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Tables séparées

Titre original : Separate Tables
  • 1958
  • Tous publics
  • 1h 40min
NOTE IMDb
7,3/10
9,3 k
MA NOTE
Tables séparées (1958)
Trailer for this film based on the stage play
Lire trailer2:40
1 Video
99 photos
DramaRomance

Ajouter une intrigue dans votre langueThe stories of several people are told as they stay at a seaside hotel in Bournemouth which features dining at "Separate Tables."The stories of several people are told as they stay at a seaside hotel in Bournemouth which features dining at "Separate Tables."The stories of several people are told as they stay at a seaside hotel in Bournemouth which features dining at "Separate Tables."

  • Réalisation
    • Delbert Mann
  • Scénario
    • Terence Rattigan
    • John Gay
    • John Michael Hayes
  • Casting principal
    • Rita Hayworth
    • Deborah Kerr
    • David Niven
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,3/10
    9,3 k
    MA NOTE
    • Réalisation
      • Delbert Mann
    • Scénario
      • Terence Rattigan
      • John Gay
      • John Michael Hayes
    • Casting principal
      • Rita Hayworth
      • Deborah Kerr
      • David Niven
    • 99avis d'utilisateurs
    • 23avis des critiques
    • 68Métascore
  • Voir les informations de production sur IMDbPro
    • Récompensé par 2 Oscars
      • 7 victoires et 15 nominations au total

    Vidéos1

    Separate Tables
    Trailer 2:40
    Separate Tables

    Photos99

    Voir l'affiche
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    + 91
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    Rôles principaux13

    Modifier
    Rita Hayworth
    Rita Hayworth
    • Ann Shankland
    Deborah Kerr
    Deborah Kerr
    • Sibyl Railton-Bell
    David Niven
    David Niven
    • Major Angus Pollock
    Burt Lancaster
    Burt Lancaster
    • John Malcolm
    Wendy Hiller
    Wendy Hiller
    • Pat Cooper
    Gladys Cooper
    Gladys Cooper
    • Mrs. Railton-Bell
    Cathleen Nesbitt
    Cathleen Nesbitt
    • Lady Gladys Matheson
    Felix Aylmer
    Felix Aylmer
    • Mr. Fowler
    Rod Taylor
    Rod Taylor
    • Charles
    Audrey Dalton
    Audrey Dalton
    • Jean
    May Hallatt
    May Hallatt
    • Miss Meacham
    Priscilla Morgan
    Priscilla Morgan
    • Doreen
    Hilda Plowright
    • Mabel
    • (non crédité)
    • Réalisation
      • Delbert Mann
    • Scénario
      • Terence Rattigan
      • John Gay
      • John Michael Hayes
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs99

    7,39.3K
    1
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    Avis à la une

    10braggs123

    If you like human nature you'll love this movie.

    I enjoyed this movie immensely. I went back and watched parts of it over because it was done so well.

    The actors show the greatness and degradation of human nature under the duress of great personal obstacles and non-ideal circumstances.

    Burt Lancaster is both bold and vulnerable, directly honest and compassionately understanding.

    One person exhibits unsurpassed understanding with unselfish love. To me, this is a love story on many levels; manipulative love, selfish, lonely love, the love of people's opinion, love battling fear and finally... well, you need to watch it and see.
    9martindonovanitaly

    Comfort Film

    I don't know why, sometimes I think it may have to do with previous lives, otherwise why do I feel so comfortable within the discomforts of this English seaside hotel. But the fact is that, often, I want to put it on and sit at one of the tables myself. I believe that Terence Rattigan is the main reason. What a wonderful writer. Then, Gladys Cooper of course, how can such a perfidious mother be such a pleasure to watch? Maybe is that explosive combination of Rattigan/Cooper. Wendy Hiller in one of her few meaty roles in movies, she won an Oscar for it and every nuance, every look is worth pages and pages of exposition. Exquisite. Cathleen Nesbitt is a joy to behold. Deborah Kerr, David Niven who also won the Oscar for his sad impostor, Burt Lancaster and Rita Hayworth bring a dash of Hollywood to the grayness of Bournemouth. Okay, now, dinner is served. Don't let it get cold.
    7Holdjerhorses

    David Niven Deserved His Oscar

    Having recently watched "You Were Never Lovelier" with Fred Astaire and Rita Hayworth, it's interesting to notice how she was largely shot and directed throughout her career.

    Her dancing in "Lovelier" was fun and fine in "The Shorty George," where she's relaxed and clearly having a ball -- and appears to be keeping up with Astaire. "Appears" is the operative word. Astaire (who choreographed) carefully kept their routines within Hayworth's range, never challenging her beyond her capacities. But Hayworth completely lacked Ginger Rogers' lithe body fluidity and on screen electricity.

    Hayworth was stunningly beautiful, of course. But even in "Lovelier" there are moments when, not carefully lit, the forehead lines that were so apparent in later years (unless also carefully lit) were already apparent and fleetingly distracting.

    More to the point was how she was directed and photographed in "Lovelier." She actually has very few lines. What she does have are usually brief and delivered in a relatively quick take before cutting away.

    She never makes emotional transitions in a scene. Rather, the camera cuts to a new angle when she's called on to register a different emotion. The primary goal at all times is to maintain her seemingly flawless facial beauty. Fine in a fluff piece like "Lovelier."

    Cut to "Separate Tables" 16 years later.

    Hayworth is still beautiful if more "mature." AGAIN she is never shown making an emotional transition in one shot: cutaways are instead employed. The technique (to disguise her limited acting abilities) is particularly jarring in her dramatic scene in her bedroom with Burt Lancaster. On closer inspection, she "poses" from cut to cut rather than displaying her character's emotional arcs.

    Sure, she was supposed to be an aging model, all self-possessed poise. But not in that dramatic scene.

    Still, it's a fascinating lesson in how skilled film making disguises limited range. (For a heartbreaking account of the making of her last film, read Frank Langella's "Dropped Names.")

    Terence Rattigan's play was forced to disguise the homosexual "scandal" of the Major's (David Niven) being arrested for soliciting men in dark movie houses, though the implication is fairly clear.

    Knowing the repression of homosexuality at that time makes Niven's performance even more involving; especially once the scandal is revealed to the boarders at the Beauregard.

    Niven's amazing performance (in only 16 minutes of screen time) is disarmingly deep. He goes from an almost comical figure to an exposed fraud with a dark secret since childhood, to a lost late-middle-aged man with no future, to the final hope of redemption.

    Niven shows all his character's subtle emotional transitions in sustained takes (unlike Hayworth).

    Deborah Kerr is fine and completely convincing, as always.

    Burt Lancaster gives another version of Burt Lancaster in not his finest hour. "Sweet Smell of Success," "The Rose Tattoo," "Come Back, Little Sheba," "Birdman of Alcatraz" and "Judgment at Nuremberg" -- even "Trapeze" -- are better records of his talents. But he's always believable.

    The remaining cast, especially the nuanced Wendy Hiller, are terrific.

    Still, it's Hayworth's impression -- not her character's -- who lingers as something not quite real, not untalented, but unrealized and somewhat vacant. It's not her mental deterioration. It was there on screen from the beginning. She tried gamely throughout her career, and looked magnificent thanks to careful costuming, lighting and cinematography. But even with careful cutaway direction she seems little more than a paper doll -- and finally, tragically, just as fragile.
    8ferbs54

    Do Check Into The Beauregard Hotel!

    "Separate Tables" (1958) is a movie that I'd been wanting to see for many years, and it was worth the wait. A "Grand Hotel"-type of story that takes place at a quaint English inn by the sea, it features any number of interesting characters, marvelously depicted by a host of great talents. Thus, we get a love triangle between Burt Lancaster, his ex-wife Rita Hayworth (40 years old in this film and still looking very pulchritudinous) and the charming hotel owner Wendy Hiller, who really did earn her Best Supporting Actress Oscar here. We meet the repressed mess of a spinster played by Deborah Kerr, as well as her impossibly overbearing mother (Gladys Cooper, doing here what she did to Bette Davis in 1942's "Now, Voyager"). We get to know retired Army major David Niven, and learn his dark secrets. (Niven, too, earned his Oscar for this fine portrayal; he also costarred with Kerr in another 1958 film, "Bonjour Tristesse.") And finally, we encounter a pair of young lovers, Rod Taylor and the yummy Audrey Dalton, who can't decide if they should marry or not. Many dramatic encounters abound (some of them sexually frank for 1958), and Hayworth's mature and adult performance might come as the pleasantest surprise of the bunch. Personally, I would say that big Burt picks the wrong gal to go off with at the film's conclusion, but I suppose that this is a matter of personal taste. The bottom line here is that this classic film is a wonderful treat for viewers who appreciate good screen writing and who relish deliciously served acting by a bunch of real pros. And this nice, crisp-looking DVD only adds to the pleasure. So do yourself a favor and check into the Beauregard Hotel!
    Doylenf

    Fascinating character studies at a seaside hotel...

    Deborah Kerr and David Niven give stunning performances in this interesting character study of residents of a British seaside hotel forced to examine their feelings and emotions through the revelation of a scandal involving a blustery phony Major Pollock (David Niven. His relationship with the repressed daughter (Deborah Kerr) of a domineering mother (Gladys Cooper) is just one of the interesting aspects of this filming of Terrence Rattigan's stage play.

    Rita Hayworth and Burt Lancaster are excellent as ex-lovers forced to examine their pasts. Wendy Hill excels as the keeper of the hotel, herself involved in an affair with Lancaster. Rod Taylor and Audrey Dalton do well as the young lovers caught in the claustrophobic setting dominated by snooping elderly women.

    A very worthwhile, sensitive study of people trying to spend quiet days at a resort--very disparate people leading separate lives who must cope with their differences.

    Deborah Kerr gives a deeply felt, genuinely moving performance opposite Niven's blustery major and Cooper's exquisitely well-mannered but narrow-minded mother. Niven deserved his Oscar for his moments of quiet desperation and crumbling of character--but Kerr is equally fine and should have had Academy recognition for this role instead of just a nomination.

    Wendy Hiller is especially impressive and surely deserved her Best Supporting Actress Oscar as the innkeeper who deals intelligently and sympathetically with the various crises facing her guests. She is a pleasure to watch as she struggles to keep her guests comfortable under trying circumstances.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      When she was interviewed by the London "News Chronicle" about her Oscar win, Wendy Hiller said she thought the Academy was crazy for giving it to her. "All you could see of me in the picture was the back of my head. Unless they give some award for acting with one's back to the camera, I don't see how I could have won. They cut my two best scenes and gave one to Rita Hayworth." She went on, "Never mind the honor, though I'm sure it's very nice of them. I hope this award means cash - hard cash. I want lots of lovely offers to go filming in Hollywood, preferably in the winter so I can avoid all the horrid cold over here."
    • Gaffes
      When John takes Ann in his arms on the terrace, she drops her cigarette. As they go back inside, she still has the cigarette in her hand.
    • Citations

      Pat Cooper: [to John about his relationship with Ann] When you're together, you slash each other to pieces. When you're alone, you slash yourselves to pieces.

    • Versions alternatives
      Delbert Mann did not want the song in the opening titles, and he discovered an old British print that included David Raksin's main title rather than the song, as he had wanted it, being used in a film festival.
    • Connexions
      Featured in Hollywood and the Stars: The Odyssey of Rita Hayworth (1964)
    • Bandes originales
      Separate Tables
      (1958)

      Music by Harry Warren

      Lyrics by Harold Adamson

      Sung by Vic Damone (uncredited)

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    FAQ17

    • How long is Separate Tables?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 11 février 1959 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Separate Tables
    • Lieux de tournage
      • Stage 5, The Lot - 1041 N. Formosa Avenue, West Hollywood, Californie, États-Unis
    • Sociétés de production
      • Hecht-Hill-Lancaster Productions
      • Clifton Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 7 400 000 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 40 minutes
    • Couleur
      • Black and White
    • Rapport de forme
      • 1.66 : 1

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