Sous la terreur

I've yet to see the Hollywood Classic, but I doubt it do a better job that this British version, which makes you feel that you've taken a step back in time and are really a part of those best of/worst of times,

Dirk Bogarde is his usual superb self as Sidney Carton, and I also liked Paul Guers's performance as Charles Darney. I can't say that I cared for Dorothy Tutin all that much. Nothing against her acting skills, but in all honesty, I'd have preferred a Lucy Manette whose voice did not get on my nerves. Oh well, can't have everything!

Rosalie Crutchley played Madame Defarge with the right amount of menacing determination, her desire for revenge understandable, until she made it an obsession. And Athlene Seyler as Miss Pross was one bad-ass old lady! Rosalie didn't stand a chance!

Worth watching, no doubt about that!

"Tale of Two Cities" is one of those overworked and tired tales that has been over told dozens of times ad nausea! However, this rendition is glorious. Only the Ronald Colman version is slightly better, but Dirk Bogarde fits this role perfectly, as he does most of his other roles in film. Although most of the versions of "Tale of Two Cities" are boring, much like the tired renditions of Beethoven's 5th Symphony, this version is like the Herbert Von Karajan or Carlos Kleiber orchestrations that are spectacular and inspiring, as if played for the very first time. There are beautifully crafted scenes in this film that create an interest in the humanity of the characters. This is truly a wonderful film.

One of the most powerful ending's to a film I have ever seen, similar to the sacrifice that Christ made for us on the cross, this is a film you must see and you will be glad you did. You will ask yourself, how many people could make such a sacrifice for the one they love? I know I couldn't. The courage of these characters' is awe-inspiring and as one of the character's says, Sydney Carton (Bogarde) shows the best that is in us, and is the best of us, in desperate times. A Super Hero in a great film! See this one! If you have a heart, you will have a lump in your throat and your eyes will be moist at the end of this one!

Though I gave the 1935 version of Dickens' "A Tale of Two Cities" a higher rating (before seeing this version), I'd have to say that this film, directed by Ralph Thomas, is probably better for the most part. This movie, done in black and white, captures the atmosphere of the Dickens novel - the filth and the cruelty - beautifully. No Hollywood gloss here. The cast is strong: Dirk Bogarde, Dorothy Tutin, Donald Pleasance, Ian Bannen, Christopher Lee, Alfie Bass.

Though Sydney is one of Ronald Colman's great roles, it also proved to be a great role for Dirk Bogarde. As much as I love Ronald Colman, he can't quite help but come off as noble, whereas, you really could believe that Bogarde was a drunk and a waste before his final moments. Both men had the great gentleness required for the role. The end of this particular adaptation is very simple and beautiful.

I highly recommend both versions. This one, I think, is closer to the Dickens novel.

The 1935 film is a classic, and this film from 1958 is very close to that, the second-best adaptation by quite some distance. It looks very beautiful, the black and white photography skillful and well-suited to the story, the revolutionary scenes are still powerful despite not being in colour. Richard Adinsell's music score is bombastic, haunting and also a real beauty to listen to. A Tale of Two Cities is very intelligently scripted with a lot of dramatic weight though occasionally a little on the ponderous side, while the story- even when straight-forwardly adapted- is still as powerful and moving as one would expect, with the ending quite heart-breaking in its tragedy. The direction shows command of the source material and the ability to bring out the best of the cast. Dirk Bogarde is great and very charismatic, plus he probably hasn't been more handsome than he is here. Dorothy Tutin's Lucie is fetching and heartfelt, Christopher Lee is wonderfully vicious and truly hissable and Rosalie Crutchley brings chills as Madame Dufarge if occasionally a little too histrionic. Overall, excellent and a very easy close second-best adaptation. And it is true that it deserves to be judged on its own terms, the whole "the book is better" and "any film/TV series that doesn't follow the story to the letter is immediately terrible, and books shouldn't be seemingly improved upon"(Agatha Christie and Jane Austen adaptations are prone to this in particular) are tired old clichés. 9/10 Bethany Cox

Summary: Ralph Thomas' direction makes this the best adaptation

The English 1958 interpretation of Charles Dickens' great novel "A Tale of Two Cities", directed by Ralph Thomas, is a really terrific picture, capturing the essence of Dickens' tale deftly. Thomas' craftily directed black and white adaptation lends itself quite tangibly and nicely to the purposes of the story, I would say more succinctly than the 1935 interpretation directed by Jack Conway. The earlier adaptation featured as many fine performances (Ronald Coleman, Edna Mae Oliver, Basil Rathbone, Blanche Yurka, etc), and succeeded in special effects and cinematography a little better, perhaps, than THIS picture, but Thomas' directing emphasizes the key points of the original story, and this becomes the better picture as a result.

Dirk Bogarde playing Sydney Carton is quite perfect here, and a young Christopher Lee as the conceit driven supercilious Marquis St. Evremonde is fantastic, as is Rosalie Crutchley as the cruel hearted revenge laden Madame Defarge. Cast-wise, both pictures do a great job, and Edna Mae Oliver's performance in the earlier picture is missed here. But the director uses a lighter brush to get many of the complexities of the story in this English version. In one scene, during the climactic period of the story in the dungeon of the Bastille, Barsad (Donald Pleasence), a character of low repute working for whichever side will use him, finally catches onto the heroism of Mr Carton and holds his hand out for a respectful shake. . . with no reply for several seconds. Then, just as he turns to open the door to have the guard take out Mr Carton, who by then is really a passed out Charles Darnay made to look like the supposed drunken Carton . . .the real Mr Carton (Dirk Bogarde) touches his shoulder, just enough to convey that a good angel is bringing hope to the world, even to low characters like Basard. It is very touching. This scene is handled with master craftsmanship by the director. And this sort of directing pervades the film's entirety, which is the primary reason why this movie IS the better of the two, in my opinion.