The Giant Gila Monster

Enjoyed viewing this old time classic film with the old Hot Rod cars of the 1930's with rumble seats and the 1959 Dodge car which the Sheriff (Fred Graham),"Mom & Boy",'72 was able to acquire from his town. Don Sullivan(Chase Winstead),"The Rebel Set",'59 helped the Sheriff try to solve all the strange happens with people and their cars, especially their Hot Rod leader. Lisa Simone(Lisa),"Missile to the Moon",'58 added some romance to this black and white film. This is one of the films that were made during the period when Monsters were animated and then magnified because of the low budget the film producers had to work with. A few of these pictures that followed this same procedure were: "Attack of the Crab Monsters",'57 and "The Black Scorpion",'57. If you like old classic films from the late 1950's this is a film to view and enjoy!

I know this film is bad. I know the gila monster is nothing more than a live one put on the ground with some miniature trucks, cars, buildings, and even a train. I know the acting is overall very poor. The script is full of holes, and the special effects are not special. But I really like this film overall. What this film DOES have is a whole lot of heart. The story deals with people missing in a very small town. The sheriff(played very nicely by Fred Graham) is pressured by the local industrialist to find his son that has been missing. Where does the lawmen go for help? Well, he goes to a teenager that happens to work at a local garage, drive a souped up hot-rod, sing rock and roll in his spare time, and is a swell guy in general. Don Sullivan plays the young man, and I think he is actually pretty good. Sure, the film is hokey. What film wouldn't be with a title like The Giant Gila Monster? But this film is more than your typical B science fiction film of the 50's. It really tries hard to create characters rather than just stereotypes. There are scenes that you just would not find in your average teen science fiction flick. The scene where Chase sings to his crippled sister is just one example. This film was produced by Festus..I mean Ken Curtis who also had his hand in that other fun, campy science fiction film of the same year The Killer Shrews.

As a monster movie, this is far from the best, but as a look at life in 50's rural Texas, it's top notch. The settings are authentic and realistic and the people talk like real people. Especially good is Fred Graham as the kind-hearted Sheriff...the opposite of the way most cops were portrayed in teen movies. Don Sullivan is not bad at all as hero Chase, a decent kid who just happens to love racing fast cars. With the exception of the rich Dad, everybody in the movie seems decent.

As for our title monster, he's pretty sleepy looking, but I always thought Gila Monsters were pretty cool. The somber, eerie background music helps this one a lot. Speaking of which, some of Sullivan's singing is OK, but "Laugh, Little Children" should be taken out and shot.

If the effects had matched the rest of the movie, it would have been a minor classic. As it is, it's a fun "time capsule" type movie.

As an offering on AMC's Friday Fright Night, this film hardly qualified, other than being frightfully nostalgic and silly...but after ample quantities of Labatts and Yukon Jack, I thought this flick was big fun.

Okay, so that ukelele should've been broken over the dude's head the minute he started strumming it; so his crippled yet perky little sister was badly in need of an upper-lip wax; and I won't even reference the titular monster, as it's been commented on ad infinitum...

This is classic "ancient" cinema, the stuff your parents were supposed to be watching while they steamed up the windows in the back seat of your daddy's Plymouth; and I still think it beats the CGI "blockbusters" being pooped out of Hollywood every year.

To paraphrase Geena Davis in that remake of another cheesy sci-fi flick: "Be drunk...Be VERY drunk!" Highly recommended at 4 in the morning...

I had a pretty positive reaction to this movie, although my opinion is surely biased because I saw it a couple days after watching the 2003 film Coronado and I was still reeling at how staggeringly bad that movie was. Unbelievable, seriously. I'm not going to get over that shock for quite a while, actually. The Giant Gila Monster is an example of a classic b-monster movie with ridiculous dialogue and dismal special effects that still manages to be entertaining. A lot of reviewers have had a lot of really negative things to say about it, which I'm trying to avoid because it's really easy to badmouth a movie like this.

I bought a collection of 50 classic horror films and this one was included and, on the inside flap of the box is the following line, presumably meant to generate excitement in seeing the movie, "Marvel at the primitive special effects in Giant Gila Monster!" This is partly why I try to avoid bashing the movie too much, because it came in a collection of movies called "50 Horror Classics," which also includes such gems as Attack of the Giant Leeches, The Killer Shrews (which was originally released as a double feature with The Giant Gila Monster), Swamp Women, and The Amazing Mr. X. Surely I was not expecting a milestone film when I watched this movie, although it should be noted that the collection also features films like Nosferatu, Night of the Living Dead, House on Haunted Hill, Metropolis, The Phantom of the Opera, The Hunchback of Notre Dame, and White Zombie (which I have yet to watch, but with a title like that it HAS to be good).

The premise of the movie is that there is so much uncharted land around some suburban town that a monstrous lizard has been living there unnoticed for years. The movie starts out showing normal daily life of a lot of teenagers acting like I assume teenagers really acted back then (if someone tried it these days, however, they would have to have their wedgies surgically removed), until strange things start happening in the form of lots of car crashes that involve skidmarks perpendicular to the direction of travel, resulting in the big question, "What batters a car around like it was a toy?"

For most of the movie the cast dances around the possibility of any unusual life forms until the father of a boy who went missing early in the film insists that there could be a huge lizard out there, giving reasoning which makes absolutely no sense at all. He insists that a giant lizard could easily live out there for years unnoticed, get this, in the "underbrush." Well, maybe he just didn't understand the scale he was talking about, because given the size of the car that crashes into it at the end of the film, this lizard living in "underbrush" was probably a good 60 feet long. But even without having seen the thing, is "underbrush" the kind place where something big enough to push cars sideways could hide?

The size of the lizard, first of all, is blamed on out of control pituitary growth, then soon afterwards there's something about some river delta country where salts washed into the valley and got absorbed by the plants and then transferred to the animal, causing them to be giant. I don't know if the intention was to throw in some scientific processes and quickly confuse the audience, but I really can't say that I've heard of any salts that cause gigantism. But I'm no scientist, so what do I know.

At any rate, yes the special effects are primitive, but so is the movie. This is a special effects film that was made on a tiny budget more than four decades ago, so I'm willing to cut a little slack. The gila monster is never convincing even for a second, but at least there was some genuine thought put into the characters and the script. One of the biggest signposts of low budget science fiction and horror is when you can't tell how big the monster is, but remember that that is a sign of low budget, not low quality. I like to think that The Gian Gila Monster has at least some quality.

The movie, for example, contains at least one clever line of dialogue ("I ask you what time it is and you tell me how to build a clock, just answer the question!") and the singing that one of the main characters is always doing (as well as his disabled daughter) were genuine, and successful, in my opinion, efforts at creating three-dimensional characters, which is not something that you see often in these old monster movies. Or new monster movies, as it were.

Again, I may be being overly tolerant of this movie because I watched Coronado recently and I remain blown away at how god-awful it was, but while The Giant Gila Monster will never become a classic of any kind (no matter what kind of movie collection it is included with), it is certainly not as bad as so many people would have