Millionnaire de cinq sous

Danny Kaye is known for his comic roles; for his laughter, his singing, his dancing, his light-hearted humor. But this movie presents a different Danny Kaye - serious, brooding, consumed with guilt, confronted by really serious problems - and here Danny Kaye shines. This movie is proof that if he had to, Danny Kaye could have been one of the greatest dramatic actors in the history of motion pictures. There is no question about that. In this movie, Kaye puts aside the clowning to play a subdued, moody and introspective character who nevertheless is still likable and worthy of attention. And it works! In the movie he wins over the audience, he wins over his family, he wins over his friends. And who can ever forget the scene with Louis Armstrong? Kaye's character overcomes all obstacles to triumph and to be loved. Only a highly skilled and sensitive actor could have done the job, and in this movie Danny Kaye proved that he had the requisite qualities to transform what could have been little more than a sudsy soap opera into a powerful statement about a man who, along with his family, not only survives but sets an example for others. For this reason, this movie is a powerful and compelling work of art.

I'm 15 years old and when I saw this movie for the first time about a year ago, I feel in love with it. It is the perfect combo of comedy, romance, and drama. I am a writer and I always add a little of all of those emotions into my stories because it makes it more believeable and realistic as well as more touching. I am now a Danny Kaye fan. He is a wonderful actor and singer. Whenever I see him on while flipping the channels, I will stop and watch. I am also now a fan of classic films of the 1930s and beyond.

This is an odd one.

I look back on 'The Five Pennies' in two parts. The first half of the film is uninteresting and slow, but once the story gets set and the second half comes to fruition it turns into something rather touching - which I didn't expect at all. By the end, I felt truly attached to the characters and their story - but that's weird, given how I didn't enjoy the early stages.

Danny Kaye is very good in the lead role of Red, especially towards the end. Susan Gordon (Dorothy, as a kid) impressed me a bunch, she has one fantastic poker scene with Kaye. Barbara Bel Geddes, meanwhile, plays the role of Willa well.

The film, a loose biopic on the real Red Nichols, is music-heavy. Early on I think that affects things from a film point of view, but you can at least tell the cast - particularly Kaye and Louis Armstrong (as himself) - are having a fun time.

Overall, I think it's lovely - but I can't recall a film that's split my feelings from start-to-finish as much as this did.

When I was growing up Danny Kaye was a huge figure.All over the radio,on records TV and the movies,you couldn't escape from his face or voice. He made successful tours of top rate theatrical venues in the uk,he could sing,dance,act,write comedy routines and song lyrics.His stage act was an explosion of energy and sheer talent.He was-in the ludicrously overused sense of the term-a superstar. In "The Five Pennies" we catch him at the height of his powers as an actor,singer and lyricist(to his wife Sylvia Fine's enchanting tunes) With a strong guest appearance by arguably the finest jazz musician who ever lived and some really clever songs(The Five Pennies,Lullaby in Ragtime and Goodnight all use the same chord sequence). It was a success de cash rather than a success d'estime like most of Kaye's movies,and perhaps that's why his work is largely neglected in critical circles today. As Gloria Swanson said in "Sunset Boulevard,"I'm still big,the movies got smaller"

The Five Pennies Danny Kaye plays Red Nichols, a famous coronet player of yesteryear. I found this story a notch better "fair" and nicely aided by the musical talent of Louis Armstrong. Kaye and Armstrong's duet on "When The Saints Go Marching In" is the highlight of the film.

For a classic movie, the stereo in here is amazing, especially on the songs. In one instance, there are three people singing and their voices all coming out separately on different speakers. Pretty good for just the tape. Now that a DVD has been released, I wonder what the sound on that is like?

The story starts to lag a bit near the end when Kaye starts to feel sorry for himself and this goes on and on as he retires from playing. However, there is a nice, sentimental upbeat ending.

Notes: Kaye and Barbara Bel Geddes, who plays Red's wife "Bobbie," never age in the film even though it spans 15 or more years! It's interesting to see Tuesday Weld as a teenager.