Ajouter une intrigue dans votre langueA U.S. submarine commander who's obsessed with sinking a particular Japanese ship butts heads with his first officer and crew.A U.S. submarine commander who's obsessed with sinking a particular Japanese ship butts heads with his first officer and crew.A U.S. submarine commander who's obsessed with sinking a particular Japanese ship butts heads with his first officer and crew.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
- Jessie
- (non crédité)
- Carl Beckman
- (non crédité)
- Co-ordinate Fixer at Bungo Straits
- (non crédité)
- Bragg
- (non crédité)
- Capt. Blunt
- (non crédité)
- Japanese sailor
- (non crédité)
- Minor Role
- (non crédité)
Avis à la une
The main action involves Gable's revenge motif. He's like a Captain Ahab, fervently determined to sink the Japanese destroyer that took the lives of his former crew members a year earlier, just as Ahab ran after the whale. His motives are questioned by the man originally selected to be Captain, his second in command Burt Lancaster. It's the clash of wills between these strong personalities that gives the film its punch and keeps the situation tense and taut until the final battle.
Franz Waxman's score is almost non-existent, one of the chief shortcomings for me, as I always expect great things from Waxman. Here he opted for silence on the soundtrack when the situations get tense, as when the depth charges are sinking to the bottom of the ocean, barely missing the submarine. Perhaps this was a wise decision, since the sounds we do hear are those the sailors aboard the sub are experiencing while waiting tensely in their claustrophobic surroundings.
It's an admirable war film, graced by two excellent performances from Gable and Lancaster, both convincing in their display of authority and command. Although models are used in the battle scenes, all of the action looks very realistic thanks to some excellent B&W photography. Kudos to Robert Wise for keeping the whole story brisk and supercharged.
It never drags for a moment, as some of the other big wartime movies like DESTINATION TOKYO did. The script is taut and concise without resorting to any arbitrary love interest or humorous shenanigans which would have weakened the drama--and it's all told in a tense running time of 94 minutes.
Commander Richardson (Clark Gable) lost a submarine under his command after firing torpedoes at a Japanese troop and supply convoy. The Japanese destroyer simply run down his submarine as it struggled to submerge. Not quickly enough though as it was split in two. Tragically, Richardson lost some of his men. He was demoted to a desk job and earned the reputation of a loser among sailors.
The experience led him to devise a tactic on how to escape after torpedoing an enemy ship. He figured that it was not enough to run away from a destroyer because it can easily hunt his sub down with sonar and depth charges. The pursuing destroyer must be sunk. How? It moves so much faster than a submarine that it is impossible to hit it broadside. It also dropped depth charges as it circled the submarine in an ever tightening "noose" maneuver.
Richardson thought that if a sub charged a destroyer head on firing torpedoes as it submerged, the enemy ship can be hit on the bow sharp. This calls for speed, precision timing and perfect aim. So he drove his men to exhaustion and frustration as he made them do a new drill for the special maneuver he had in mind. The scenario was this: Fire torpedoes at an enemy aircraft carrier, tanker or whatnot. Then as a destroyer gives chase, instead of submerging at once and running away, the sub will charge the destroyer head on as in a game of "chicken." At this position, the destroyer cannot yet make effective use of its depth charges as they are released at the stern. The front guns of the destroyer are also at an awkward elevation in relation to the sub lying low in the water. The sub may have enough time to fire at least one torpedo or at the most two before it is rammed by the destroyer. The trick then is to fire while submerging at the same time. Remember, this was in the days when torpedoes had no teleguidance and the sub's commander and crew relied entirely on their instinct for the right buoyancy, depth, speed and angle of descent as they submerged as to when to fire the torpedoes at the critical moment for the proper aim. I am curious as to whether this was actually done in WWII.
It was bad enough that Richardson's men resented him but his own XO, Lt. Bledsoe, whom he edged out of command of the submarine by using his connections, also hated him with a passion viewing his drills and new tactic as criminally dangerous and unworkable.
If you liked this movie, watch The Enemy Below starring Robert Mitchum and Kurt Jurgens for a better understanding of submarine vs. destroyer warfare.
It is filmed in black and white, which is (possibly) a salute to the "Victory at Sea" series of a few years before, but this film would not work as well in color (in contrast with "Das Boot," which would not work as well in black and white). Like "Das Boot," the sets are realistic and give the viewer an intimate feeling of the claustrophobia that existed on these small subs.
The script is excellent, although I have one recommendation: Try to watch this film in a "closed caption" mode. I hear fine, but when I watched it a second time in closed captioned, I picked up even more, particularly the names of the crew.
Gable and Lancaster are a little too old for the roles they are playing. But, this is a small complaint in comparison to their remarkable performances. It's easy to think of Gable as "Rhett Butler," no more and no less, but this film illustrates what a very fine actor he was. Lancaster is excellent, and gives a preview of his Oscar-winning turn in "Elmer Gantry," just a year or two later.
This is an old-fashioned film made with the able assistance of the U.S. Navy, and one cannot help but feeling a little pride in our nation and gratitude for our brave WW II veterans, after watching it. Highly recommended.
Le saviez-vous
- AnecdotesClark Gable was ill during filming, and his head violently shakes in several scenes. It is believed his shaking was caused by his chronic alcoholism and smoking four packs of cigarettes a day, although there were rumors he had Parkinson's disease.
- GaffesA depth charge is seen rolling off the sub's deck and exploding directly under the keel. And later, three depth charges explode one after the other, all around the stern of the boat. A depth charge exploding that close under the middle of the keel would have broken the sub's back and sent it to the bottom, let alone three close in nearly simultaneous detonations. These images were meant to build tension, but are totally unrealistic.
- Citations
[last lines]
Lt. Jim Bledsoe: [presiding at a funeral on his submarine] It's thirty-eight days now since we left Pearl Harbor. I know how some of us felt then; I think I know how some of us feel now. But let no one here, no one aboard this boat, ever say we didn't have a captain.
[as the body is buried at sea, he reads these remarks]
Lt. Jim Bledsoe: Unto almighty God we commend the soul of our shipmate departed. And we commit his body to the deep, in the sure and certain hope of the resurrection unto eternal life, when the sea shall give up her dead in the life of the world to come.
- Crédits fousNot sure why Bungo Straits is cited as a crazy credit. The Bungo Suido (translates to Bungo Straits) is the waterway between Kyushu and Shikoku.
- ConnexionsEdited into Spisok korabley (2008)
Meilleurs choix
- How long is Run Silent Run Deep?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Run Silent, Run Deep
- Lieux de tournage
- Salton Sea, Californie, États-Unis(battle scenes using miniatures and models)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut mondial
- 6 174 $US
- Durée1 heure 33 minutes
- Couleur
- Rapport de forme
- 1.85 : 1