to organize his own squad of former soldiers and pull off a military operation with a difference - they will rob a bank. This film was the inspiration to the real-life Great Train Robbery, which involved a 20-man gang stealing £3,500,000 in 1963.

Characterization is good and believable; as with all British movies of the era, there is an excrutiating tendency to overly-ingenious rhetoric, one wonders sometimes how they think of such witty remarks. That aside, it's thoroughly convincing. The film code of the day of course required that no film could ever show a criminal benefiting from his crime, but instead of the usual tiresome accidental spilling of the booty out of a train/car/plane window, we have a more realistic, and indeed somewhat sad resolution.

Yes, it is a bit old now, but if you can hang-up your hang-ups about that, you may find yourself pleasantly surprised.

An enjoyable effort in the Ealing vein, more specifically in the black comic vein of "Kind Hearts and Coronets" or "The Naked Truth", with fairly upper-class individuals gleefully straying from the straight and narrow. It is a mark of the film's whimsical success that one is made to sympathise with what is basically a gang of upper-class soldiers resorting to criminality. The wit, camaraderie and very subtle pathos of the ex-soldiers is very well worked - adrift as they are in peacetime, the planned heist provides some scope for their talents.

Most of the actors make their mark in some way - Roger Livesey, Nigel Patrick and particularly Jack Hawkins, are wonderful. Robert Coote is wonderfully spot-on in his late appearance as Brigadier Bunny Warren.

The script is finely crafted and while not up to the standard of "Kind Hearts...", this is quite a fine little film, always mildly winning in some way throughout its duration. Rating:- ****/*****

What a wonderful short review from Stewart Naunton, above! I thought this was just a sleeper movie that only I appreciated.

The gentlemen in question are men who were very good in the War but not very successful or appreciated between wars. What is more appropriate than that they extract a long-deserved payment by plotting and executing this intricate caper?

This is a movie with a deep moral message. The robbers are in the right, and it is a real shame that these heroes, for heroes they are, have to get nabbed at the end of the film. By rights they should not only have got away with their caper, they should have taken back their country from the small minds and souls that had commandeered it.

"You Never Had It So Good," was Macmillan's slogan in '59, but these ex-officers seem to have missed out on the fun everyone else is having. They have been shabbily treated by their country and you just have to root for them as they recover their talents and daring.

The movie makes a good companion piece for Basil Dearden's 1961 film 'Victim', which is thematically dissimilar but very much the same in appearance and feel.

This 1959 (or 1960) film shares the same title as the 1990's comedy about weird northern folk, but is a far more savage satire of decay in the establishment.

A redundant Colonel recruits a unit of marginally more corrupted subordinate Army officers, to stage an American Style heist, based on a US pulp fiction novel. Very few of the characters would initially be associated with the establishment. Their past failings include treason, war-crimes and negligence resulting in deaths.

Jack Hawkins (Colonel Hyde) knits the characters together over the course of the film. By reinventing a form of army discipline the characters appear to rediscover their aplomb.

The actual robbery is almost incidental, occupying ~ 10% of the film.

My real fascination was with the development and interaction of the characters. Even 40 years on their callousness is at times shocking and the 'Blame Ireland' example of scapegoating still resonates, especially in the context of the characters' personal failures in other theatres of the ex-empire.

The film is nearly 2 hours long, but seemed much shorter. Post war film of the City of London (and elsewhere) before 60s redevelopment is a bonus.