La Colline des potences

¨Hanging tree¨ results to be a good western set in a gold-mining camp and remains consistently agreeable and attractive . Set in Montana , 1873 , it takes place at a mining village called Skull Creek where arrives a frontier doctor named Joseph Frain (Gary Cooper as a good guy , as usual , being last western Gary Cooper starred in) . The doctor rescues a young thief named Rune (Ben Piazza) from a lynch mob . The doctor temporarily nurses and devotes his time to Elizabeth Mahler (Maria Schell) a strange girl . Unfortunately, however, the doctor with a dark past (it was left ambiguous whether the doctor had killed his unfaithful wife) may place his patient in considerable risk . The nasty (Karl Malden as a bad guy) attempts to rape Elizabeth but Cooper comes to his rescue . Later on , the townspeople took the doctor out to ¨The hanging tree¨ but this time is helped by his friends .

This first-rate but slow-paced Western draws its riveting tale and power from the interaction of finely drawn roles as well as drama and action . A fine and thought-provoking film in which Daves keeps straight face and magnificent control of rhythm in spite of some highly unlikely situations . Masterfully made and including excellent performances , breathtaking background shots and impeccable close-ups . ¨Hanging tree¨ which look a fairly and realist sighting at a mining camp . It stars genre stalwart Gary Cooper as a doctor-gambler-gunslinger who has a rather sinister past , he is a good professional treating a blind girl and saving a rogue thief . Maria Schell as blind woman is awesome too . Furthermore , George C Scott's screen debut as a fanatic preacher . Good adult Western with exciting battle of wits between an obstinate doctor , a beautiful blind woman and a nasty miner . This laid-back Western contains sensitive songs sung at the beginning and ending by Marty Robbing composed by Jerry Livingstone and written Marck Davis , being deservedly nominated for Oscar , in addition an emotive musical score by the classic Max Steiner . Colorful cinematography by Ted McCord , filmed in State of Washington nearly Yakime , where was expressly built a mining village . Well produced by Cooper and his Production Company called ¨Baroda¨ and some scenes were realized by Karl Malden by illness of Delmer Daves . ¨Hanging tree¨ turns out to be stylish, well paced , solid, meticulous and with enjoyable look . This perfectly acted movie is gripping every step of the way . Rating : Above average , worthwhile watching , still a memorable film

The motion picture was well directed by Delmer Daves - including his characteristic use of landscape- , though he fell ill during filming and Karl Malden took over for several days until Daves recovered. Daves was a Western expert for the reason he lived a long time of his boyhood with the Navajo and Hopi Indian tribes as he realized the notorious trail-blazing ¨Broken arrow¨ the first movie for many years not treat the Indians as cannon-fodder for the cavalry , which made the picture unpopular in some quarters . He went on directing the suspenseful ¨3:10 to Yuma¨, other pro-Indian as ¨The last wagon¨ and about Modoc Indians as ¨Drum beat¨ , the Shakespearian style of ¨Jubal¨ , ¨Return of the Texan¨ and ¨Cowboy¨ which a fairly spectacle about a long cattle drive . From 1959 Delmer Daves becomes embroiled for the remainder of his career with teenage love epics and very popular at the Box-office as ¨A summer place¨, ¨Parrish¨, ¨Susan Slade¨, and ¨Rome adventure¨, among others .

Little known, this Western gem has not attracted the attention or appreciation it deserves. Gary Cooper's Doc Frail is to me the most interesting of his Western heroes, much more complex than the Will Kane of "High Noon." He is a man of sharp contrast, kind but domineering, compassionate but unyielding, a healer but a killer, strong but at the same time frail. He draws people towards him, only to keep them at a distance when they get too close because of a tragic incident in his past, one he can neither forget nor allow to ever happen again. He is a vagabond, moving from gold camp to gold camp to set up his services as a doctor, without hope of ever settling down. Into his life come two key figures bound to change it. One is Rune, a young thief whom he rescues from the hanging tree, and they are bonded together. The other is Elizabeth, a young woman from Switzerland who has come with her father to find a new life in the gold camps. After a stagecoach accident, Doc Frail must cure her, both body and spirit, and she loves him for it, a love he cannot accept. He would send her back to her country; she stubbornly refuses and eventually partners in a gold claim with Frenchy (played by the marvelous Karl Malden), a man with lust in his heart for both gold and women. The emphasis on character lifts this film above the realm of the ordinary. Add to that a memorable title song sung by Marty Robbins, an appealing music score by Max Steiner, a no-nonsense script based on a story by Dorothy Johnson and on location filming in the mountains outside of Yakima, Washington, and what you have is one really fine Western.

"High Noon", move over. "The Hanging Tree", in my estimation, is by far the better picture. The story, characterizations, acting, and musical score put this movie in the class of "Shane", "The Big Country", and "The Magnificent Seven". Cooper portrays Dr. Joe Frail as only he can. He is perfectly cast as a man with "frail hope" and, yet, has the strength and caring to help and protect others. As others have commented, this film is not even available new in vhs format, let alone dvd. The last time I checked The Western Channel and Turner Classic Movies it was not scheduled for viewing.

If you want to enjoy a realistic story and superb acting from a great cast I recommend the "Hanging Tree."

Hanging Tree, The (1959)

*** (out of 4)

Underrated Western about a doctor (Gary Cooper) with a mysterious past who saves a criminal (Karl Swenson) from being hanged. Later the doctor begins to care for a woman (Maria Schell) whose father was killed in a stagecoach robbery, which also left her badly burned and blind. As the doctor and the woman become closer there are a few in town who begin to think they're up to no good. There's a lot more going on in this Western and it's certainly unlike many that were being made around this period because if you're expecting some sort of shoot 'em up then you're going to be disappointed. I'd have no problem recommending this film to people but at the same time there's no question that it's not going to be for everyone. Those who do appreciate its laid back nature and the more plot-driven device should end up having a good time with it. You also have a terrific cast delivers some very good performances with Cooper leading the way. Around this time James Stewart was showing off his dark side with various Alfred Hitchcock films and it seems Cooper wanted to show off he could do the same thing. The funny thing is that the screenplay allows him to show a dark and good side, which might seem like a cop out but it really isn't. There's an early scene where a poor family brings their sick daughter and the only reason she's sick is because of a lack of food. The tenderness Cooper shows during this scene is why everyone loves him. Then, later in the film, the darkness he shows when his past comes back to him is perfectly handled by the actor. Schell and Swenson are both very good in their roles and play well against Cooper. The supporting cast features Karl Malden playing a pervert who begins to have certain sexual feelings towards the girl. George C. Scott appears in a few scenes playing a drunken Christian who believes Cooper is the devil due to his medicine. The film works on a lot of levels and there's no question a large portion of the film is dedicated to the love story but this works as well. I really enjoyed how the screenplay mixed everything together because we get the love story, the gold rush action and then the character development, which leads up to an action-packed ending and a rather nice finish to things. The film contains some very good cinematography and the color picks up every terrific location shot. THE HANGING TREE has gotten a good sized cult following over the past several years and it's easy to see why as it features the great performances as well as a story that isn't typical told in the genre from this period.

No need to recap the sprawling plot.

For a western, the movie is generously produced. The Washington state locations are scenic as heck and a great backdrop to the rushing crowds and boisterous miners. In fact, the gold camp recreation is one of the most realistic I've seen. Then too, the production has one of the most underrated directors of westerns of the period, Delmer Daves, whose list includes such classics as 3:10 to Yuma (1957), Jubal (1956),and the generally overlooked Cowboy (1958). All of these are tightly written and efficiently directed little gems.

But I have to say that despite the first-rate production values and a first-rate cast, this more epic sized western doesn't achieve the impact of Daves' smaller movies. The problem is a loose script and a dawdling camera that stretches out the dramatics and the movie's length to a sometimes tedious degree. I'm guessing that Warner Bros. wanted a production equal to Gary Cooper's iconic standing. I suspect they were also promoting newcomer Schell's career, and thus much time is split between her, Cooper, and the always reliable Malden. All perform well, but add up to bits and pieces that don't fit together very well, while padding the screen time unnecessarily.

I wish Scott's truly fearsome religious zealot had gotten a bigger role. He might have made the movie memorable, so strong is his spotty presence. Something I don't usually notice in films is the movie score. But here the music is blended nicely into the screenplay, without overdoing it. Perhaps revealingly, this is Daves' final western. From here, he went on to teenage fare, such as the blockbuster A Summer Place (1959) that despite its teen angst of the day is not without notable compensations. Anyway, this film's a scenic delight at the same time the narrative unfortunately is not, which adds up to a very mixed result.