Le Sous-marin atomique

"Atomic Submarine" has two things to recommend it to viewers. It is adventure, with all sorts of dangerous situations, and a desperate battle against an undersea alien. And, it is unintentionally funny. Not hilarious mind you; but certainly funny enough for a few laughs as you enjoy its clumsy attempts at plot, acting and logic. Still, I like it, and I always watch it if it comes on cable. Its the adventure I guess. I get caught up in the idea of the powerful submarine; the crew at odds with each other; the "science-on-the-fly" they use to fight the monster. Its fun overall. I would venture to say that it is one of the classics of the 50's-60's low budget sci fi era.

This film is also notable for a brief appearance by Joi Lansing; the last, and prettiest, of the Hollywood "blonde bombshells". It's certainly worth watching if you're a guy, and a sci-fi fan. With a little imagination, "Atomic Submarine" is entertaining escapism.

Yet another interesting, small-budget, black-and-white thriller gem from the 1950s. These pictures are being continually (and successfully) released to DVD, much more than the genre films from the 1960s through 1990s. Why? In these post Atomic, Cold War years, imagination ran rampant with so many new ideas that were fresh and innovative. They're charming in their antiquated way. Using inexpensive special effects, with a generally serviceable, attractive cast working with scripts that moved the action along, these sci-fi drama infused sex (tame for the time) and violence with effective results. "Atomic Submarine" tells the story of an alien spacecraft destroying subs in the Arctic. When Arthur Franz finally meets the creature, a giant cyclopean octopus-style thing, it states (via telepathic communication) "We finally meet face to face. Franz replies: "That's a face?" Later Franz relates to extraordinarily handsome hunk Brett Halsey, that he left his little black book on the alien spacecraft, which included the number of buxom blonde (Joi Lansing) that he had a rendezvous with earlier. Most enjoyable.

Following a series of attacks on cargo ships and, most notably, nuclear submarine's, the Pentagon send their best ship, The Tigershark, to investigate. On board is Lieutenant Commander 'Reef' Holloway (Arthur Franz) and noted scientist Sir Ian Hunt (Tom Conway), who after examining the previous incidents and eye-witness statements, soon form the belief that they are dealing with some kind of underwater alien craft. Holloway's attack-first-ask- questions-later approach puts him at loggerheads with young pacifist Dr. Neilson, Jr. (Brett Halsey), the son of a revered scientist. They soon discover their speedy enemy, and Holloway finds himself confronted by a one-eyed monster intent on world domination.

There is a lot to criticise about The Atomic Submarine, regardless of the obvious budget limitations and drive-in aspirations. Sci-fi movies from the 1950's and 60's manufacture most of their charm from bad special effects and clunky dialogue, but The Atomic Submarine looks particularly ropey, with miniature toys and a fish-bowl filling-in for apparently state-of-the-art aquatic engineering and the great blue yonder. The first two-thirds of the film is extremely talky, which would be fine if not for the characters being little more than B- movie archetypes, either puffing their chest with patriotic defiance or providing some light comic relief.

Yet the climax, which sees a lot of the crew massacred by the drooling extra-terrestrial (voiced by John Hilliard), proves worth the wait. It's certainly formulaic, but it's full of wobbly, retro sets and a genuinely creepy score by Alexander Laszlo, key aspects in what makes these films so fun to watch. The face-off between Holloway and the spaceman also contains some unintentionally hilarious dialogue. "At last Commander, we meet as your people say... face to face!" says the alien. "That's a face?" Holloway replies. The Atomic Submarine is immediately forgettable, best watched late at night when you feel like you're the only person left awake in the world, but this effortlessly likable fluff.

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Five years after the Nautilus the first atomic powered submarine made its debut, the nuclear submarine was still a unique enough weapon of war that films could be made about them. Such was this low budget science fiction thriller entitled simply The Atomic Submarine that came from Allied Artists.

Dick Foran is the skipper of the USS Tigerfish and he's been given a heavy duty assignment by the Chief of Naval Operations, Selmar Jackson. Something's been destroying all shipping in the Arctic Sea causing untold damage. The whole crew has been brought aboard, all leaves canceled.

The Executive Officer, Arthur Franz, has a heavy duty date with Joi Lansing so you can imagine it didn't put him in the best of moods. Especially when an old rival, Brett Halsey, is also assigned to the submarine. These two have an artificially scripted conflict which I'm still at a loss to understand. I guess the producers felt they needed something to occupy the time before we found out who's sinking the polar shipping of earth.

Of course it's a particularly nasty alien creature and it's a flying saucer that goes underwater that's doing the job. What he's on earth for and how they deal with it you'll have to see The Atomic Submarine.

Remember at the time The Atomic Submarine was considered the cutting edge of technology. Now practically our whole fleet is nuclear powered so it's not as big a deal as in 1959. The film is set in the futuristic date of 1968 and that's interesting to see what the film's creators take of the near future would be.

Also remember that this is Allied Artists which used to be Monogram Pictures. No great original special effects here just decently edited clips from other submarine and science fiction films.

The Atomic Submarine is a decent enough B film and I'm sure it was big hit with the kiddie trade back in the day.

Something about this movie makes me believe it was inspired by some article in an old Popular Science magazine about giant atomic-powered cargo subs of the near future plying the short route to the Pacific under the polar ice cap. (I must have missed that development while I was commuting by hovercar to my all-plastic cabin in the mountains, where a home breeder reactor supplies me with power too cheap to meter.)

The actors are (mostly) competent, with B-movie stalwart Arthur Franz in the lead. The script is serviceable, containing some creepy moments as well as an occasionally interesting clash of ideologies between military tough guy Franz and the peacenik scientist son (Brett Halsey) of his revered mentor. Though they despise each other at first, they find they can agree on the need to kick some alien booty.

The fx team of Jack Rabin, Irving Block and Louis DeWitt collaborated on quite a few low-budget sci-fi's in the 50's -- the most notable example being "Kronos", with its bizarre, energy-sucking giant cubist robot -- and manage to achieve a few interesting effects in this one, too.

The most unusual thing about this film is that I believe it's the first sci-fi movie to use the concept of a "living" spaceship. And I'm willing to bet money that the film's slime-dripping, tentacled alien Cyclops is the direct inspiration for The Simpsons' Kang and Kodos. Even the voice is similar.

If you're willing to forgive its obvious limitations, "Atomic Submarine" is an entertaining little low-budget romp.