Ajouter une intrigue dans votre langueNorman Truscott is a store worker who dreams of stardom. Vernon Carew is a singer who's star is fading. Vernon manages to get a recording of Norman singing and passes it off as himself.Norman Truscott is a store worker who dreams of stardom. Vernon Carew is a singer who's star is fading. Vernon manages to get a recording of Norman singing and passes it off as himself.Norman Truscott is a store worker who dreams of stardom. Vernon Carew is a singer who's star is fading. Vernon manages to get a recording of Norman singing and passes it off as himself.
- Réalisation
- Scénario
- Casting principal
Alan Beaton
- Club Member
- (non crédité)
Barbara Bennett
- Lady in Theatre
- (non crédité)
Paul Beradi
- Party Guest
- (non crédité)
Eddie Boyce
- Theatre Patron
- (non crédité)
Richard Caldicot
- Conductor
- (non crédité)
Pauline Chamberlain
- Showgirl
- (non crédité)
Avis à la une
Standard formula for a Norman Wisdom movie here. Norman becomes a put upon clown whilst bubbling under the surface is the fact he's a very talented guy (singer here), whilst he's in love with a wheelchair bound beauty. It's often the saccharine elements of Wisdom's films that puts people off, but to his fans (and I'm one), they are integral to letting Wisdom hit his comedic heights.
Follow a Star is not a great Norman Wisdom film, but it is a very safe and enjoyable one. Story finds Norman used by ageing crooner Jerry Desmonde, who upon finding he is no longer fashionable, plots to use Norman's amazing singing voice as his own. Cue Norman moving in with Desmonde as the house slave and chaos ensues. Meanwhile those closest to Norman smell a rat and try to bring down Desmonde the fraud.
As usual there are plenty of laughs and high energy acrobatics, with stand out sequences involving hypnosis and the bravura mania of the finale - where the dastards do all they can to get Norman off of the stage. Some super British comedy actors fill out the support slots, most notably Hattie Jacques and Richard Wattis, while Philip Green's musical contributions are most pleasing.
One for Wisdom fans only? For sure. Otherwise leave well alone. 6.5/10
Follow a Star is not a great Norman Wisdom film, but it is a very safe and enjoyable one. Story finds Norman used by ageing crooner Jerry Desmonde, who upon finding he is no longer fashionable, plots to use Norman's amazing singing voice as his own. Cue Norman moving in with Desmonde as the house slave and chaos ensues. Meanwhile those closest to Norman smell a rat and try to bring down Desmonde the fraud.
As usual there are plenty of laughs and high energy acrobatics, with stand out sequences involving hypnosis and the bravura mania of the finale - where the dastards do all they can to get Norman off of the stage. Some super British comedy actors fill out the support slots, most notably Hattie Jacques and Richard Wattis, while Philip Green's musical contributions are most pleasing.
One for Wisdom fans only? For sure. Otherwise leave well alone. 6.5/10
No, rather "rest in peace, my sorrow" extravaganza! I am not a fan of Mr Norman Wisdom. But I enjoy good and easy comedies which, however insane, never get vulgar. This is a perfect example of such thing. I can watch the majority of Charlie Chaplin's, Buster Keaton's, and Norman Wisdom's movies anytime. They are timeless. Very often, when I watch a modern comedy ("Meet the Parents", for instance), I get real angry and ask myself: "WTF? Is this supposed to be good and funny?" Whenever I watch the good old Norman Wisdom movies, I don't have to ask myself such questions - I just rejoice. When I start watching such a movie, I know beforehand that there won't be anything rude, annoying, dirty, and vulgar - this alone supplies me with pleasant feelings.
Again I'm impressed by the talent of Mr Norman Wisdom. The songs he performs are beautiful. There is something "jazzy" about them and I like it.
By the way, in our country the film goes under the title "Mister Pitkin na Estrade" ("Mr Pitkin on the Stage") though the main character is not Pitkin but Norman Truscott. It happens because for Russian audience Mr Norman Wisdom will always be Pitkin on the screen. But that is a sign of quality. Like "Apple" among computers.
"RoboCop", "Batoru Rowaiaru", "Long xiao ye", "Jeeves and Wooster", "Lyudi i manekeny", "Mad Max", and ... "Follow a Star" are all great. Does it look strange? It shouldn't. In my humble opinion, there is a high-quality movie behind each title.
Such comedies like this one are fading away in today's hectic cybernetic world but to me they are the best of the best, because they remain childish and amusing in a very pleasant way.
Again I give a very subjective mark - a 10 out of 10 - but I'm 100% sure that such comedies are of the highest artistic quality. Thank you for attention.
Again I'm impressed by the talent of Mr Norman Wisdom. The songs he performs are beautiful. There is something "jazzy" about them and I like it.
By the way, in our country the film goes under the title "Mister Pitkin na Estrade" ("Mr Pitkin on the Stage") though the main character is not Pitkin but Norman Truscott. It happens because for Russian audience Mr Norman Wisdom will always be Pitkin on the screen. But that is a sign of quality. Like "Apple" among computers.
"RoboCop", "Batoru Rowaiaru", "Long xiao ye", "Jeeves and Wooster", "Lyudi i manekeny", "Mad Max", and ... "Follow a Star" are all great. Does it look strange? It shouldn't. In my humble opinion, there is a high-quality movie behind each title.
Such comedies like this one are fading away in today's hectic cybernetic world but to me they are the best of the best, because they remain childish and amusing in a very pleasant way.
Again I give a very subjective mark - a 10 out of 10 - but I'm 100% sure that such comedies are of the highest artistic quality. Thank you for attention.
Norman Wisdom plays a labourer who is also a big fan of singer Vernon Carew. He sees Carew perform live, and manages to annoy the singer from his place in the crowd more than once. The final straw comes when Norman stands up and is singing Carew's famous song, trying to get the crowd properly excited (Carew's stardom is definitely waning) - but what comes to pass is that some head honchos hear Norman's wonderful voice, singing Vernon's song, and get the idea for Norman to dub for Vernon on his up and coming record. The general idea is quite similar to that which was used in Singin' In The Rain, but Follow A Star is not quite that good a movie. Still, it is quite good, and the music isn't bad. 7 out of 10.
"Truscott" (Norman Wisdom) spends much of his days at work in a laundry dreaming of a stardom that might just come his way when he encounters legendary crooner "Vernon Carew" (Jerry Desmonde). This man's star is very much on the wain until he hears his new friend sing and hits on the idea of "borrowing" his voice - without telling or paying him, of course. His career rejuvenated, it's only his vocal coach "Dymphna" (Hattie Jacques) who recognises the true owner of the voice but what to do. "Truscott" can only sing if his beloved "Judy" (June Laverick) is there to encourage him and that's not possible right now. As "Carew" heads to the bright lights of the London Palladium, our plucky hero's friends have to think of a way of showing where the real talent lies. How, though? This is another decent showcase for Wisdom to show that he had quite a few strings to his bow. His semi-slapstick comedy timing is perfect but here he proves that he can also hold a tune, delivering a few of the numbers that fit entertainingly into the story. The story itself, though, is far too long. It could readily lose half and hour and not suffer. Indeed were it a tighter production with less meandering, it'd be quite a solid tale that could have better played to Wisdom's strengths, those of writer Jack Davis and the very Rutherford-esque efforts of an on-form Jacques. As it is, it struggles to stay engaging until perhaps the last ten minutes when life is breathed back into it and some laughs are to be had. It's still quite a fun vehicle for it's star and is a perfectly watchable example of his work.
What a wonderful film this is,probably normans best,it has all the hallmarks of mr wisdom from the sad lonely fool to the mad fool!to the sentimental romantic fool that norman pulls off with such natural ease,the plot is good about an ageing pop star played by jerry desmonde trying to revive his flagging career,finds norman, hears his voice and decides to steal it.Hattie Jacques is brilliant as normans vocal teacher but Jerry Desmonde is outstanding in this film,especially when he sings the bath song contorting his body like elvis gone mad!it kept my interest from start to finish.The only slight thing that niggles sometimes, norman very occasionally acts a little too silly where it stops being funny and a little cringing,eg-when hes rolling about on the psychiatrist floor,but normally its kept to the right level.The song 'follow a star'is a enchanting song with a melody that grows on you,incidentally norman wrote this and other songs in this film which further enhances his considerable talents,if you like good comedy,good music and norman wisdom,then this the film to watch.
Le saviez-vous
- AnecdotesTony Hatch wrote a song for the film, but Norman Wisdom insisted that he should be allowed to write the theme song. Hatch's song was re-titled and used in "Le Cirque des horreurs (1960)."
- GaffesNorman is talking to the hypnotist at 1:10:00 his lips do not match what the voice over is saying about "like I depend on..."
- ConnexionsFeatured in Norman Wisdom: His Story (2010)
- Bandes originalesFollow a Star
by Norman Wisdom
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Enayiler Kralı Yıldızlar Peşinde
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 42 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.37 : 1
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By what name was Follow a Star (1959) officially released in Canada in English?
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