Le Monstre aux abois

Watched this movie recently and overall it was better than I expected. The general storyline and acting was quite good and the special effects - e.g., walking through solids - were actually pretty decent. Robert Lansing and Lee Meriwether were pretty good especially considering this was their first film. The other actors were OK.

However there were a number of shortcomings and unintentional funny moments: 1) The soundtrack was totally over the top. Very 'hip' beatnik jazz orchestration with bongos etc. This cartoonish music often played during some of the tenser moments of the film, effectively ruining the suspense. 2) The sibling rivalry subplot at the beginning of the movie was really unnecessary. It was probably added to heighten the drama and give the characters more depth, but in the end it was all rather pointless. 3) The funniest moment of the film occurred when 'Tony' was working on his fourth dimension theory at the restaurant table. When the camera showed his notebook, instead of mathematical calculations or a scientific diagram, it was simply a sketch of a block of metal with a pencil going through it. It was like something straight out of a Leslie Nielsen movie.

Overall, it is an OK movie and worth watching if you enjoy old sci-fi movies. It won't change your life, but you won't regret watching it either.

I saw this movie when it first appeared in theaters. I was 12 years old and a fan of the ilk. However, the methods used for special effects in that era always seemed so obvious. This movie was a novel experience: I could not imagine how the effects were done. My only reservation was that they talked of slipping through the fourth dimension AND speeding up the natural process by which an object might slowly penetrate another. These are two different ideas. The second scenario accounts for the "horror" of the movie as people are rapidly aged. It was an unforgettable film. I would like to see it now and determine whether it holds up as well as my memory of it.

I didn't have very high expectations for 4D man and when I started to watch it, the jazz music playing started to confirm my fears right at the start of the film. It really got the movie started off on the wrong foot. Other than the music, I must admit that it was a pretty good sci-fi movie. The acting was good, film quality good, very nice special effects and an unusual sci-fi plot. If I didn't know any better, I would have thought that this movie was made in the mid 1960s and not 1959. It's my opinion that 4D Man is probably a little underrated as a 50s sci-fi, horror flick and should get more attention. Don't expect too much though. I wouldn't go as far as calling it a classic, but I think it's still a pretty good movie and is well worth watching. Let the 4D Man come through the wall for you. I don't think you will be disappointed.

Of all the films of actor Robert Lansing this film " The 4-D Man " is perhaps the least seen or appreciated. The story revolves around inventive scientist Dr. Scott Nelson (Robert Lansing) who is searching for something which can revitalize his nearly futile experiments with a new metal process. He discovers that his younger brother Dr. Tony Nelson (James Congdon) is also working with a fantastic invention which ventures into the realm of the incredible. At first, Scott is uninterested and disbelieving, until his brother shows him. Once aware of the possibilities, Scott steals the project and pushes it to the limits. However, the outcomes are totally unexpected as Scott is propelled into the world of the Forth Dimension with horrendous results. This is a solid movie and Lansing overwhelms the cast despite having Lee Meriwether, Robert Strauss and Edgar Stehli as Dr. Theodore W. Carson. Look carefully and you'll see a very young Patty Duke playing Marjorie Sutherland. Good fun for the Special Effects crowd. ***

The second Jack H. Harris-Irwin S. Yeaworth collaboration is a more cerebral effort (being an outright sci-fi piece) than its more famous predecessor THE BLOB (1958). Typically for the genre, it deals with a scientist becoming accidentally endowed with some form of superhuman ability (in this case, passing through solids) – the downside to this is that he ages every time this feat is accomplished…but, then, coming to contact with other people, he is able to sap their energy and bring about his own rejuvenation! Robert Lansing – whom I fondly recall from the TV series AUTOMAN (1983-84) that I used to watch during childhood – is adequate in the title role but his brash younger brother (who is actually the catalyst for the transformation) is less likable; as a result, while Lee Meriwether makes for a lovely conflicted heroine (being engaged to Lansing but falling for his younger sibling), their budding relationship sorely feels like a plot contrivance. Besides, Robert Strauss is cast against type as a scientist who is not above appropriating a colleague's work for his own advancement. Even though boasting variable effects (particularly the aging make-up) and ending somewhat inconclusively, the film remains an eminently watchable and thought-provoking piece that should please fans of the genre and the era which spawned it.