Le Temps d'aimer et le Temps de mourir

This film, beautifully shot, is the tale of a simple soldier falling in love, during trying times. The soldier is German. The struggle is World War II. The setting is Berlin.

1958 was surely a hard year to make such a film. In fact, this film could not be made today. However, this love story was made, with the enemy at the focus. Of course, enemy never crossses the viewer's mind. We are with the protaganist throughout the movie.

In short, this is an important film of significant value. Not because it is about history, but because it is about the redeeming quality of humanity, even if displayed in the setting of our onetime enemy.

I'm not one to watch really any film that seems to have romance in it set during war. However, the first time I watched this movie, I was really amazed at how well it was done as well as the most excellent cast for a movie and the realism that it showed. Also, I do not care for films with much romancing in it however, I liked this film and how the romance between a German Soldier and some Fraulein; was shown.

Young German soldier returns to a devastated hometown on leave from the Eastern Front. First he tries to locate his family after discovering their home was destroyed on some bombing raid. Whilst looking for family, he runs into an old professor of his as well as his daughter. During his time on leave, he falls in love with this girl and they eventually get married. Also, the professor had been arrested for some reason and was shucked away to some interrogation center - which really was a Concentration Camp. Sometime later in the movie, this soldier discovers the professors fate.

During his leave, this soldier befriends and teams up with another soldier--who is also looking for a loved one. Don DeFore excellently plays that soldier. Also in the film in memorable roles include: Keenan Wynn as a rich German Corporal, Jock Mahoney as Steinbrenner, a "crack" machine-gunner who is in Gavin's (Graebers) platoon, as well as a very young Dana "Jim" Hutton, as a young German soldier in Graebers platoon.

I do not want to spoil what happens at the end of this movie but will say that Graeber gets sent back to his platoon somewhere on the Eastern Front.

This movie is so good that it really deserves to be released on DVD. It is in color and the sound is excellent.

It is a lush rendition set In 1944, a company of German soldiers on the Russian front are numbed by the massacres and violence of a bloody war , there Private Ernst Graeber (John Gavin) is given a furlough and he goes back home in Germany, as he finds his home bombed , then hopelessly looking for his parents, but also meets a beautiful girl called Elizabeth Kruse (Lilo Pulver) with whom he falls in love . Both of them attempt to survive from a world full of slaughter , ambition and hatred . The are happily joined, only to be separated when he is forced to return to the Russian front. Born out of the blazing passions of war! The great love story of World War II by the author of "All Quiet on the Western Front"...There Was Nothing Else in the World Now...But Them! No shame, no law, only love and each other...and the thunder of their pounding hearts...

This Douglas Sirk's penultimate masterpiece turns to be an interesting and thought-provoking film showing the human side of the enemy , including romance , emotion , thrills , and hardships and horror of an unfinished war, giving a sympathetic treatment of Germans opposited to Hitler' policies. It rests on a sad simmetry between the scenes at the Russian front and the central section in the bombed home-town . An affectionate love story with uncommon compassionate portrayal of Germans that takes place when a long awaited furlough comes through a good soldier : John Gavin and arriving in his half-ruined town he falls in love for a lovely girl : Lilo Pulver who results to be daughter of a political prisoner . This doomed and tragic romance exists non in spite of war, but because of it. This is one of few American films which portray World War II on the German side and the main roles were the German enemy. Based on a novel by prestigious author Erich Maria Remarque , published in 1954, who also wrote other successful war novels such as All Quiet on the Western Front by Lewis Milestone and The Arch of Triumph that were equally adapted ; in addition , playing himself a brief appearance . Starring John Gavin, credited to his real name Dana J. Hutton, gives a wooden acting in his film debut , while Lilo Pulver is better than him thanks to her sympathy , and attractive face . Good support cast , such as : Jock Mahoney , Don DeFore , Keenan Wynn , KlausvKinski, Thayer David , Barbara Rütting, among others.

It contains a colorful and superb cinematography in Technicolor by Russell Metty, though a perfect remastering being extremely necessary . Being shot on location in Germany. Sensitive and enjoyable musical score by Miklos Rozsa . The motion picture was well directed by Douglas Sirk . He was a fundamental filmmaker who gave prestigious movies , usually collaborating with similar technicians as cameraman Russell Metty , Production Designer Alexander Golitzen , Producer Ross Hunter and writer George Zuckerman . Sirk directed a lot of classic melodramas such as : Never say goobye , Interlude , Summerstorm , The first legion , The lady pays off , Tarnished Angels , A time to love a time to die , Magnificent obsession , All that heaven allows , Written in the Wind . But he also directed other genres as WWII : Mystery submarine , Hitler's madmen ; Thrillers and Film Noir : Shockproof , Thunder on the hill , A scandal in Paris , Lured ; Historical : Attila with Jack Palance ; Adventures : Thunderbolt and Lightfoot with Hudson and Barbara Rush ; and even a Western : Taza . Rating : 7/10 , better than average . Worthwhile watching.

I saw this fabulous tear-jerker purely by accident but I don't regret it one bit. In my opinion it's one of the best romantic war films ever made. This is mainly because the fabulous director Douglas Sirk doesn't allow it to become a soppy schmaltz. Also, the film is incredibly moving, especially in a scene at the beginning where a young man, unable to live with the guilt of having shot a woman, shoots himself. John Gavin is good as Ernst Graeber and his beloved is adequately played by Liselotte Pulver, but the most outstanding performance, I think, is by Charles Régnier as Joseph. If more war films were made like this then they would be much, much more watchable. The credit sequence at the beginning of the film is also very well done. Why don't more people know this masterpiece? Enjoy! (and don't forget the Kleenex) 10/10

...in this time of generalizations and terminally low attention spans (not to say inexistent historical memory) people who have been the hollywoodesque cartoonish image of all 1930/40s Germans to be goose-stepping-order-barking-black-uniformed-ss-genocidal-murders could have their insight skills sharpened a bit more by this movie directed by Detlef Sierck (his real name). Actually lots of people in the 3rd Reich must have felt like Sierck himself, who obviously loved his fatherland but hated the Nazis and the way they tried to rape and pervert the very idea of the 'german nation' to their twisted ends...and those who were not lucky enough to expatriate like he did would have lived like the protagonists of this drama, suffering through an unwanted war having to witness both the cruelty of the regime AND the devastations from the war that the regime forced upon its people (the political prisoners forced to clear rubble from the air raids is a TELLING scene indeed!). The only thing that upset me a bit was the censorship forced on the filmmaker which in several scenes has to resort to silly 'visual tricks' to 'avoid' showing swastikas (a tube blocking our sight over the Military Police gorget in one of the first scenes, the queer angle at which a NSDAP member crosses our p.o.v. in the restaurant scene so we can't see the front of his armband)....now think a bit...if a catastrophe strikes and leaves this movie the ONLY proof of semi-historical value regarding WW2 the historians of the future will be oblivious of the centrepiece of nazi imagery...how STUPID is that???

Down with censorship I say, either sexual, political, intellectual et al...