Hold-up en 120 secondes

The decent degree of realism plus one of Steve McQueen's earlier starring movie roles help make this crime feature worth watching. The story has some pretty interesting aspects, and it adds to the realism with the well-publicized inclusion of many of the actual police officers who were involved in the original events on which the movie is based. On the other hand, the rest of the cast does not come up to McQueen's stature as performers, and at times some potentially powerful scenes lack a little something as a result.

The setup has McQueen's character hired as the getaway driver for a gang of bank robbers. Their careful planning is thrown into complications by an old girlfriend of George's (McQueen), whose brother is also part of the gang. The resulting tensions, plus the various unexpected developments as they carry out their plan, add some interest to the basic story. Many of the scenes are written and filmed rather well, although at times the movie expends some screen time on less interesting material.

McQueen does a good job with an unsympathetic character, and the supporting cast is mostly solid. Molly McCarthy is believable and generally sympathetic as Ann, but she does not always give her character a lot of depth. Crahan Denton gives the gang's boss a good, solid persona at the beginning, but afterward the character remains rather one-dimensional even when there are chances to bring out some interesting characteristics.

The straightforward, almost documentary style cinematography works pretty well, and makes a good combination with the downbeat story. Despite a few things that could have been better, this is not bad at all for its genre, and it is certainly worth seeing.

For fans of intelligent heist movies, this is one you should enjoy. Four well-developed characters come together in order to try and knock off a quiet small-town bank. They all have backstories that make the characters' success or failure interesting to the viewer. They take their job seriously and this draws in the viewer and holds our attention.

The acting is not aided by the most interesting writing, and among the actors Crahan Denton deserves the most credit, and the character who doesn't want to go back to prison is also quite good. A young Steve McQueen is astonishingly bland. The script is not particularly imaginative, but the characters are interesting enough and the direction is competent. If you like straight forward heist movies, this is one you'll enjoy.

Grim,essentially pessimistic,documentary like crime movie,based on real events,and shot on location in St Louis.The supporting cast seems to include a lot of local non-professionals.The film is most interested in dealing with the damaged psyches of the 4 hold up men,rather than their elementary plot to rob a bank.All the lead parts are exceptionally well played,especially by a young Steve McQueen(as an ex-college boy sliding off the rails),and Crahan Denton(as the embittered,rather deranged gang boss).There are also hints(quite daring for the 50's)of a homosexual relationship between 2 of the criminals.Very different to typical Hollywood product of the period,and well worth a look-and not just as an example of McQueen in his apprenticeship period.Great cars and jukebox music as well!

This film, as much the story of the personal lives of the robbers as of the heist, features terrific performances, a highly original script for the genre, and exceptional visuals and direction. Each of the would-be bandits is emotionally damaged in some way and the film reveals their individual quirky weaknesses with raw style. In one such sequence, Gino (David Clarke) is shaving and becomes intensely disturbed and claustrophobic when his roommate and fellow member of the gang (Steve McQueen) unexpectedly closes the bathroom door, a scene which stylistically seems to anticipate "Psycho", released in the following year. The look of late 50's St. Louis, the bandits' clothes and hats, the cars they drive, all provide a fascinating edge to this true story of a bank robbery, and one of the last great Noir films.

I tuned this in to catch a glimpse of early Steve McQueen. I stayed to watch it. The scenes of St. Louis were very interesting from a historic point of view. So much attention on the cars and the buildings -- this is an accidental snapshot in time. Steve McQueen grabs the attention as very angst ridden about his decisions, seemingly being drawn in a bad situation inch by inch. His girlfriend, although encouraging him to stay on the right path, also abets by funding the duo and not going to the police. Although not a well-known film, overall the acting and the dialog is quite natural. I can see why there is question of a homosexual relationship -- but in those days, hotels/motels were frequently not much more than a tiny bedroom with a double bed and a common bathroom down the hall. Kids frequently slept 2 or 3 to a bed and it wasn't uncommon for adults to share beds to save money.