La terreur monte

Based on the title, I initially thought Step Down to Terror was going to be a horror film. I soon realized my error. That's fine because I was also up for a good suspense film and always happy to see Rod Taylor. Step Down to Terror isn't completely lacking in suspense, but unfortunately, there just isn't enough of it. For starters, I think the film takes to long in the set-up before it actually gets really interesting. Then when it does get interesting and suspense starts it's fairly quickly snuffed out when the female lead oddly, and unfortunately for everyone involved, including the audience, decides to put everything out there. The very ending scene is odd and seemed like a last minute kind of thing.

"Step Down to Terror" is a remake of the Hitchcock film, "Shadow of a Doubt". This alone makes for a very tall order, as the original was quite a picture and Hitchcock such a famous director. But what makes it all worse is that the story itself seemed second-rate at best and really kept little of the suspense that made the original worth seeing.

Charles Drake plays a man on the run from the law...though exactly what he's done isn't clear until later in the film. He arrives in his old hometown after being gone six years. He says it's to see family and perhaps settle down there, but it's really a ruse...he's there to hide from the law.

At first, the family is thrilled he is home. However, his widowed sister-in-law goes from adoring him and welcoming his return to actually confronting him when she thinks he might be a murderer...which is amazingly dumb. From this point to the ending, it all goes VERY quickly and is really disappointing.

The bottom line is that this remake is inferior in every way and I can't think of a good reason to watch it. Stick with the original...unless you want to compare them and see why the Hitchcock version is simply better.

Having acted alongside Rock Hudson, Elizabeth Taylor, James Dean, Dennis Hopper and Earl Holliman in 'Giant', the 28 year old Rod Taylor continued to get roles alongside high profile actors and actresses until his big break came in 1960 with 'The Time Machine'.

Avoid any comparison with Hitchcock's masterful "shadow of a doubt" ,its remake would suffer ; nobody here can match the Teresa Wright/Joseph Cotten pair ,and the director can't begin to touch the master's genius of suspense of psychological tension .Thornton Wilder and Alma Hitchcock had dramatically enriched the original story ,by creating lots of new characters ,all more colorful than the one before .

In the family where the uncle takes refuge, there are only three persons; the mother ,the widowed daughter-in-law and her son ; the detective (played by Rod Taylor ,later star of Hitchcock's "the birds") plays a more prominent part than in the 1952 version,and he quickly falls in love with Helen ,the niece (there's no love/hate relationship between her and her uncle ) ; the ring is a good trick , so is the crushed bike .The film is rather short (about 75 min) and sometimes the events are too hurried for comfort; the denouement is rather poor and implausible .

Charles Drake is handsome and quite convincing when he charms the old ladies .

Needless to say ,you will always be better off with the fifties version.

Immediately recognizable as a remake of Hitchcock's 'Shadow of a Doubt'. Charles Drake adequately replicates Joseph Cotten's initially bland, innocuous deportment, but the movie, trimmed down in running time and the shedding of several characters, a significant step down from the original, looks formulaic and becomes increasingly defined by Drake's predictable terror by numbers performance.

1) Becoming worryingly irritated and aggressive over an engraved ring. 2) Unconvincingly finding a lame excuse to tear a page from the local newspaper. 3) Colleen Miller's young son receiving a new bicycle puts a drastic spoke in his wheel, sparking bitter memories relating to a cycling incident from his own past. Shortly afterwards he 'accidentally' reverses his car over the gleaming dream machine, instantly reducing it to scrap metal. 4) When the family are selected to partake in a survey involving interviews and photographs, he stays out of sight, retiring to his bed with a mystery illness. 5) The manic, rambling 'world is a jungle' rant, populated only by two faced, rotten to the core, money grabbing hypocrites, hiding behind a wafer thin veneer of respectability.

Colleen Miller takes on the Teresa Wright role of the astute and dutiful family member, who rumbles that there is something monstrous; a dangerous phony lurking behind Drake's outwardly avuncular facade. A remake that need never have been remade. As such, it is rarely more than mildly interesting and moderately entertaining. When it comes to suspense, Hitchcock holds all the cards.