Voyage au centre de la Terre

This is the classic adaptation (1959) by Henry Levin with great cast such as James Mason as Lindenbrook , Pat Boone , Diane Baker and Arlene Dahl as a wealthy widow . An Edinburgh (in fact , many of the people in the crowd scenes were students of Edinburgh University) professor (James Mason who replaced an ailing Clifton Webb) and assorted colleagues as his pupil (Pat Boone) , a woman looking for her husband who disappeared various years earlier during a voyage follow an explorer's trail down an extinct Icelandic volcano to the earth's center . Meanwhile , they are chased by a mysterious scout , the Count Saknussemm (Alexander Scourby started shooting at Carlsbad Caverns , but the producers were unhappy with him and he was replaced with Thayer David) who has usurped a map for his own greedy purposes . As the expedition to the center of the earth starts in a volcano located in Iceland . The professor and his compatriots descend into deep caverns filled with stalactites and stalagmites and encounter a tunnel system leading to the center . Along the way they find prehistoric beasts , a magnetic storm and the lost city of Atlantis .

This superior adaptation is a colorful recounting of the Jules Verne adventure yarn . Lighthearted romp for kids and teenagers based upon the famous book . Dealing with the known story about an anthropologist scientific named Linderbrook , James Mason , and his student , Pat Boone , and a woman , Arlene Dahl , undergo a hazardous voyage to find clues of her husband who disappeared some years earlier . As the peculiar trio along with a Island explorer descend into deep caves and discover a way leading to the planet's center . The highlights of the movie are the numerous risks and dangers they have to deal with , such as endure torrential floods , prehistoric animals , terrifying earthquake , and discover the lost city of Atlantis as happens in the classic novel . Fox gave the green light to this big-budget CinemaScope production partially on the basis of the success of the recent Jules Verne adaptations , Walt Disney's 20.000 leagues under the sea (1954) and Michael Todd's Around the World in Eighty Days ; as with those earlier films , turned out to be big hits . There're rip-roaring action , spirit of adventure , derring-do , sense of wonder , thrills , and results to be quite entertaining . It's a big fun with great special effects , adequate set decoration and impressive art direction . Spotlights of the voyage include a roller-coaster trip , a terrifying odyssey in sailing, with appearance of prehistoric reptiles , and many others events . The "Dimetrodons" in the movie were played by a large type of lizard called a rhinoceros iguana , in real life was a type of Synapsid reptile . Acceptable cinematography full of color by Leo Tover , though there is an excessive use of matte-painting . Thrilling and breathtaking musical score by Bernard Herrmann in his peculiar and Hitchcockian style . The motion picture was well directed by Henry Levin , the heavy cost proved to be a good investment, resulting in a big hit at the box office . It was nominated for four Academy Awards including Art Direction , FX , and set decoration.

Other versions about this known story based upon the Jules Verne's 1864 fantasy are the followings : Spanish version (1976) by Juan Piquer with Kenneth Moore , Jack Taylor , Frank Braña , Ivonne Sentis , Pep Munne , José María Caffarel , Emiliano Redondo . 1988 retelling titled Journey to the center by Rutsy Lemorande with Ian Mitchell-Smith , Paul Carafotes . TV version made its way to cable by George Miller with Treat Williams , Jeremy London , Tushka Bergen , and Bryan Brown and another inferior television picture (2008) by David Jones with Greg Evigan and Dedee Pfeiffer . In addition , Journey to the Center of the Earth (2008), (TV) , by T.J. Scott with Ricky Schroder , Peter Fonda , Victoria Pratt , Steven Grayhm . Furthermore , a cartoon movie : Journey to the Center of the Earth (1967) was based on this film version rather than the original novel by Jules Verne and features several characters that were created for the 1959 film . And of course , recent and successful take on filmed in 3D , produced and starred by Brendan Fraser with Anita Briem and Josh Hutcherson being followed by a sequel titled : Mysterious Island , with Josh Hutcherson and Michael Caine . Rating : Above average.

I suppose the best way to appreciate a widescreen Cinemascope film is to have seen it on a large movie theater screen in the first place. I remember that day well, back in Brewster, NY, late 1959. My best friend David Vail and I were 7 years old apiece and thrilled at the prospect of being allowed to see the movie un-supervised (a very rare privilege) and the cavernous, dark movie theatre only heightened the sense of mysterium tremens. We felt as if we were fellow travellers, accompanying the Lindenbrook expedition on its mission to the center of the earth. Dimly aware that the film had scary elements, we vowed not to eat any of our limited budget sweets until a truly "scary" moment appeared. It took a while but it came. Many years later Spielberg and Lucas would pay homage to that moment in their throwback serial film "Indiana Jones: Raiders of the Lost Ark" but in the intervening years I have had recurring dreams about being chased by a boulder down a narrow passageway.

"A Journey to the Center of the Earth" is a movie I see over and over again. Chiefly because the story is compelling and true to the quasi whimsical and scientifically speculative writings of Jules Verne. What I find appealing about Verne is that he is free from the cynical and existential bindings that have fettered other illustrious but more contemporary science fiction writers. Verne goes about his business unshackled by theorems, proofs and devastating world wars. The industrial revolution is barely a generation old and science is making great leaps. Anything is possible; a trip to the moon, a long voyage undersea, a journey to the innermost recesses of our planet. While you watch the film it is easy to suspend your belief because you are forced to place yourself in the context of the Great Explorations. The story simply draws you in for the same reason the tale of Sir Ernest Shackleton draws you in or the accounts of the last days of Pompei; or, a superb story like Edgar Allen Poe's "The Gold Bug" draws you in.

Levin's treatment of the tale is excellent. This is one of those rare examples where the film is better than the book. The dour trio of three male expedition members in the book is replaced by a balanced quartet, adding a greater range of human interaction, a little sexual tension (without it condescending or demeaning ot the female character) and a side plot (the nefarious and righteous Count Saknussem). The preamble is longer and the conceit of using a plumb line as the key element (McGuffin if) you will) is a stroke of narrative genius. The movie loses no momentum by investing time in character development and the the reasons for setting up the expedition. James Mason is perfect as the obsessed scientist. Pat Boone does a fairly good job as the "leading man" and male ingenue. Arlene Dahl is sophisticated and her Scandinavian background gives her role credibility. Hans in probably the only movie role he ever played is more than adequate as the practical, strong man. then there's Gertrude, played well by... a duck.

The story is well paced, nuanced and served well by a stunning score by one of the true masters of mood: Bernard Herrmann. At times airy and light the music also comments brilliantly on the action via horn arrangements and sultry, chilling cellos that give a a deep sense of foreboding.

On a deeply personal level I have in a strange way often compared this movie to the restlessness of the human spirit. Not merely the desire to physically travel, explore and report back from unknown regions but in the spiritual sense: to unravel the mystery of the self. As a 7 year old I would ponder the great inponderables, life, death, God, the meaning of existence and somehow this movie, cheesy special effects and all, has given me haunting sign posts that the only true travel is the voyage within. So, in a symbolic way, A Journey to the Center of the Earth is the moviegoer's experience of the vast uncharted regions of our deeper self. I know most readers will dismiss these "adumbrations" of the personal "cave" within but I leave you with a few lines from a song that was popular in 1959...

I know, beyond a doubt my heart will lead me there, soon we'll meet, I know we'll meet beyond the shore we'll kiss just like before and happy we'll be beyond the sea and never again, will I go sailing no more sailing.

A Journey to the Center of the Earth has adventure, whimsy and moments of awe with unexpected twists. The characters are at the mercy of the caprices of the nether regions. At times you feel as if the characters are journeying through unpopulated Dantesque landscapes, other times through the richness of primordial and unspoiled prehistoric settings. The voyagers start off darkly in the early teluric going and then by degrees the subterranean world glistens in a unexpected reversal of all that we are led to believe exists below our feet. The variety of visual delights is breathtaking.

This is my favourite film of all time. I have seen it 40-50 times and always find a detail or two at each screening that is imaginative and inspiring. See it if you can in wide screen. You will appreciate it more.

After reading some of the comments on this film I feel I have to spring to it´s defense. You see I am born and bred in Iceland and as I write this I am in front of my computer in Iceland, so you can believe me when I tell you that ALL THE ICELANDIC IN THIS FILM IS REAL. I understood almost everything that the Icelandic character in the film said and I can assure you that it was particularly articulate and well pronounced. Why someone said that it was fake, I don´t know. I am guessing that he did not hear it well because the sound can be pretty bad in these golden oldies. While we are on the subject let me also add that some of the facts concerning Iceland were wrong. The horse carriage used to transport the group to the volcano is out of place. The interior design of the hotel and the maitre d´hotel´s costume was a bit off. But it´s described like that in Verne´s novel as well so it´s no big deal. And besides every ethnic group is portrayed in a very stereotypical manner; Scots, Italians, everybody. Such nitpicking is therefore dull and unnecessary and people should just enjoy the film for it´s imagination.

I recently saw this again in the following circumstances:

1. I saw it on the Big Screen at Loew's in Jersey City

2. Arlene Dahl was at the pre-movie reception and later participated in a Q&A session with one of the hosts. If she isn't one of the most charming and gracious Hollywood types I've ever met then she's an even better actress than she's ever been given credit for.

This IS a Big Screen Movie, it must be seen on the Big Screen to be fully appreciated and enjoyed. Despite the fact that it has what I would call a small set quality-once they begin the descent there are only 5 actors with regular lines and they are usually in close proximity to one another, this is an Epic and deserves Epic viewing. Yes it has its share of Movie Mistakes-I noted that all the male actors remain clean shaven throughout and receive regular haircuts. In the scene where Pat Boone discovers the forest of mushrooms and they go hog-wild eating them, Arlene Dahl reminds them that they will soon find the taste of salt beef appealing, it occurred to me than an individual could carry rations for at most 1 week, and here it is the 256th day of the Expedition.

The writers took liberties with Verne's story. In a program note handed out at the theater it was pointed the heroes were changed from Germans to Scots, a Swede and an Icelander because 14 years after the end of WWII English speaking audiences would not accept German heroes. Arlene Dahl's character is a new addition, what Verne stories I've read have almost no female characters. But in addition to eye appeal she also is the translator for Big Hans. Having first seen this movie as a 10 year old the "battle of the sexes" went completely over my head (though 10 year old boys like to look at pretty ladies too)this time around I appreciated it, especially as her character and her portrayal are of a strong willed and assertive woman-they had plenty of those in the 19th Century.

Before the screening there were some introductory remarks. The host said the story can be seen as both straight adventure in a physical sense and as a psychological adventure-penetrating deeper into the human psyche with Count Saknussem representing the Dark Side of humankind but not completely evil. He said note how Bernard Herrman's score uses lower registers as they go deeper into the Earth.

Some of Arlene Dahl's comments:

1. Gertrude the Duck had 4 stand ins, she had one.

2. She said the bats in some of the caves took a liking to Pat Boone, and he seemed to get along with them, so they called him "Bat" Boone. She said he was a much better actor than he is credited as being, said he was fairly easy to work with.

3. She said they all, and Pat Boone especially, worked on their accents. Pat Boone developed a very convincing Scottish burr. Then they got back to the US, Daryly Zabuck decided the dialog in accent s was to hard to follow, they had to re dub their dialog. Naturally the dubbers missed spots-you will hear them.

4. And when she saw it with us she hadn't seen it in 50 years.

This movie is one of the best examples I can think of for how one can stun the audience just by making the right use of the essence of cinema: pictures. They vary between being threatening, funny, amazing, beautiful and bizarre but all are highly imaginative. In fact, this movie is one of the most imaginative ever made, imagination being a quality that has disappeared almost completely from Hollywood over the last 40 years. It drags you into the world of its superb settings just the way for example "King Kong" did in 1933. This is just the kind of movie cinema was meant for, up from the days of its beginning (see for example "Le Voyage Dans La Lune" by Georges Méliès, 1902). "Journey To The Center Of The Earth" is pure cinema at its best.