Island of Lost Women

"Joe Walker" (John Smith) is a pilot who is flying a radio commentator named "Mark Bradley" (Jeff Richards) to a conference in Australia. Unfortunately, a typhoon blows them off course and when one engine goes out they decide to land the airplane close to a nearby island. Upon landing they are greeted by a man who only wants to be known as "Mr. Paul" (Alan Napier) and his three lovely daughters, "Mercuria" (June Blair), Venus (Venetia Stevenson) and "Urana" (Diane Jergens). Although Mr. Paul initially wants them to leave he changes his mind when Joe and Mark realize who he really is and decides to destroy the airplane so that they have to stay. This pleases all 3 young ladies but Mark is still determined to leave while Mr. Paul is determined that they will not. Now rather than reveal any more of this film and risk spoiling it for those who haven't seen it I will just say that this was an enjoyable Grade-B movie from the 1950's. Although there were some dull parts here and there I must say that the 3 attractive women certainly brightened the scenery. Be that as it may, overall I rate it as about average.

"Island of Lost Women" is a bit silly...I won't deny that. But, surprisingly, it's very watchable and entertaining.

The story begins with a TV newsman and his pilot flying from the USA to Australia. The plane begins having engine problems and is in the middle of the Pacific and they appear to be totally screwed. However, a lone island is ahead and they'll try to land there. But then something weird happens....a loud voice booms out (not over the radio) telling them NOT to land...or else. Well, considering they either land or die, the plane, naturally, lands.

Upon landing, they are met by an odd older man (Alan Napier) and his three very sexy daughters. It seems long ago, the man and his now deceased wife left civilization and moved to this island....and the guy has created a neat futuristic cave-home. Eventually, they realize the guy is the famed Professor Lujan...a man who is a top atomic researcher who disappeared years ago. The Professor begs the men to keep his location a secret...but the newsman insists that not only will he leave the island but he'll report about everything he's seen! What a jerk!! In response, the Professor uses his cool flamethrower pistol to destroy the plane and stand them there. Now his hot to trot daughters don't mind this at all...they LIKE the two guys and want them to stay. But this island paradise is about to have bad things happen...see the film to see what's next.

While the film is cheap and a bit cheesy, it is entertaining...and the pretty women make viewing even easier. Overall, a decent film...made a bit better by Napier's excellent (as usual) acting.

By the way, the film seems to portray the Professor as a bit of a jerk. But I felt the opposite...the guy deserved his privacy and the reporter was the jerk. See the film...see if you agree.

Two men are forced to crash-land their plane on an uncharted island in the Pacific. They soon discover an atomic scientist and his three pretty daughters live on the island. The three girls have never seen a man besides their father. To say they're excited would be an understatement. When the men threaten to expose the scientist upon returning to civilization, he takes steps to ensure they never leave the island.

Weak film that bears a few similarities to Forbidden Planet but, make no mistake, this cheapie isn't in that film's league. Jeff Richards and John Smith are the bland leads. Alan Napier is good as the scientist, easily the meatiest part in the movie. Venetia Stevenson, Diane Jergens, and former Playmate June Blair are the girls. All three are nice to look at but ultimately forgettable. I admit I was rooting for Napier in this one. The 'good guys' were pushy jerks. Richards wants to force the scientist to go back and build more bombs, even if that's not what Napier wants. The only reason Napier decides to prevent their leaving is because Richards threatens him. So I had a fundamental problem with the premise and found the protagonists unlikable. Also nothing much happens that's exciting. There's no real action, like most movies of this type. Usually there are wild animals or monsters to fight off. But not here. It's all pretty dull without even the obligatory camp value these things usually have.

I have to admit that I was looking forward to watching "Island of Lost Women". The 1950s and 1960 were full of movies about lost women missing male companionship (like "Queen of Outer Space"), and a lot of them were frequently and unintentionally hilarious. I thought I would be in store for more of the same. Also, the fact that a major Hollywood studio picked up this independently made feature interested me. But after watching the movie, I wonder why the studio in question thought this was worthy. The low budget is pretty evident throughout, for one thing. As for if the movie is unintentionally funny, for the most part it isn't. There are some chuckles here and there, but the characters are somewhat smarter and less dopey than usual, so they don't do many things that would be considered unintentionally funny. And the story unfolds not only at a pretty uneventful pace for the most part, what happens in the climax is telegraphed early on, so there is no surprise when it happens. A pretty disappointing quickie.

A scientist with his three shapely daughters leaves behind threats of nuclear war and escapes to a desert island. But then two hunky fliers crash land and unexpected movie boredom begins.

In my hormonally vulnerable mind, I never thought a skin show could be boring, but this one is. Three scantily clad girls and two bare-chested guys stand around and talk for 70 inert minutes. That is, if you ignore the nuclear explosion coming at the end, a cloud whose kill range is about that of a firecracker.

The only point of interest is how a homoerotic sub-current is worked into the non-existent storyline. Other reviewers are right, it's unmistakable—catch the brief back rub Joe (Smith) gives Mark (Richards), when you'd expect one of the shapely girls on hand would do. But then this is 1959 and tip-offs have to be done subtly, (see reviewer gg1947 for a more complete list).

I guess aristocratic Allen Napier (Batman, the TV series) was added to lend some class, but it's got to be the nadir of his lengthy career. Anyway, the youngsters are all good-looking and okay actors. But unfortunately, that's not enough to lift this super-cheapo from the pits of ennui. Thank goodness, I didn't pay to see it.