Ben-Hur

In the ears and minds of any movie lover, the word "Ben-Hur" resonates like the quintessential Hollywood classic oozing respectability in every inch of celluloid but the same respect we owe to an old relic. In our cynical modern world, who would enjoy a pompous-looking big-budget swords-and-sandals religious epic when you have Tarantino and Appatow?

I saw "Ben-Hur" for the first time in fourth grade, it was part of our history course and being an Asterix buff, I loved watching real-life legionaries, galley slavery not to mention the chariot race, the film also enlightened me on Christianity and on Judaism (when my only religious reference was monotheism number three) and scared the hell out of me with leper. It worked on a cinematic level as much as educational, I guess even in its TV-sized crappy 80's VHS look, we kids enjoyed "Ben-Hur" especially the rivalry between Judah (Charlton Heston) and Messala (Stephen Boyd).

I never watched "Ben-Hur" after that but nor did I have any doubt over its status as a colossal masterpiece. Watching it again a few years ago and then a few days ago, I was surprised by how engraved in my memory "Ben-Hur" was, and how the moments that stood out were still having the same effect. When Ben-Hur and Messala meet after many years, I'm always anticipating that first breech in the fortress of their friendship when the young Roman tribune will have one word too many about Ben-Hur's people, taking for granted their friendship and Judah's nobility as marks of submission. The second encounter is even more thrilling because it's like watching a shaking edifice waiting to collapse.

It was a nice call from the director Wyler to mark the feud between the two ex-friends at the second encounter, hence putting more gravitas around their relationship, that screenwriter Gore Vidal tried to impregnate with homoerotic subtext. The story is known by movie buffs, Vidal wanted to make the interactions look as the two rivals were former lovers, the subtext works even more when you look at Stephen Boyd's "enamored" eyes toward Charlton Heston. But 'Chuck' never knew the trick and was annoyed about it, I guess I prefer the way their hatred epitomize the conflict between Romans and Jews sealing as one of the most memorable rivalries in history of cinema, with the most heart-pounding climactic face-to-face (or should I say wheel-to-wheel).

I had positive feelings about "Gladiator" but "Ben-Hur" is the masterpiece that dwarfs any contemporary masterpiece, a sweeping revenge story that doesn't rely at all on fake CGI and special effects. It took William Wyler's expertise built up in three decades of experience to make "Ben-Hur" equal the reference of the time that was Cecil B. De Mille's 1925 version. As a matter of fact, "Ben-Hur" has been blockbuster material from the start, ever since Lewis Wallace's best-seller of the late century, it was played on theaters and not with modest budgets. A revenge story, with galley combats, a chariot race and an oblique take on the greatest story ever told, with a hero going from idealism to anger, from revenge to love, all wrapped up in a subtle religious conversion, "Ben-Hur" was an instant classic Hollywood couldn't ignore.

If 1925 had the race and the thrills, the 1959 one had a bigger scope, bigger budget, the colors, the talking and all the determination of a big studio like MGM to prove a 50's audience that TV wasn't yet the pinnacle of spectacular entertainmnet. When I hear my Dad talking about going to the movies, like "Ben-Hur", "Spartacus", "Guns of Navarone" or "Taras Boulba" you would think he went there, inside the screen. And right now, I can't imagine the eyes of people staring at the screen during the chariot race, there comes a moment where you stop watching the moment as a plot element, but as a real race, and it never, never suspends your disbelief, it's like at any new viewing, Messalah can finally win.

There are so many classic moments that filled the three-hour-and-half journey that you're never in a state of non-anticipation, when the new inquisitor's parade starts, you keep an eye on that loose roof tile, the one that started the whole chain of events. In the desert, you wait for the 'greatest cameo ever made', in the galleys, the big fight and Ben-Hur rescuing Arrius (Jack Hawkins) and it goes on and on. I must reckon after the chariot race, the film gets a tad too long, but only because you can't just sweep off such a rich epic with a five-minute resolution, and Charlton Heston, in his greatest role, contributed a lot to the everlasting appeal of the film, I don't think he gets the credit he deserved, he brings to his Judah Ben-Hur a dimension of emotional vulnerability that could have been laughable from a lesser actor.

Other cast members include Oscar-winning Hugh Griffin enjoying his role as Arab sheikh and Judah's mentor, Israeli actress Haya Harareet as Esther, Martha Scott and Cathy O'Donnell as Judah's mother and sister... the film is served by a solid cast, editing, directing, having swept off all the major Oscar by breaking the record of 11 wins, only to be matched in 1997 with "Titanic" and "The Return of the King" and oddly enough, these titles could somewhat apply to "Ben-Hur".

I haven't seen the 'original' and I'm in no hurry for the remake, but I don't get I'll be in a minority if I say that this is the ultimate version. I didn't see it many times in my life but it's always present in my memories as if it wasn't about the number of times you watch it but the intensity of each experience. And let's not forget the name of the director: William Wyler who outdid himself by making his masterpiece, which is saying a lot, given his previous streaks.

"Ben-Hur": A Christ Tale, a tale of vengeance, in fact a tale of all tales...

Some movies are so good that they just haven't age. They are timeless, like any work of art. This is one of those movies, perhaps one of the best movies ever and surely one of the biggest and most epic biblical movies ever made. The story is based on a novel by Lew Wallace (which I have read and I have at home) and is so famous that it doesn't allow spoils: the injustice committed against Judah Ben-Hur and his path of revenge, deeply linked to the life and death of Jesus, a latent and ever palpable subplot, even when it does not arise. Epic in every detail, the film features scenarios and costumes carefully crafted in the style of Imperial Rome. Some sequences are truly anthological, as is the case with the chariot race. The representation of the Roman legionaries influenced for decades the conception that we have, individually, on how they were and fought. The visual and special effects used in the film were the best there was at the time and even today, more than half a century later, they're able to surprise by the realism. The color is vivid and intense, cinematography is truly imposing and accentuates the epic ambiance. As for the cast's work, it's definitely the movie of Charlton Heston's life. He not only became famous with it but made here the most remarkable character of his career. Steven Boyd, Jack Hawkins, Haya Harareet, Martha Scott and Hugh Griffith also shone. It's a long movie, but the audience gets so caught up in it that they don't even feel the time go by. Wonderful!

"Ben-Hur" is a dominant Best Picture Oscar winner that is perhaps more impressive now than it was when it was first released in 1959. Charlton Heston (Oscar-winning) stars as a rich Jewish nobleman during the time of Jesus Christ who is turned into a slave by the Romans after a freak accident. Now he is manning an oar in a ship's galley and his family is imprisoned. Years pass and now Heston is after the former childhood friend (Stephen Boyd), a Roman, that turned against him. The 17 minutes of footage for the chariot race is some of the best during the history of the cinema. Hugh Griffith won a Best Supporting Actor Oscar and William Wyler won his third and final Best Director Oscar. A monumental film that is great in every cinematic category known to man. 5 stars out of 5.

When I first saw 'Ben Hur' I was 8 years old and hadn't seen many films, since we were hardly ever allowed to watch television. Imagine what an impact this film had on me (my movie diet had so far consisted of Chaplin and Disney films - which, of course, is not at all a bad thing).

The experience was simply mesmerizing. Awe and wonder filled me as I watched this story of shocking betrayal, revenge and forgiveness unfold on screen - and by the time the heart-stopping chariot race was over, my fate as a future movie addict was sealed.

Despite its 212 minutes running time, this is storytelling at its finest that knows how to entertain; as we follow Judah Ben-Hur's dramatic journey from Jerusalem to Rome and back again, the film just never lets up and immerses you completely.

It's hard to imagine anything more cinematic, especially at the time: if ever there was an epic that was meant to be seen on the big screen in all its bombastic glory, it's Ben Hur. And even now, after I've seen the film many, many times, I feel like this story has a certain sense of greatness to it that is touching (and I don't mean that in a religious sense).

My verdict: this film was and is nothing like the many "sandal and sword" or bible films of that era; it is (at least to me) the ultimate film epic. With its touching story and fantastic action sequences - which I think hold up amazingly well - Ben Hur is among the milestones of its era and part of film history.

Pure cinema and a must see. 10 stars out of 10.

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The same quality that made epics like "Gone with the Wind," "Lawrence of Arabia," "Doctor Zhivago," and, ultimately, "Titanic" the memorable stories they were is present in spades in "Ben-Hur." These are stories, though told on canvases far vaster than the CinemaScope- or Panavision-sized movie screens they were meant for, succeed because, in their best moments, they focus on the interaction between and history of as few as two characters.

What begins as a childhood friendship between a Roman boy and a Jewish boy in Roman-occupied Palestine, becomes, briefly, a politically-charged rivalry, and ultimately, a search for revenge by one upon the other.

Charlton Heston and Stephen Boyd deliver the performances of their careers, and get to chew up scenery and sets of such grandeur that Hollywood could never afford their like again.

This film, the greatest epic film ever made, deserves every accolade heaped upon it. The modern viewer may have to apply some patience, but at the end of the nearly four hour running time will find themselves to be vastly rewarded for it. You will find your life changed by both the scale of the film and the intimate message of friendship, betrayal, revenge--and the power of forgiveness.