Été violent

This love story set in a seaside town during Mussolini's Italy's last gasp has a lot of atmosphere and beautiful b/w cinematography, but the smoldering love story between the young J-L Trintignant and the initially reluctant older (30!) widow (the hauntingly beautiful Eleanora Rossi Drago--and why isn't she famous?)is convincing and memorable. See it if you can!

(1959) Violent Summer/ Estate violenta (In Italian with English subtitles) WAR DRAMA

Co-written and directed by Valerio Zurlini that refers to "Violent Summer" as a metaphor of WWII that serves as a backdrop here. The opening has Carlo Caremoli (Jean Louis Trintignant) returning back to the small town of Riccione where he is visiting his peers of Daniele (Giampiero Littera), Giulio (Bruno Carotenuto), Serena (Cathia Caro), Giorgio (Raf Mattioli) and the one who has a crush on Carlo is Rossana (Jacqueline Sassard) as they all do things together such as boating and hanging out at the beach. One day as soon as a war plane flies overhead, a young girl, we find out her name is Colomba becomes scared running up to Carlo's arms. Her mother, Roberta Parmesan (Eleonora Rossi Drago) then tries to reassure her daughter, and Carlo then offers to carry them to their home. And it was at this point he becomes infatuated with her as soon as he learns she is a widow. Roberta is slightly older than him, but he still insists on seeing her much often. And then her sister-in law, Maddalena (Federica Ranchi) and brother in law, Martino show up and are offered to stay with her and her mother. And it was the result that it was under war territory, and because Maddalena is about the same age as Carlo's peers, she decided to introduce her to them.

I believe that there are movies, and movies... "Violent summer", in my modest opinion, it is one of those movies "outstanding." It is able to remain in the memory after 42 years, with some unforgettable Eleonora Rossi Drago and Jean Louis Trintignant. The music " live-motive" it created next to the rest of the sound band and the "light and shade" of the picture an overwhelming and captivating atmosphere. The protagonistic couple's election is decisive. The mature woman and the youth are achieved faultlessly. During years I was in love with that woman (I was 16 years old when I saw it). I believe that it is unjust to disqualify certain movies. There will always be who find defects of some type. And in any thing. Maximum when it is intangible things. But the feelings, the summer, the war like detonating., and the passion becomes tangible in this film. And that is undeniable. God willing it is re-published in the future for delight of us and of the new generations. Because the good cinema is much more than the critics of the specialist.

Zurlini's Violent Summer is unlike anything else I have seen, even though I have seen nearly all of his films. The photography and the casting is near perfection with a script that is tight and unpredictable. I guess there are other stories involving frowned upon love between an older woman and a young man but they are nothing like this. The devil is in the detail in the way the film gives a sense of reality and of immense sensual beauty.

A great film from a great talent.

After being quite impressed by the near-masterpiece comedy Zurlini made in 1954 "The Girls of San Frediano," I was very much disappointed by "Violent Summer," an overly melodramatic soap-opera made 5 years later. Too bad Zurlini couldn't restrain himself from the melodramatic overstatements that ruin the film because the cinematography couldn't be better and the young Trintignant's performance is pretty amazing.