NOTE IMDb
5,6/10
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MA NOTE
Ajouter une intrigue dans votre langueA woman in a hypnotic state recounts to two doctors the details of a horrific experience from her past life that began with the mysterious and sudden disappearance of her husband.A woman in a hypnotic state recounts to two doctors the details of a horrific experience from her past life that began with the mysterious and sudden disappearance of her husband.A woman in a hypnotic state recounts to two doctors the details of a horrific experience from her past life that began with the mysterious and sudden disappearance of her husband.
- Réalisation
- Scénario
- Casting principal
Lon Chaney Jr.
- Manon
- (as Lon Chaney)
Bill Bradley
- Patient 'Number Six'
- (non crédité)
Hal K. Dawson
- Train Conductor
- (non crédité)
Dudley Dickerson
- Train Porter
- (non crédité)
John Frederick
- 1st Male Nurse
- (non crédité)
Ruby Goodwin
- Louann - the Maid
- (non crédité)
Ken Kane
- Third Male Nurse
- (non crédité)
Boyd Stockman
- Alligator-Headed Paul
- (non crédité)
Vince Townsend Jr.
- Toby - the Butler
- (non crédité)
Lee Warren
- 2nd Male Nurse
- (non crédité)
Avis à la une
This 1959 Fox picture was actually filmed in Cinemascope; I've never seen it that way. The television and video version are severely cropped from aspect ratio 2.35:1 to 1.33:1 - you're missing almost half the picture. I'm sure they will correct this if it ever comes to DVD. We need see the expansive mansion and exotic swampland locales in their entirety, as well as the giddy climax of the alligator man's LONG, horizontal snout. Top-billed Beverly Garland (here a brunette) is very good as a woman seeking her missing fiance, now holed up in a mansion with a doctor (George MacCready) who's trying to cure him (he was in an accident) with reptilian serum. The man's domineering mother (Frieda Inescort) also resides, protecting and hiding her son from all, including Garland. Lon Chaney is superb as a drunken, one-handed hunter who detests alligators. The music is also eerie and effective. However, the film's plotline begins to fizzle out, with the fiance escaping from the laboratory and not doing much and the film sinks, like quicksand.
This typical "drive-in" flick of the late 50s is actually fairly complicated that gets very interesting in the last 45 minutes. "Starring" the totally under-appreciated Beverly Garland (a scream queen of the 50s) and Tuesday Weld's mom in PRETTY POISON in the 60s, this sly "gator" tale is walked through Cajun swamps into unknown realms where George MacReady and Lon Chaney, Jr. live every day. Thankfully, Ms. Garland (beautiful, talented, and finally on the color MY THREE SONS episodes) is SO believable in her character's plight about her husband's "condition" ..you're sucked it.
Best performance - Ms. Garland. A 7 out of 10. The husband (who looks the same to me ..even when he's "afllicted" is good), but the Mom, the servants, the HOUSE. It has all the ingredients that make "B" movies fascinating with a lot of help from Beverly Garland playing a lead Chara ..along with Bruce Bennett and various types. Recommended for it's breed of cat.
Best performance - Ms. Garland. A 7 out of 10. The husband (who looks the same to me ..even when he's "afllicted" is good), but the Mom, the servants, the HOUSE. It has all the ingredients that make "B" movies fascinating with a lot of help from Beverly Garland playing a lead Chara ..along with Bruce Bennett and various types. Recommended for it's breed of cat.
This is actually a pretty good horror flick from the late 50's when it seems that all of God's creatures were being mutated somehow by radiation. This movie differs from that premise and that's what makes is unique and fun to watch. Beverly Garland plays a young woman on her honeymoon when her new groom suddenly disappears from a train. She desperately tries to find him and her search leads her to his home in the Louisiana Bayou where she confronts terror from all different levels. The movie is fast paced and the storyline good, I really enjoyed it. Lon Chaney, Jr. is a hoot as a drunken cajun who tries to rape the young bride. The ending is a surprise as well. Enjoy!!!!
This movie is definitely above average for a sixty year old horror flick. It actually has a plot that makes sense and isn't full of holes. That's rare for the genre. It does have some dumb moments. Like Lon Chaney shooting at alligators that are about ten feet away and constantly missing them. He screams to them that he will never stop killing alligators but he couldn't hit the broad side of a barn. Of course when it's dark outside it's actually brighter than the day time, that's never cool. The woman "stumbles" through the "dark" swamp, easily avoiding and stepping over everything except the alligators. That's a bit lame too. The alligators appear to be real but they never try to attack anyone so I don't know. Other than those dumb parts, it's not too bad. Give it a shot.
- While honeymooning on a train, a couple receives several telegrams of congratulations. But when the husband, Paul Webster (Richard Crane), receives one telegram that seems to change his mood. He refuses to let his wife, Joyce Webster (Beverly Garland), see the telegram or tell her what the problem is. At the next stop, Paul disembarks to make a telephone call. But as the train gets underway again, Paul is not on board. Frantically, Joyce begins her search for her husband. There are few clues to go on. It's as if he never existed. She finally gets a lead that takes her to a house in the middle of the Louisiana bayou. The people in the house appear to be hiding something. Joyce has to find a way to get past their lies and discover the truth. What is her husband's secret and why is he hiding in the swamp?
- Before I saw this movie for the first time, I had read some really bad things about it. I had also seen images of some of the very cheesy special effects. The movie is much better than I had been led to believe. And even though the special effects are laughable, they have a certain charm about them that I find endearing. For such a low budget movie, this is one of the most beautifully shot black and white films I've ever seen. I realize that everything is stage-bound, but it has that look that I love about these older films. The sets in The Alligator People are comparable to those from the older Universal classic monster films.
- For the most part, the acting in The Alligator People is a step ahead of most other low budget films. Beverly Garland is completely believable as the heartbroken wife. She creates a character that I found it easy to care about. On the other end of the acting spectrum, Lon Chaney, Jr. gives one of the most embarrassing performances of his that I have seen to date. His drunken Cajun was a little too close to home and makes watching it that much more sad. The attempted rape scene (shocking for a film in 1959) has to be a real low point for Chaney.
- The Region 1 DVD features one of the best images I've seen for such a low budget, obviously B film. The widescreen print is simply gorgeous. It's too bad there are no real special features.
Le saviez-vous
- AnecdotesThis film was made because 20th Century-Fox needed a low-budget "monster movie" in the CinemaScope format to play on the bottom of a double bill with Le Retour de la mouche (1959), the sequel to its "sleeper" hit La Mouche noire (1958). Fox did not produce this film, however. It was made by independent producer Jack Leewood and bought by Fox.
- GaffesJoyce has a tiny suitcase. The first thing she removes from it is a huge fluffy robe. She also has several changes of clothes and shoes in the case.
- ConnexionsEdited into FrightMare Theater: The Alligator People (2017)
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- How long is The Alligator People?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- El caimán humano
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 300 000 $US (estimé)
- Durée
- 1h 14min(74 min)
- Couleur
- Rapport de forme
- 2.35 : 1
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